Published by Oxford University Press, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketSoftcover. Condition: Very Good+. Tight unmarked book in rubbed covers with touch of shelfwear. ; 11 X 0.67 X 8.25 inches; 320 pages; Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Published by Oxford University Press, 1998
ISBN 10: 0195104803 ISBN 13: 9780195104806
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Add to basketHardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Blue boards with silver spine titling, very good with light edgewear. Slight forward spine tilt. Binding sound. Dust jacket very good with light shelf-wear. Prior owner's name penned to first page. Interior else clean, text unmarked.
Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Published by Oxford University Press, USA, New York, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Paperback. Condition: new. Paperback. Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Published by Oxford University Press, USA, New York, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketPaperback. Condition: new. Paperback. Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Published by Oxford University Press, 2000, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketCondition: Near Fine. Pbk, square 4to, 367pp, profusely illustr throughout music scores, light rubbing to lower edge, and a faint stain to the rear cover, otherwise appears unread and a fine, clean, tight and unmarked text.
Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketCondition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
Published by Oxford University Press Inc, 2001
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketCondition: New. Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven. Num Pages: 320 pages, 2 line illustrations, numerous music examples. BIC Classification: AVA; AVGC3; AVGC4; AVGC5. Category: (P) Professional & Vocational. Dimension: 278 x 213 x 20. Weight in Grams: 746. . 2000. Paperback. . . . .
Published by Oxford University Press, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketPaperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Published by Oxford University Press, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Paperback. Condition: Brand New. 320 pages. 10.75x8.25x0.75 inches. In Stock.
Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketPaperback. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.
Published by Oxford University Press Inc, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketCondition: New. Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven. Num Pages: 320 pages, 2 line illustrations, numerous music examples. BIC Classification: AVA; AVGC3; AVGC4; AVGC5. Category: (P) Professional & Vocational. Dimension: 278 x 213 x 20. Weight in Grams: 746. . 2000. Paperback. . . . . Books ship from the US and Ireland.
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Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketpaperback. Condition: New. In shrink wrap. Looks like an interesting title!
Published by Oxford University Press, USA, New York, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketPaperback. Condition: new. Paperback. Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Published by Oxford University Press. 2001, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Published by Oxford University Press, 2001
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Published by Oxford University Press, 2001
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketPAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Published by Oxford University Press, U.S.A., 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketCondition: new. Questo è un articolo print on demand.
Published by Oxford University Press Inc, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 930.
Published by Oxford University Press, 2000
ISBN 10: 019514399X ISBN 13: 9780195143997
Language: English
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Add to basketTaschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.