Published by Applause Theatre Books, New York, 2001
ISBN 10: 1557833842 ISBN 13: 9781557833846
Language: English
Signed
Trade Paperback. Condition: Very Good. CI2 - A trade paperback book in very good condition that has page before the title page missing, some light discoloration and shelf wear. Signed and inscribed by Barry Gaines to previous owner on the title page. Edited by Barry Gaines. Theatre Commentary by Jane Suzman. 7.75"x5.5", 249 pages. Satisfaction Guaranteed. Size: 12mo - over 6¾" - 7¾" tall. Signed.
Published by München; Julius Schröder, 1923
Language: English
Signed
Condition: Gut. 138 S. m. 32 Radierungen; 32 Skizzen in Pergamentbox (sind vollständig). Antony and Cleopatra. Dieses Buch stammt aus der Sammlung der Stiftung Heinrich Arbs. Dieses Werk mit 32 Radierungen von Max Ludwig (III.) wurde 1922-1923 im Auftrage vom Julius Schröder Verlag als 13. Band in der Reihe der "Meisterwerke der Weltliteratur mit Original-Graphik" in einer einmaligen Vorzugsausgabe von 200 Exemplaren von Wolf & Sohn auf echtem Zerkall-Bütten gedruckt. [Rodenberg 434/12]. Der von Levin L. Schücking in Breslau durchgesehene Text folgt der Clarendon-Ausgabe. Als Beilagen erhielten die Nummer II bis XXXXII eine Mappe mit Abzügen der Zustands- und der fertigen Radierungen. Dieses Exemplar führt die Nummer IV. Mit Signatur von Max Ludwig und personalisiert für Arbs, Rendsburg. Buch: Vorsatz, Vorder- und Fußschnitt und einige Seiten leicht fleckig. Skizzenmappe: Mappe leicht fleckig. Papier teils minimal, teils leicht fleckig. Sonst guter Gesamtzustand. Sprache: Englisch Gewicht in Gramm: 4020 4°(=30-35cm), Pergament mit Goldprägung. Handeinbände von Buchbinderei Knorr & Hirth. Kopfschnitt in Gold. Zerkall-Bütten. Im Schuber. Dieser mit leichten Gebrauchsspuren.
Published by Composing Room & Graphic Arts Typographers (and variations such as Composing Room and Royal Composing Room), New York, 1982
Signed
Hardcover. Condition: Very Good. Original cloth-covered slipcases on all volume. 21-22 cm. No jackets, as published. The first six of these volumes are bound in cloth and backed in faux black leather (Skivertex); the last five are bound in full cloth. Cloth color changes from volume to volume. Slipcase color matches cover cloth. One side of slipcase discolored on Henry V volume. Several volumes have slips laid in which are signed or inscribed by Haberman, including one to both of his parents (1975) and one (1978) to his father. Some later volumes are inscribed to members of the Sendor family. Daniel Haberman's Wikipedia entry describes him as "an American poet, translator and graphic designer" and states that he was "instrumental in founding the American Poets' Corner at the Cathedral of St. John the Divine in New York City where he was that Cathedral's first Poet-in-Residence, from 1983 to 1986." Wikipedia also reports that he was the graphic designer on 16 Shakespeare volumes so this is not a complete collection of all of the annual Shakespeare volumes designed by him.
Published by Circle Press Publications, Guildford, England, 1979
Seller: Russian Hill Bookstore, San Francisco, CA, U.S.A.
Signed
Hardcover. Condition: Very Good. Folio. Limited Edition of 300 copies. This is copy 294. SIGNED by the artist Ronald King on limited page. Illustrated with color silkscreen prints and manuscript facsimiles. Includes additional print (unsigned). Loose as issued, in printed covers, laid in publisher's linen and blue morocco chemise with die-cut outer panel. Designed and privately printed by the artist at Circle Press, Guildford with the assistance of Walter Taylor in the setting of the test. Box designed and made at The Dorset Bookbinding Co., by Paul Haskell. Minor shelfwear. Voluyme is in Very Good-plus condition. Signed by Author(s).
Published by Circle Press Publications, [Guildford], 1979
Seller: Bull's Head Rare Books, ABAA, ILAB, Lebanon, NJ, U.S.A.
Signed
Folio. Illustrated throughout with color silkscreen prints and manuscript facsimiles, with additional signed print. xi, [7], 59, [3] pp., printed letterpress. Loose as issued, in printed covers, laid in publisher's linen and blue morocco chemise with die-cut outer panel; fine No. "H.C. III" of 5 hors commerce copies (of 355 total copies), signed by the artist.