9780500518649 - The Real and the Romantic: English Art Between Two World Wars ? a Times Best Art Book of 2022 by Spalding, Frances (23 results)

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Hardcover. Condition: new. Hardcover. The Times and Sunday Times Art Book of the Year 'Superb . Spalding is a lucid and revealing guide who wears her scholarship lightly' Sunday Times 'Spalding's prose is as clear as a Ravilious greenhouse, her thoughts as orderly as a Ben Nicholson white relief' The Times A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names - Paul Nash, Eric Ravilious and Stanley Spencer - have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain's leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cezanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of 'the real' was set against, and sometimes merged with, an inclination towards the 'romantic', as English artists sought to respond to their subjects and their times. A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: New. 2022. Hardcover. . . . . .

Hardcover. Condition: Brand New. reprint edition. 384 pages. 10.00x7.50x1.75 inches. In Stock.

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Hardcover. Condition: New. Dust Jacket Condition: New. Perfect signed copy. 2023 UK edition. Unmarked, clean and fresh. Plates and photographs vibrant and intense. Lovely book. Top notch. Signed by Author(s).

Hardcover. Condition: new. Hardcover. The Times and Sunday Times Art Book of the Year 'Superb . Spalding is a lucid and revealing guide who wears her scholarship lightly' Sunday Times 'Spalding's prose is as clear as a Ravilious greenhouse, her thoughts as orderly as a Ben Nicholson white relief' The Times A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names - Paul Nash, Eric Ravilious and Stanley Spencer - have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain's leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cezanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of 'the real' was set against, and sometimes merged with, an inclination towards the 'romantic', as English artists sought to respond to their subjects and their times. A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: Brand New. reprint edition. 384 pages. 10.00x7.50x1.75 inches. In Stock.

Hardcover. Condition: new. Hardcover. The Times and Sunday Times Art Book of the Year 'Superb . Spalding is a lucid and revealing guide who wears her scholarship lightly' Sunday Times 'Spalding's prose is as clear as a Ravilious greenhouse, her thoughts as orderly as a Ben Nicholson white relief' The Times A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names - Paul Nash, Eric Ravilious and Stanley Spencer - have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain's leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cezanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of 'the real' was set against, and sometimes merged with, an inclination towards the 'romantic', as English artists sought to respond to their subjects and their times. A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Buch. Condition: Neu. Neuware - The Times and Sunday Times Art Book of the Year 'Superb . Spalding is a lucid and revealing guide who wears her scholarship lightly' Sunday Times 'Spalding's prose is as clear as a Ravilious greenhouse, her thoughts as orderly as a Ben Nicholson white relief' The Times A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain's leading art historians and critics. The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names - Paul Nash, Eric Ravilious and Stanley Spencer - have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain's leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of 'the real' was set against, and sometimes merged with, an inclination towards the 'romantic', as English artists sought to respond to their subjects and their times.

Condition: New. pp. 384.

Gebunden. Condition: New. The Times and Sunday Times Art Book of the Year Superb . Spalding is a lucid and revealing guide who wears her scholarship lightly Sunday Times Spalding s prose is as clear as a Ravilious greenhouse, her.