9780313285400 - Writing and Reality: a Study of Modern British Diary Fiction: 47 Contributions to the Study of World Literature by Andrew Hassam (16 results)

Hardcover. Condition: Near Fine. First Edition; First Printing. As issued without dust jacket. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Small stain on the front cover else fine. Condition. Unread. A volume in the Contributions to the Study of World Literature series. Selling Used and Rare books on line since 1998 and from our bookstore in the heart of the Bluegrass since 1984. ; Contributions to the Study of World Literature; Vol. 47; 8vo.; ix, 179 pages.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Condition: New. Analyzes the forms of diary fiction employed by a range of British writers in the post-World War II period. It provides new commentaries on the work in this genre of major fiction writers such as William Golding, Doris Lessing and others. It also cites less familiar novelists such as Eva Figes. Series: Contributions to the Study of World Literature. Num Pages: 192 pages, black & white illustrations. BIC Classification: 2AB; 3JJP; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 12. Weight in Grams: 449. . 1992. Hardback. . . . .

Condition: New. Analyzes the forms of diary fiction employed by a range of British writers in the post-World War II period. It provides new commentaries on the work in this genre of major fiction writers such as William Golding, Doris Lessing and others. It also cites less familiar novelists such as Eva Figes. Series: Contributions to the Study of World Literature. Num Pages: 192 pages, black & white illustrations. BIC Classification: 2AB; 3JJP; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 12. Weight in Grams: 449. . 1992. Hardback. . . . . Books ship from the US and Ireland.

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Hardcover. Condition: new. Hardcover. The diary format has long been utilized by novelists as a means of imparting reality to fiction. This volume analyzes the forms of diary fiction employed by a range of British writers in the post-World War II period. It provides new commentaries on the work in this genre of major fiction writers such as William Golding, Doris Lessing, John Fowles, and Malcolm Lowry and introduces the work of a number of less familiar novelists like Eva Figes, Ann Quin, Emma Tennant, and Rayner Heppenstall. These writers all have used self-conscious diary fiction to explore the relationship between their writing and the reality it aims to represent. Writing and Reality outlines the ways in which such work as a whole challenges the dominant cultural values of contemporary Britain.The book begins by considering the context of this writing and proceeds to examine the textual strategies that distinguish the diary novel. It looks in depth at normative attempts to define the diary novel and considers the relationship between the nonfiction diary and its fictional counterpart. Later chapters analyze the texts according to specific issues arising from the fiction, including factuality, history, autobiography, and gender. The volume includes a comprehensive primary and secondary bibliography of the subject with supplementary listings of works by and about eight of the novelists whose work has received little serious critical attention. This insightful study will be of interest and value to scholars researching forms and genres of fiction, autobiographical writing, and contemporary British novelists. Writing and Reality outlines the ways in which such work as a whole challenges the dominant cultural values of contemporary Britain.The book begins by considering the context of this writing and proceeds to examine the textual strategies that distinguish the diary novel. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardcover. Condition: new. Hardcover. The diary format has long been utilized by novelists as a means of imparting reality to fiction. This volume analyzes the forms of diary fiction employed by a range of British writers in the post-World War II period. It provides new commentaries on the work in this genre of major fiction writers such as William Golding, Doris Lessing, John Fowles, and Malcolm Lowry and introduces the work of a number of less familiar novelists like Eva Figes, Ann Quin, Emma Tennant, and Rayner Heppenstall. These writers all have used self-conscious diary fiction to explore the relationship between their writing and the reality it aims to represent. Writing and Reality outlines the ways in which such work as a whole challenges the dominant cultural values of contemporary Britain.The book begins by considering the context of this writing and proceeds to examine the textual strategies that distinguish the diary novel. It looks in depth at normative attempts to define the diary novel and considers the relationship between the nonfiction diary and its fictional counterpart. Later chapters analyze the texts according to specific issues arising from the fiction, including factuality, history, autobiography, and gender. The volume includes a comprehensive primary and secondary bibliography of the subject with supplementary listings of works by and about eight of the novelists whose work has received little serious critical attention. This insightful study will be of interest and value to scholars researching forms and genres of fiction, autobiographical writing, and contemporary British novelists. Writing and Reality outlines the ways in which such work as a whole challenges the dominant cultural values of contemporary Britain.The book begins by considering the context of this writing and proceeds to examine the textual strategies that distinguish the diary novel. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Writing and Reality outlines the ways in which such work as a whole challenges the dominant cultural values of contemporary Britain. The book begins by considering the context of this writing and proceeds to examine the textual strategies that distinguish.

Buch. Condition: Neu. Writing and Reality | A Study of Modern British Diary Fiction | Andrew Hassam | Buch | Gebunden | Englisch | 1992 | Praeger | EAN 9780313285400 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The diary format has long been utilized by novelists as a means of imparting reality to fiction. This volume analyzes the forms of diary fiction employed by a range of British writers in the post-World War II period. It provides new commentaries on the work in this genre of major fiction writers such as William Golding, Doris Lessing, John Fowles, and Malcolm Lowry and introduces the work of a number of less familiar novelists like Eva Figes, Ann Quin, Emma Tennant, and Rayner Heppenstall. These writers all have used self-conscious diary fiction to explore the relationship between their writing and the reality it aims to represent. Writing and Reality outlines the ways in which such work as a whole challenges the dominant cultural values of contemporary Britain.The book begins by considering the context of this writing and proceeds to examine the textual strategies that distinguish the diary novel. It looks in depth at normative attempts to define the diary novel and considers the relationship between the nonfiction diary and its fictional counterpart. Later chapters analyze the texts according to specific issues arising from the fiction, including factuality, history, autobiography, and gender. The volume includes a comprehensive primary and secondary bibliography of the subject with supplementary listings of works by and about eight of the novelists whose work has received little serious critical attention. This insightful study will be of interest and value to scholars researching forms and genres of fiction, autobiographical writing, and contemporary British novelists.