William Christenberry (184 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover, 208 pages, very good condition except crease down length of rear cover; no internal marks. Foreign shipping may be extra for this item.

Paperback. Condition: Very Good. 1st Edition. Pages unmarked. Covers glossy. Binding square & firm. Size: Oversized. Book.

Trade Paperback. Condition: Very Good. First Edition. A very good copy (has slight rubbing to wrappers and edges). 88 pages. Catalogue of the joint exhibition at the Amon Carter Museum, and 3 other US institutions, April 1990 - September 1991. Acknowledgments by Ronald Sterling Egherman and Jan Keen Muhlert; excerpts from texts by James Agee and by Christenberry. Over 75 Color & b/w Photographs.

Soft cover. Condition: Very Good. Evans, Walker (illustrator). 88 page softcover exhibition catalog with photo illustrations - color and b/w. Untitled 51. Condition is very good+.

Paperback. First edition. The catalogue for a traveling exhibition on the interrelationships between Walker Evans and William Christenberry, presenting photographs by Evans of the Depression-era South and color photographs taken recently by Christenberry of many of the places Evans visited, places that Christenberry knows intimately, having been born and raised there or nearby. The exhibit was shown between 1990 and 1991 at The Amon Carter Museum, Fort Worth; Wichita Art Museum; Portland Museum of Art, ME; and The Friends of Photography, San Francisco. Issued as Untitled 51, the fifty-first publication in The Friends of Photography series of books on photography. Essay by Thomas W. Southall; stories by Christenberry; excerpts from the writing of James Agee. 88 pages; color and b&w illustrations throughout; 9 x 11 inches. Condition: Very Good paperback with a severe bump to one corner and a short strip of soiling along the edge of one page, otherwise no issues. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

hardcover. Condition: Good.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. first edition. Brown cloth and gilt title on spine, 160 pages, frontispiece and photographs throughout, 26cm tall, quarto. Twelve photographers contributed to this volume for the fiftieth anniversary of the Conservancy: William Christenberry, Lynn Davis, Terry Evans, Lee Friedlander, Karen Halverson, Annie Leibovitz, Sally Mann, Mary Ellen Mark, Richard Misrach, Hope Sandrow, Fazal Sheikh, William Wegman. Fine in a fine jacket.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. William Christenberry, Lynn Davis, Terry Evans, Lee Friedlander, Annie Leibovitz, Karen Halverson, Sally Mann, Mary Ellen Mark, Richard Misrach, Hope Sandrow, Fazal Sheikh, William Wegman (photographers) (illustrator). Stated First Edition. Clean hardcover stated First Edition in clean unclipped dust jacket. Rust brown cloth boards with gold lettering on spine; no fraying, no fading, very small bump to bottom board edge near spine. Binding is tight and square, hinges are sound. All pages and edges are clean with clean dark green endpapers. No names, writing or marks. 130 four-color and duotone photographs by great nature photographers such as Annie Leibovitz, Sally Mann, William Wegman, William Christenberry and others who are tops in their field. Foreword by Terry Tempest Williams; Essay by Andy Grundberg. 160 pages. Clean dust jacket is unchipped, not price clipped, one 1" closed edge tear at bottom right flap fold; now enclosed in new archival quality removable mylar cover.

Hardcover without dustjacket as issued, 90 pages, very good condition; light scuffs to covers; owner's name; no other internal marks. Foreign shipping may be extra.

Softcover, 208 pages, very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra for this item.

Softcover, 88 pages; very good condition; no internal marks.

Softcover. Condition: Very Good+. First Edition. Walker Evans and James Agee found the location for the Evans photos that accompanied "Let Us Now Praise Famous Men" in Hale County, Alabama. William Christenberry, an artist, revisited the location 24 years later and produced his own images, paintings and constructions of the area and its people. Contains Evans b&w photos as well as Chritenberry's work in b&w and color. The text is by Thomas W. Southall. Published in conjunction with an exhibition at the Amon Carter Museum, Fort Worth and three other museums. Original brown paper publisher's wrappers with white spine and cover lettering. This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The covers are in nice condtion with no creases, tears or chips. The edition is not stated, probably a first edition. ; Untitled Series Series; B&W & Color Photographs; 8vo, 8"- 9" tall; 88 pages.

Paperback. The Summer 2006 issue of Aperture magazine, No. 183, with: Greil Marcus on photographs Bruce Conner made of San Francisco's punk scene in the late 1970s; a portfolio of photographs from Memphis in 1966 by William Christenberry; photographs of Jessie Mann by Len Prince; a portfolio of cityscapes by Sze Tsung Leong and work by Harri Kallio; Nancy Chappell and Mayu Mohanna compile a portfolio on terrorism in Peru, culled from ninety archives; Jessica Helfand on the evolution of constructing personal histories through scrapbooking; and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with a hint of shelf wear/handling. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. William Eggleston (illustrator). The Fall 1984 issue of Aperture magazine, No. 96, focusing on color photography, with: portfolios of photographs by William Eggleston (unpublished Berlin Series) with writings by Peter Schneider, Joel Sternfeld (social landscapes), William Christenberry (Klan Room), Luis Medina (Chicago's painted walls), Patrick D. Pagnano (street photography), Jan Staller (city streets at night), and Len Jenshel (the natural world); Mark Holborn essay on Graceland by William Eggleston and the art of Cindy Sherman; Peter Plagens on Lucas Samaras; Danny Lyon reviews El Salvador and A Vanishing World; a long essay by Lewis Baltz titled "Konsumerterror: Late-Industrial Alienation;" and much more. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine paperback with light shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. Gohlke, Professor Frank; Metzker, Ray K (illustrator). The Winter 1983 issue of Aperture magazine, No. 93, with: Aperture sponsored a symposium at the Esalen Institute in Big Sur from November 7 - 12, 1982. This issue presents an edited transcription of some of the work, issues, and discussions presented by the participants. Includes: William Christenberry; the film Dark Circle; Brewster Ghiselin; Thomas Ockerse; Ray Metzker; Jerome Liebling; Siegfried Halus; Mark Holborn; John Grimes; Alison Knowles; Robert Adams; Michael E. Hoffman; Linda Connor; Ingrid Sischy; Raymond Depardon; and Frank Gohlke. Topics include: Irresponsible Imagery/Larry Clark; Women and Landscape Photography; Harmony and Conflict in Modern Japan; The Visual Behavior of Looking; The Aesthetic of Photography; The Critical Gap; Sustaining a Community; and much more. Edited by Michael Hoffman and Carole Kismaric. First edition. Perfect-bound stiff card covers; unpaginated [80 pages]; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine paperback with a touch of shelf wear; promotional materials laid-in. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

paperback. Condition: Very Good. William Christenberry (illustrator). First Edition. Lightly read if read at all. No markings in book. Binding is fine. Light shelf wear to book edges. 48pp.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. First edition. Softcover. Exhibition catalog with excerpts from James Agee and stories by Christenberry. Includes numerous color and black and white photographs from Evans and Christenberry. A very near fine copy in illustrated wrappers. An interesting comparison of these photographers from distinctly different generations.

Condition: Very Good. Hardcover, 64 pages. William Christenberry is enjoying wide exposure of his artistic body of work. Since the early 1960s, he has plumbed the regional identity of the American South, primarily centering on his early home in the Black Belt counties of Alabama, His poetic elucidation of Southern vernacular landscape and architecture using the media of photography, drawing, painting, collage, sculpture, and miniaturization reveals how history, the very story of place, is at the heart of his lifelong project. Record # 361692.

Condition: Used: Very Good. Softcover with no marks or writing to book. Covers lightly rubbed; otherwise like new.

Condition: Good. Good condition. No Dust Jacket #81. (Photography, Pictorial works, Photo exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Condition: Very Good. POLAROID CLOSE-UP Volume 14 Number 2 Winter 1983 with text by Mark strand, Estelle Jussim, William Christenberry, Jane Livingston, T.B. Brazelton, Robby robinson, David Hurst Thomas. Stories by or about Italian Hilltowns by emmet Gowin, Joel Meyerowitz, William Christenberry Photographs from the Klan Room, Starr Ockenga, Photogrphs of The America's Cup by Robbie Robinson, Photographs by Patt Blue and more. 56 pages, color and black and white. Wear to cover and edges otherwise very good condition.

29.0 x 25.0cms c 60pp 25 colour illusts very good+ hardback & dustwrapper Hood argues that Christenberry has contributed to every major movement in the visual arts since the 1960s and Hale County in Alabama's Black Belt has been the source of almost all of this work.

First edition, first printing Fine and bright tall stiff wraps with strong spine and clean text. Wonderful layout of both artists in color and vintage black and white and nicely realized text. Just the lightest age tone to fore edge.

Magazine. The July/August 2007 issue of The Chrysler, the magazine of the Chrysler Museum of Art, Norfolk, VA, with a 2-page illustrated article on an exhibition of work by William Christenberry, held July 15 - September 30, 2007, brief texts on other exhibitions, a calendar of events, and more. Introduction by William J. Hennessey, director of the museum. Staple-bound, self-wrappers; 16 + [4] pages; color and b&w illustrations throughout; 9 x 11 inches. Condition: A mailed copy with an address to the back cover, otherwise Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Exhibition Announcement Cards. This is not a book. The original press release for an exhibition of work by William Christenberry titled "Sculpture, Photographs, and Drawings" and held at Pace/MacGill Gallery, NYC, February 22 - March 31, 2001. Single sheet, printed one side; 8.5 x 11 inches. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.