Weiner Gordon (51 results)

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: acceptable.

Paperback. Condition: New.

Hardcover. Condition: Very Good. 18pp.

Hardcover. Condition: Very Good. 18pp.

Condition: New.

Hardcover. Condition: New. Dust Jacket Condition: New. New. Unmarked. // Shipped carefully packed in a sturdy box.

Hardcover. Condition: Very Good. unmarked, light shelfwear-NICE Oversized.

Condition: New. In.

Hardcover. Condition: Brand New. 142 pages. 6.00x0.50x9.00 inches. In Stock.

Hardcover. Condition: Near Fine. 1st Edition, Limited Edition. A commemorative bibliography issued in 1962 to honor Nelson Glueck's fifteenth year as President of Hebrew Union College-Jewish Institute of Religion, one of the most influential biblical archaeologists of the 20th century. Includes an introductory tribute from the Board of Governors, a biographical sketch by Dr. Stanley F. Chyet, and the complete annotated listing of Glueck's published scholarship in English and Hebrew from 1920 through the late 1950s. A special laid-in printed card from Sidney Meyers (HUC-JIR Board Chairman) confirms that this copy was distributed as an official presentation volume from the Board of Governors. This example features strong, clean pages, crisp typography, and intact binding. The black cloth boards remain sturdy and bright, with gilt spine and cover titling sharp. Light shelf toning and a faint horizontal fade line to the rear board are present, along with mild offsetting on endpapers consistent with age. Text block is clean, with no writing, marks, or bookplates aside from the original laid-in presentation card. A solid and attractive copy of a scarce institutional publication seldom seen in such condition. This volume is the true first edition, with the copyright page dated 1962 and no subsequent printings indicated, issued by Hebrew Union College-Jewish Institute of Religion and printed by H. Levine & Co. of Philadelphia. It retains the original deep-black cloth binding with bright gilt titling consistent with first-issue production and was published without a dust jacket, as was standard for HUC-JIR commemorative works. The binding is tight and square, and the copy includes the original HUC-JIR presentation card laid in-a desirable piece of provenance that enhances its collectible appeal.

Paperback. Condition: New.

211 pp.; 30 x 21 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Setagaya Art Museum, Tokyo, July 6 - August 18, 1991. Traveled to The National Museum of Art, Osaka, August 29 - September 29, 1991 and Fukuoka Art Museum, Fukuoka, November 15 - December 15, 1991. Essays by Lynn Gumpert and Brian Wallis. Artists include Richard Artschwager, John Baldessari, Gretchen Bender, Sarah Charlesworth, Nancy Dwyer, Kate Ericson and Mel Ziegler, Suzan Etkin, Jenny Holzer, Jasper Johns, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sherrie Levine, Roy Lichtenstein, Gordon Matta-Clark, Allan McCollum, Bruce Nauman, Claes Oldenburg, Stephen Prina, Robert Rauschenberg, James Rosenquist, David Salle, Andres Serrano, Cindy Sherman, Lorna Simpson, Robert Smithson, Nancy Spero, Haim Steinbach, Andy Warhol and Lawrence Weiner. Includes exhibition checklist and selected bibliographies. Texts in Japanese and English. Very Good. Yellowing and light rubbing of covers with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Pamphlet. Condition: Good. Pamphlet. 8 pp. This first issue of this 'little' magazine, featuring the story 'Les Amies' by Dorothy Weiner, as well as work by Clark Mills, Josephine Johnson and others. Edited by Mills, with Dorothy Weiner on the student staff. Perhaps an association copy, with Clark Mills' name and address typed at the upper front cover, with a handwritten 'exchange?' above that. Clark Mills (McBurney) was a poet perhaps best known for his friendship and association with Tennessee Williams, which began in 1933 and continued through their attendance of Washington University and beyond. Mills is cited by Williams as turning him on to poets such as Hart Crane, Rimbaud and others (see Tennessee Williams: Notebooks, edited by Margaret Thornton, p. 26). GOOD condition. Moderate offsetting and browning to the outer pages, mostly along the extremities, with some foxing to the same locale. Minor general browning and soiling to the exterior. Small crease to the lower corner.

88 pp.; 24.5 x 16.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Catalogue published on the occasion of the performance of the opera "THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE / ODER: WIE SIE KRIEGEN WAS SIE NICHT VERDIENEN," by Lawrence Weiner and Peter Gordon, held at National Galerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, September 8-10, 2000 and Kunst und Ausstellungshalle der Bundes Republik Deutschland, Bonn, November 8 & 11-13, 2000. Includes an interview with Lawrence Weiner by Gerd de Vries and an interview with Peter Gordon by Lawrence Weiner. Publication designed by Weiner. Text in German and English. Very Good / Fine. Rubbing of cover edges, and scuffing of covers, otherwise Fine. Contents clean and unmarked.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: New. Dust Jacket Condition: New. 9.5 X 6.5 X 0.9 inches; Excellent book.

Pp. Condition: Wie neu. 87 S. : Ill.; 25 cm neu Aufgrund meiner Knie-OP versende ich vorübergehend nur dienstags & freitags. Danke für eure Verständnis Sprache: Englisch Gewicht in Gramm: 855.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New.

Condition: New.

Soft cover. Condition: Fair. First Edition. Covers Are Entirely Detached Although Present; Otherwise Clean And Almost Unworn. 140 Pp. First Printing Of Weisskopf's New Model Of The Atomic Nucleus.

Gebundene Ausgabe. Condition: Sehr gut. Gebraucht - Sehr gut SG - Schutzumschlag leicht beschädigt, ungelesenes Mängelexemplar, gestempelt, Versand Büchersendung - Julião Sarmento ( 1947 in Lissabon) ist einer der bedeutendsten portugiesischen Künstler seiner Generation. Seit den 1970er-Jahren präsentiert er Filme, Video- und Klangkunst, Gemälde, Skulpturen, Installationen sowie Multimediakunst und hat zudem eine Reihe von ortsbezogenen Arbeiten entwickelt. Sein Werk ist national wie international bereits vielfach ausgestellt worden. Der reich bebilderte Band stellt Arbeiten Sarmentos aus mehr als 5 Jahrzehnten vor. Er zeigt alle Werke, die in der begleitenden Ausstellung zu sehen sind und dokumentiert zudem ein Projekt, das der Künstler in Zusammenarbeit mit dem Schriftsteller James Salter eigens für die Publikation entwickelt hat. Er bietet eine Reihe von kurzen Artikeln zu ausgewählten Werken aus der Feder namhafter Kritiker, Künstler und Kuratoren, ein Gespräch zwischen Sarmento und James Lingwood sowie einen Essay von João Fernandes. (Portugiesische Ausgabe ISBN 978-3-7757-3530-8) Ausstellung: Museu de Arte Contemporânea de Serralves, Porto 23.11.2012 - 24.2.2013 Julião Sarmento (born 1947 in Lisbon) is one of the most significant Portuguese artists of his generation. He began exhibiting film, video, sound, painting, sculpture, installation and multimedia in the 1970s, but also developed several significant site-specific projects. Sarmento has exhibited his work extensively, both nationally and internationally. This book features works from the late 1960s until the present. Heavily illustrated with all the works on display, the publication also includes a project developed by the artist in collaboration with writer James Salter specifically conceived for the book. It features small texts on some works by several art critics, artists and curators, a conversation between Sarmento and James Lingwood and an essay by João Fernandes, Museum Director and exhibition curator. (Portugese edition ISBN 978-3-7757-3530-8) Exhibition schedule: Museu de Arte Contemporânea de Serralves, November 23, 2012-February 24, 2013.

Condition: New. In.

Condition: New.

Condition: New. pp. 284.

Condition: New. Aims to demonstrate that the cross-fertilization of Christianity and Judaism in early modern Europe, despite the long tradition of hostility, affected developments within the two groups and foreshadowed the emergence of the Enlightenment and the evolution of modern religious freedom. Editor(s): Popkin, Richard H.; Weiner, Gordon M. Series: International Archives of the History of Ideas / Archives Internationales d'Histoire des Idees. Num Pages: 224 pages, biography. BIC Classification: 1D; HRCM; JFCX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 14. Weight in Grams: 498. . 1993. Hardback. . . . .

Condition: New. Aims to demonstrate that the cross-fertilization of Christianity and Judaism in early modern Europe, despite the long tradition of hostility, affected developments within the two groups and foreshadowed the emergence of the Enlightenment and the evolution of modern religious freedom. Editor(s): Popkin, Richard H.; Weiner, Gordon M. Series: International Archives of the History of Ideas / Archives Internationales d'Histoire des Idees. Num Pages: 224 pages, biography. BIC Classification: 1D; HRCM; JFCX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 14. Weight in Grams: 498. . 1993. Hardback. . . . . Books ship from the US and Ireland.

1 vol : [36] pp. ; 1 vol: 14 pp. ; 1 vol: [1] pp.; 10.5 x 15 cm.; loose card[s]; black-and-white & color; edition size unknown Set of 36 postcards housed in cardboard box published in conjunction with show held March 24 - April 30, 1995. Curated by Hans Ulrich Obrist. Includes folded press release and exhibition booklet with text by Andrea Schlieker and artist biographies. Artists include Christian Boltanski, Maria Eichhorn, Hans-Peter Feldmann, Jef Geys, Gilbert & George, Douglas Gordon, Christine Hill, Carsten Höller, Fabrice Hybert, Wolfgang Tillmans, Lawrence Weiner, and Franz West. Fine. Box and cards are as issued. Soiling to label on foil packaging.