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Published by Taylor & Francis Ltd, 2019
ISBN 10: 0367886162 ISBN 13: 9780367886165
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Published by Routledge 2019-12-10, 2019
ISBN 10: 0367886162 ISBN 13: 9780367886165
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Published by Taylor & Francis Group, 2017
ISBN 10: 1138291277 ISBN 13: 9781138291270
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Published by Taylor & Francis Group, 2017
ISBN 10: 1138291277 ISBN 13: 9781138291270
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Published by Taylor & Francis Group, 2017
ISBN 10: 1138291277 ISBN 13: 9781138291270
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Published by Taylor & Francis Ltd, 2019
ISBN 10: 0367886162 ISBN 13: 9780367886165
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Sonya Freeman Loftis is an Associate Professor of English at Morehouse College.Allison Kellar is an Assistant Professor of English and Director of Honors at Wingate University.Lisa Ulevich received her Ph.D. from Georgia State.
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Taschenbuch. Condition: Neu. SHAKESPEARE'S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION | Sonya Freeman Loftis (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2019 | Routledge | EAN 9780367886165 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Post-Hamlet: Shakespeare in an Era of Textual Exhaustion' examines how postmodern audiences continue to reengage with Hamlet in spite of our culture's oversaturation with this most canonical of texts. Combining adaptation theory and performance theory with examinations of avant-garde performances and other unconventional appropriations of Shakespeare's play, Post-Hamlet examines Shakespeare's Hamlet as a central symbol of our era's 'textual exhaustion,' an era in which the reader/viewer is bombarded by text-printed, digital, and otherwise. The essays in this edited collection, divided into four sections, focus on the radical employment of Hamlet as a cultural artifact that adaptors and readers use to depart from textual 'authority' in, for instance, radical English-language performance, international film and stage performance, pop-culture and multi-media appropriation, and pedagogy.