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Published by The Arts Council, London, 1960
Book First Edition
Soft cover. Condition: Near Fine. 1st Edition. First edition, printed at the Curwen Press. 32pp. Stapled card wrappers. With an eight-page introduction by Andrew Forge, a chronology and twenty monochrome plates. Staples rusting just a little, else a virtually fine copy. The catalogue of an exhibition of 114 paintings and watercolours. [A light item, UK postage will be reduced].
Published by The Fine Art Society, 1968
Seller: Roe and Moore, London, United Kingdom
Book First Edition
Soft cover. Condition: Very Good. 1st Edition. 12mo. Original paper wrappers, stapled. 13 b/w illusts, 21 item catalogue. From the collection of Colin Clark with his minimal annotations.
Published by The Fine Arts Society Ltd, 1968
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
Paperback. Condition: VERY GOOD. 1968. The Fine Arts Society Ltd. Paperback. VERY GOOD 8x6.
Published by Council for the Encouragement of Music and the Arts., 1943
Seller: Roe and Moore, London, United Kingdom
Book First Edition
Soft cover. Condition: Very Good. No Jacket. 1st Edition. Wrappers. Foreward by D.S.MacColl.
Published by Faber, London, 1945
Seller: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, Australia
First Edition
Hardcover. Condition: Very Good. Dust Jacket Included. First Edition. London, Faber, 1945. Octavo, xvi, 240 pages plus numerous illustrations. Cloth; an excellent copy with the slightly rubbed and creased dustwrapper sunned on the spine. Includes a full catalogue of paintings and list of watercolours in public collections by Alfred Yockney.
Published by Courtauld Institute of Art Galleries, 1980
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound, 28 total pages; good condition; pen writing on front cover; no internal marks. Errata slip laid in.
Published by Metropolitan Borough of Wirral, 1998
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
PAPERBACK. Condition: VERY GOOD. Metropolitan Borough of Wirral. 1998. Soft Cover. Book: Very Good. 7.75x7.75.
Published by 1st edit., Oxford University Press, 1971. Very good copy., 1971
Seller: R.G. Watkins Books and Prints, Ilminster, SOMER, United Kingdom
Frontis., 213 illus., some in colour, catalogue of paintings, index; xx+167pp. folio orig. cloth,
Paperback. Condition: Very Good. First Edition. Wraps. 8vo, pp 36, illustrations. Exhibition 31 October-30 November 1985. Very good indeed.
Published by Oxford, at the Clarendon Press,, 1971
Seller: David Strauss, FOLKINGHAM, Lincolnshire, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 300 x 220 mm. xix, 167 pp., frontispiece & 213 hors-texte plates, 6 in colour. [ISBN: 978-0198171829] Claret cloth, gilt lettering. A very good bright copy free from ownership inscriptions in dustwrapper.
Published by Clarendon Press, 1971
ISBN 10: 019817182XISBN 13: 9780198171829
Seller: J J Basset Books, bassettbooks, bookfarm.co.uk, Peter Tavy, United Kingdom
Book First Edition
HARDBACK. Condition: Very Good (AVERAGE ). Dust Jacket Condition: Totally Encapsulated Jacket. First Edition. Ex library copy.POSTED AT OUR STANDARD RATES FULLY INSURED!. Ex-Library.
Published by The Council
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Good. Most items will be dispatched the same or the next working day.
Published by Philip Wilson Steer, Dover., 1918
Seller: Colophon Books (UK), Leek, United Kingdom
Art / Print / Poster
Framed and Glazed. Condition: Very Good. Philip Wilson Steer. (illustrator). Original Artwork. A 1918 pencil and wash drawing of "Dover", looking down on the docks. In an original mount & off white textured slip mid-20th century frame, this damaged at surfaces. With the details of the artist and scene on the mount. The back of the picture has a Manchester Gallery label affixed for Charles A. Jackson Gallery, 12 St Anne's Square and hand written titles dated as 1918, drawing NOT signed. There is a facsimile letter from the gallery stating the work was acquired from the artists nephew Major Hamilton and this is dated 1949. Measures. 9.5 x 14 inches or 18 x 23 inches with frame/ mount and glass. Mount a little foxing in one or two places. NOTES* Born Birkenhead in1860-died 1942. He was an influential art teacher & painter. His sea and landscape paintings made him a leading figure in the Impressionist movement in Britain but in time he turned to a more traditional English style, and spent more time painting in the countryside rather than on the coast. As a painting tutor at the Slade School of Art for many years he influenced generations of young artists. Exhibited at the R.A. had a major show at the Goupil Gallery in 1889, professor of painting at the Slade School c1893. He was recruited by Lord Beaverbrook to paint in the Great War and mostly naval and coastal scenes, this was probably done for this project. Sold as genuine NOT a copy or some mechanical print.
Published by Elkin Mathews & John Lane [The Bodley Head], London, 1897
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
First Edition
Uniformly Bound Hardcovers. Condition: Very Good/Fine. John Singer Sargent, Aubrey Beardsley, Charles Conder, William Rothenstein, Walter Sickert, Philip Wilson Steer, et al. (illustrator). First Editions. Thirteen volumes. 8vo. Profusely illustrated with over 200 plates. Original black-stamped yellow cloth. Bound without advertisements. Spine of Vol. I a tad dulled, front cover a touch rubbed. Withal, original cloth, exceptionally bright, in VG-to-Fine condition. First editions of all thirteen volumes of Beardsley's celebrated art-nouveau quarterly with plates after works by Beardsley, Sargent, Sickert, Rothenstein and may others. With literary contributions from luminaries such as W. B. Yeats, H. G. Wells, Henry James, Anatole France, Kenneth Grahame, et al.The renowned journal was conceived in 1894 by Beardsley and the American novelist Henry Harland, who explained: "In one of the densest and soupiest and yellowest of all London's infernalest fox, Beardsley and I sat together the whole afternoon . we thought it quite a pity that London publishers should fee themselves under any obligation to refuse any of our good manuscripts . and then and there we decided to have a magazine of our own and the next day we had an appointment with John Lane."What they had in mind was a literary journal that would attract attention for its content, format, and unique artistic vision. Beardsley, who served as the art director for the quarterly until his dismissal in 1895, due to his association with Oscar Wilde, was responsible for the cover designs for the first five volumes and, more importantly, for setting an aesthetic tone that touched on morbidity, eroticism, perversity and irony, The Yellow Book carried on until 1897, giving rise to a variety of artists and writers whose collective spirit gave rise to a cultural spirit that transcended Victoriana.A magnificent set.