Solkin David (210 results)

Paperback. Condition: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: Very Good. Profusely Illustrated (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Good. Profusely Illustrated (illustrator).

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. 1st Edition. 240pp, with over 100 magnificent colour plates, large 4to, soft cover, slight bent top right corner o/w in splendid condition, the Tate, 2009. * Solkin is one of the world's leading authorities on 18th and early 19th century British painting and this book certainly reinforces that.

Hard Cover. Condition: Very Good -. Dust Jacket Condition: Good +. First Hardback Edition. 310 x 250mm. pp. 240. English text. Hardback edition of 'Turner and the Masters'. Published to accompany a touring exhibition during 2009 / 2010. Lavish colour illustrations. Bound in original brown boards. Housed in pictorial dust jacket. Some light toning to edges, otherwise text block clean. Some light fading to top edges of boards. Dust jacket faded at top and spine edge and shows a little light bumping to edges. Binding strong. No ownership inscription or underlining. Dust jacket protected with removable mylar cover. See images. 1.66kg. Extra postage overseas. Exhibition Catalogue.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. First Edition. Illustrated throughout in colour and b/w. Tate Gallery, 1982. Folio. Pictorial wrappers,a trifle faded o/w very good.

kart. Condition: Gut. 20,5 x 23 cm ; Großformatige französischsprachige Paperbackausgabe, 288 Seiten mit zahlreichen farbigen Abbildungen. Gutes Exemplar (bon état). hw1213 ISBN: 9782711857036.

Hardcover. Condition: Very Good. Immediate dispatch from Somerset. Plates bright and vivid. Nice book in great condition. Hardcover. English. See images for condition. About the book >.>.> At the height of the Napoleonic Wars, London's art world was taken by storm by a new generation of painters, whose novel approach to the depiction of everyday life critics loudly trumpeted as a sign of the nation's cultural pre-eminence. Led by the precociously talented David Wilkie, this highly successful artistic movement sought to transform what was generally regarded as a low and vulgar pictorial tradition, with its roots in seventeenth-century Flanders and Holland, into a vehicle for entertaining but improving narratives which would set new standards of truthfulness in their imitation of nature. But on a deeper level, as David Solkin shows in this provocative yet highly accessible study, the same phenomenon also registered the profoundly ambivalent feelings of a country in the throes of accelerating economic growth, and of conflict both at home and abroad. What emerges from the imagery of Wilkie and his colleagues - among them William Mulready, Edward Bird and the controversial watercolourist Thomas Heaphy is a wide.

Soft cover. Condition: Very Good. 88 pages. Illustrated. Helen Boorman "Rethinking the Expressionist Era: Wilhelmine Cultural Debates and Prussian Elements in German Expressionism" / Christine Fischer-Defoy "Artists and Art Institutions in Germany 1933-1945" / Andrew Benjamin "The Decline of Art: Benjamin's aura" / John Barrell "Sir Joshua Reynolds and the Political Theory of Painting" / David H Solkin "Great Pictures or Great Men?" (BT#42).

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Used - Very Good. 1993. 0th Edition. Hardcover. Cloth, dj. Quarto. vii & 312 pp. Illustrated. Slight shelf wear to dust jacket. Very Good.

Condition: Very Good. First edition. Hardcover book . Cloth and colour pictorial dustjacket. 270pp, large quarto. With 182 illustrations, mostly in colour, in plates and text, some full page. Art and genre painting in relation to changing social and industrial history in Britain. Very Good in Very Good jacket. Clean covers and pages apart from some small spots to top closed page edges; bump to cover and jacket corner. Pictures available.

Soft cover. Condition: Very Good. Profusely Illustrated (illustrator). 1st Edition. 4to, card covers, 249pp., ills. VG+: clean, bright and sound. Extra postage may be asked (4).

Condition: Sehr gut. 251 Seiten. Mit zahlreichen farbigen Abbildungen. Nur der Einband mit ganz leichten Gebrauchsspuren. Sonst SEHR gutes Exemplar. ( near fine copy). U.a. The happy rural life. Italy and he lessons of history. Historic Britain. The rule of Nature. Sprache: Englisch Gewicht in Gramm: 1200 Originalbroschur. ( Wrappers) 30 cm.

Hardcover. Condition: Very Good. Dust Jacket Included. 1st Edition. 1st edition, hardback, large 4to, x,278pp, numerous illustrations, owner's gift inscription on half-title, otherwise clean and tight, Very Good / Very Good dustwrapper. ISBN: 0300090919.

Softcover, Großformat. 240 Seiten On the occasion of the exhibition Turner and the Masters 2009/10 London, Paris, Madrid. Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten sehr gut, unbenutzt. Sprache: Englisch Gewicht in Gramm: 1323.

Profusely Illustrated (illustrator). 4°, 251 S. mit s/w und farbigen Tafeln, Orig.-Karton. Published for the exhibition of 3 November 1982 - 2 January 1983.- Gutes Exemplar.

Soft cover. Condition: Very Good. 1st Edition. xvi + 280pp incl addenda. Clean and unmarked; no underlining; binding remains solid with no creasing; some edge wear; small blue mark on fore-edge; else fine. Includes essays by Henri Lefebvre and Clement Greenberg.

National Portrait Gallery. London. 2018. First edition. Hardback, no DW issued. Illustrated in colour. Minor wear to edges otherwise a lovely clean and sound copy.

Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Original Boards. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. With b/w & coloured decorated endpapers, plates & illustrations. Slight wear to spine, covers, corners & dustjacket. ; This scholarly work delves into the formative years of the Royal Academy's exhibitions held at Somerset House, offering a detailed study of the institution's role in the development and promotion of the arts in late 18th and early 19th century Britain. Through meticulous research and analysis, Solkin provides readers with insights into the artistic, social, and political dynamics that shaped these exhibitions. The book includes a rich array of illustrations and examines the contributions of various artists, patrons, and critics to the Academy, making it an invaluable resource for understanding the impact of these exhibitions on the art world and British society. ; Quarto; xii, 278 pages.

Original Cloth. Condition: Very Good. Dust Jacket Condition: Very Good-. First Edition; First Impression. With illustrations. Light soiling to a few pages. Back of dustjacket slightly torn in a few places. Slight scratching to back of dustjacket. Slight wear to spine, covers and corners. ; Quarto; xi, 278 pages.

Hardback. Condition: Fine. No Jacket. Gainsborough, Thomas (illustrator). First edition. 1st 2018. Nearly fine condition with no wrapper. Despite his famous antipathy towards portraiture, Gainsborough painted and drew over fifty portraits of his extended family. This book brings together some of his best loved works as well as many that are little known and rarely exhibited. Published to accompany the exhibition of the same name that ran from 2018-2019. Large format. Matt pictorial boards. Colour illustrations throughout. Corners of boards very lightly rubbed else a lovely copy. Packaged with care and promptly dispatched!

Super octavo softcover (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

240 S., überaus zahlr. farb. Abb. Reg. 4° Br. *sehr gutes Expl.*.

Hardback. First Edition. 26 x 30cm 280pp near fine hardback in dust jacket, profusely illustrated with colour and black and white reproductions. Near fine in near fine dustjacket.

Condition: Used - Like New. 2009. First Edition. Hardcover. Cloth, dj. Folio. 240 pp. Profusely illustrated. Fine.