Sol Mednick (16 results)

Hardcover. Condition: Good.

Hardcover. Condition: Good.

Hardcover. Condition: Very Good. Mary Martin's Needlepoint by Mary Martin (1969-01-01) by Mary & Narcisse Chamberlain & Sol Mednick Martin. Galahad Books, 1969. 148pp. Language: English. Note:

HC. Condition: Very Good. Dust Jacket Condition: Good. Mednick, Sol (illustrator). Hc vg/dj g. Illustrated in 37 color plates, 54 B&w photos and 16 how to drawings. 148 pages.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Condition: Good. Dust Jacket Condition: Good. Mednick, Sol (illustrator). Jacket has light edgewear. Boards have minor shelfwear. Pages are clean, text has no markings, binding is sound. Size: 4to - over 9¾" - 12" tall.

Hardback. Condition: Very Good. Dust Jacket Condition: Poor. Sol Mednick (illustrator). 1st edition. Mary Martin's Needlepoint by Mary Martin. Published by William Morrow & Co Inc, New York, NY, 1969. 1st Edition 2nd Printing. Paper DJ. Size 4to (up to 12'' tall). Condition: VG in Torn & Taped DJ. Some edge wear, overall content excellent. 148 Pgs. LCCN 70-79725. Photographs by Sol Mednick. 37 color plates, 54 black and white, 16 how-to drawings. Mary Martin recalls highlights of her life onstage and off, as she tells about making needlepoint for everyone from her children to Rogers and Hammerstein, designing pieces for her homes in NY and Brazil, and working on it whenever career or private life has taken her - anyplace from Vietnam on a Far Eastern tour to freighter trips which are her favorite kind of vacation travel. In her engagingly personal and practical way, she is frank to say that one good reason for doing needlepoint is that it is easy. At the end of the book is an illustrated how-to section written especially for beginners, but contains as much as anyone needs to know to work on designs that range from simple first efforts to satisfyingly elaborate projects. The secret is that only minor variations on one basic stitch are used, even for the most complicated designs. Description text copyright 2009 BooksForComfort. Item ID 5223. book.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: Good. 4to. 64 pp. Soft Cover. Color and black and white plates. Very Good. Some rubs and tears to spin.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condition: Fine. Clean and unmarked. [20] pp.; 28 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of "SMS: The Portable Museum of Original Multiples in 6 Portfolios Published in 1968 by The Letter Edged in Black Press," held October 11 - December 11, 1988. Essay by Carter Ratcliff. Includes brief discretion of each element by every artists who contributed to the six S.M.S. issues including Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Kasper König [Kaspar Koenig], Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Marcel Duchamp, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfriem, George Reavey, John Battan [John Sebastian Matta], Aftograf, Enrico Baj, William Bryant [Billy Copley), Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley, Robert Stanley, Arman, Paul Bergtold, John Cage, Robert Watts, Princess Winifred, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Congo, William Anthony, Wall Batterton, CPLY [William Copley], Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, William Schwedler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot [Dieter Roth], Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeam, Claes Oldenburg, Mischa Petrow, Jean Reavey, and Bernar Venet.

No Binding. Condition: Fine. 1st Edition. Title - Hottentot Apron / Artist - Sol Mednick / Publisher - The letter edged in black press inc. / Year - 1968 / Material - Offset - Foldes as issued / Size - 70 x 52 cm / Extra - Original released in Box SMS 1.

New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d'origine, contenant chacun un sommaire, pour un total de 73 multiples originaux. Artistes ayant collaboré: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koenig, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Bernard Pfriem, George Reavey, Clovis Trouille, John Battan, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, Hannah Weiner, Terry Riley, Robert Stanley, Paul Bergtold, John Cage, Hollis Frampton, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, William Anthony, William Copley, Edward Fitzgerald, Neil Jeanney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwadler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot, Betty Dodson, Ronoldo Ferry, John Giorno, Adrian Nutbeam, Claes Oldenburg, Micha Petrov, Jean Reavey, Bernar Venet, Paul Steiner, Marcel Duchamp, Tom Westermann , Bob Watts , Toby Mussman , On Kawara , Arman , Congo , Aftograf , Princess Winifred, Enrico Baj.Broken Music page 230 ; Urawa Art Museum 2000 ; Documenta 6 catalogue 3 p.335 ; Söhm 319 ; Moeglin-Delcroix Esthétique du livre d'artiste, 1997, p.116. Papier-gesänge 107 ; Pop Art Store p.77; ; Marie Boivent : Revue d'Artistes Une sélection p.62 à 66;, p.335; Expositions : New York 1988, 1992 ; Paris, Berlin, Tokyo 1989., catalogue p.181-182. Parfait état dans les boîtes originales d'expédition. Pdf détaillé sur demande.(100144).

Condition: new.

Second of three total issues of Portfolio, a masterwork in graphic design and publishing, containing pages of varying color and density and multiple printing styles all in one publication, also containing a large variety of contributions, from design to poetry to art to literature, and from different time periods and geographic origins. Truly unique, editor Alexey Brodovitch, famous for his work on Harpers Bazaar, insisted on no advertising, allowing this production to remain deeply inspired and creative (and not financially viable, ultimately). Now very collectible, with this issue being perhaps most sought after, in part owing the the portfolio of work by Charles and Ray Eames contained within, also with the embossed cover designed by Eames. This copy is in good condition, and would be very good if not for some minor flaws with the covers. Contents within are perfect, crisp and clean and no signs of heavy wear, just the occasional light thumb indent and wear to corner tips on the pages that are larger than others, since the pages vary not just in color and material printed within, but also in paper style and size. The binding is strong, solid, square. One of the worst flaws is a loss to the paper at the head of the spine for about 1/2" (see photos for details) otherwise some light scuffing to spine paper but not effecting the integrity. The covers have some heavy rubbing, scuffing, staining. Front cover has a heavy crease at the bottom corner on the right and a very small closed horizontal tear at the middle of the foredge. Back cover bumped at the upper corner but does not effect interior. All white back cover more heavily rubbed and stained than the front. Still attractive and now in mylar. Offered here at a relatively low price with all of this in mind, please see photos and ask questions !