Sibley Greta (25 results)

Condition: good. Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.

Hardcover. Condition: Good. 1. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.

Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 0.6.

Condition: Good. Shows minimal wear such as frayed or folded edges, minor rips and tears, and/or slightly worn binding. May have stickers and/or contain inscription on title page. No observed missing pages.

Condition: Good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

hardcover. Condition: Good. Hardcover book is pre-owned and in good overall condition with minimal signs of wear or use on cover, corners, and/or spine. DUST COVER NOT INCLUDED. Pages are intact, clean, and unblemished.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition; Second Printing. 7.9 X 5.2 X 0.6 inches; 96 pages.

Hardcover. Condition: G. Illustrated by Greta S. Sibley, Book Design (illustrator). 232 pages. Clean book, good binding. Wes Carver returns to Black River, Montana, grieving for his wife who died, and worried abou a convict who held him hostage when he worked as a prison correctional officer;

Hardcover. Condition: Very Good. First Edition. Gift inscription to FFE, else tight and clean. DJ shows minor rubbing.

Hard Cover. Condition: Very Good ++. Dust Jacket Condition: Very Good ++. First Edition. Hardcover with price clipped dust jacket, xxi + 74 pages including black-and-white photographs; black felt tip remainder mark full length of fore edge with slight penetration to outer margins of a few pages, otherwise unread condition.

hardcover. Condition: Good. Dust Jacket Condition: Good. A good hardcover in a good price clipped dust jacket. Used with wear and inscription on first page but otherwise in solid condition.

Hardcover. Condition: New. First Edition. STORED NEW; Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 73 pages. 7.75x4.75x0.50 inches. In Stock.

Hardcover. Condition: New. In shrink wrap.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. ***GREAT CONDITION***CLEAN PAGES*** light edge wear/corner bending. We specialize in non-fiction books. Follow us on Facebook and Instagram.

Soft cover. Condition: Fine. 1st Edition. 1st. ed., 1st printing ; 75 pages ; 21 cm ; ISBN 9780544649651, 0544649656 ; OCLC 913924162 ; LCCN 2015047705 ; LOC No PS3562.U87 A6 2016 ; "A Mariner original." ; stiff paper wrappers ; "A brilliant new collection of poems by Kingsley Tufts Award-winning poet Thomas Lux With To the Left of Time, Thomas Lux adds more than fifty new poems to his celebrated oeuvre. Broken into three sections, these include semi-autobiographical poems, odes, and a final section that delves into a variety of subjects reflective of Lux's imaginative range. Full of his characteristic satire and humor, this new collection promises laughter and profound insight into the human condition. To the Left of Time is a powerful addition to the work of one who has been widely praised for his ability to offer image- and metaphor-driven visions as well as lines of plain language and immediacy. This collection proves that Lux's work will continue to inspire readers for decades to come."-- Provided by publisher ; Thomas Lux was born in Northampton, Massachusetts on December 10, 1946. He graduated from Emerson College in Boston. He was a member of the writing faculty at Sarah Lawrence College for 25 years before becoming the Bourne Professor of Poetry at Georgia Tech in 2001. He was also the director of the McEver Visiting Writers program at the Georgia Institute of Technology and the director of Poetry@Tech. His first collection of poetry, Memory's Handgrenade, was published in 1972. His other collections of poetry include To the Left of Time, New and Selected Poems of Thomas Lux: 1975-1995, God Particles, Child Made of Sand, The Street of Clocks, and From the Southland. In 1994, he won the Kingsley Tufts Poetry Award for the collection Split Horizon. He died February 5, 2017 at the age of 70. ; Contents: Cow Chases Boys -- Haystack of Needles -- Nullius in Verba (Take Nobody's Word for It) -- Indigo Felix: -- The Horse Poisoner -- A Long Line of Nightingales, -- My Father Whistled -- Double Barrel Sparrow -- For My Sister -- The Milking Stool -- Glass Eye -- Manure Pile Covered in Snow -- So Bury Me in a Barrel -- The Day -- Grade Schools' Large Windows -- II: ODES -- Ode to the Joyful Ones -- Ode to the Eating Establishment Where the Utensils Were Chained to the Table, -- Ode to the Fire Hydrant -- Ode While Awaiting Execution -- Ode to What I Have Forgotten -- Ode to the Eraser as Big as a Bus -- Ode Elaborating on the Obvious -- Ode to All Songs, Poems, Stories That Begin "I Woke Up This Morning" -- Ode to IQ And Aptitude Tests, -- Ode to the Unbroken World, Which Is Coming -- Ode to the Electric Fish That Eat Only the Tails of Other Electric Fish -- Ode to Small Islands -- Ode to Peep Tubes and Their Makers -- Ode to Chronic Insolvency -- Ode to the Pig Rolled from the Castle down a Hill to Where the Peasants Wait with Axes -- Ode to Gandhi, Who Wrote a Letter to Hitler Asking Him Not to Start a War -- Ode to Pain in the Absence of an Obvious Cause of Pain -- Ode to the Fat Child Who Went First onto the Thin Ice -- Ode to the Moment Between Dust and Dust -- Ode to Those Who Study the Miasmas -- Ode to the River That Abandons One Channel and Finds Another More Suited to Its Purpose -- Ode to Asa Bundy Sheffey, -- Ode to the Archipelagoes of Discarded Chewing Gum on Sidewalks -- Ode to Scars -- Ode to Lichen -- A Man's Little Heart's Short Fever Fit -- There's a Word for It -- Blue with Collapse -- Praisegod Barebones -- Attila the Hun Meets Pope Leo I -- Along the Trail of Your Vertebral Spine -- For Second Lieutenant J. Wesley Rosenquest, -- Tristan da Cunha -- Oofty Goofty -- Lobotomobile -- History Island -- Frank Stanford at Sixty-three -- Onomatomania, -- The Nervo-Sanguine -- Ancient Blades ; FINE. Book.

Hardcover. Condition: Good.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!.

Hardcover. Condition: Fine. Limited Edition. Limited Edition. Hardcover. The text was designed and composed by Sibley using a Macintosh computer. "The imagery was created by Joseph A. Osina at his studio in New York City, and printed by Nathan Kanofsky and Heather Arak at the Arak Kanofsky Studios. Hand coloring by Suzanne Moore. The text was printed letterpress from photopolymer plates by Arthur Larson at Horton Tank Graphics, Hadley, Massachusetts. The binding and folders for an edition of twenty copies and one artist proof were designed by Daniel E. Kelm at The Wide Awake Garage in Easthampton, Massachusetts." [colophon] "The boards for this handmade limited edition were covered with ultrasuede and painted. Carborundum was added for sparkle. The moon is a patinated silver disk, hammered by [Sibley]. The moon is a good metaphor for the process of collaboration. It is important to become new together, to empty of expectations and preconceived notions, to enter the unknown, the dark. Only then do we begin to practice our craft. Inspiration gradually illumines the dark, empty field of space, and a shared vocabulary of words, materials, shapes, color, and light is discovered." [artist statement]. Tight, bright, and unmarred. Textured cloth boards, gilt lettering, shaped textblock and boards; colophon printed separately and mounted in a matching folder. 8vo. np. Illus. (colored plates). Numbered limited edition.