Sebastian Althoff (25 results)

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 297 | Sprache: Englisch | Produktart: Bücher.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 297 | Sprache: Englisch | Produktart: Bücher.

Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren, Schnitt leicht nachgedunkelt. Edited by Sebastian Althoff, Elisa Linseisen, Maja-Lisa Müller and Franziska Winter. Circling an image of Kim Jong-nam's alleged assassin Duan Thi Huong, ten contributions offer a kaleidoscopic discussion of post-digital image practices and the mimetic status of imagery. - A woman is implicated in an assassination and captured on CCTV. Instead of looking for a truth behind the image - is she really guilty? - the writer and curator Shumon Basar dives deeper into the image itself. The kaleidoscopic result of this 'paranoid, associative portrait' is the gateway for the authors of this volume to meme Basar's encounter with the digital image of Duan Thi Huong and to unfold what can be recognized as a post-digital image practice. To cut, to split, to reformat, to rearrange, to zoom - these techniques mix up the relation of reality and its representations and show that questions concerning the truthfulness of images under post-digital circumstances come to a dead end. The mimetic status of imagery, the search for the one and only original or false copy becomes an unsolvable quest in a world that is overloaded with images. What the authors of this volume therefore call for is not to neglect the concept of mimesis but to treat it as even more important - though as a dynamic not as a normative, hierarchical ranking tool. With ten contributions by Shumon Basar, Felix Hasebrink, Niklas Kammermeier, Rebecca Puchta et al. 294 Seiten mit 38 Farbtafeln, broschiert (Medien und Mimesis; Band 6/Wilhelm Fink Verlag 2020). Gewicht: 255 g - Softcover/Taschenbuch - Sprache: Englisch.

Softcover. Condition: Wie neu. 1. Alterbedingte Gebrauchsspuren! ---. nein.

Broschiert. Condition: Gut. k.A. Das Buch befindet sich in einem neuwertig erhaltenen Zustand und ist noch original eingeschweißt. Sprache: Deutsch Gewicht in Gramm: 405.

Softcover. Condition: Wie neu. 1. ---. nein.

Taschenbuch. Condition: Neu. Neuware - A woman is implicated in an assassination and captured on CCTV. Instead of looking for a truth behind the image - is she really guilty - the writer and curator Shumon Basar dives deeper into the image itself. The kaleidoscopic result of this 'paranoid, associative portrait' is the gateway for the authors of this volume to meme Basar's encounter with the digital image and to unfold what can be recognized as a post-digital image practice.To cut, to split, to reformat, to rearrange, to zoom - these techniques mix up the relation of reality and its representations and show that questions concerning the truthfulness of images under post-digital circumstances come to a dead end. The mimetic status of imagery, the search for the one and only original or false copy becomes an unsolvable quest in a world that is overloaded with images. What the authors of this volume therefore call for is not to neglect the concept of mimesis but to treat it as even more important - though as a dynamic not as a normative, hierarchical ranking tool.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2020. Paperback. . . . . .

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 294 pages. 6.61x4.09x1.26 inches. In Stock.

Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condition: Neu. Neuware - Die Warnung von Eltern, aufzupassen, was man online teilt, ist allgegenwärtig. Dem schließen sich Datenschützer\*innen an und gebieten einen bewussten und sparsamen Umgang mit Diensten und Daten. Eine digitale Desökonomie widersetzt sich diesen Warnungen und sucht den kritischen Umgang mit der digitalen Gegenwartskultur nicht in der Askese, sondern im Exzess. Kunstwerke, Bilder und Daten sind »zu viel«, türmen sich auf und wiederholen sich ständig. Mit Bezug auf Ansätze der Gouvernementalität, der Queer Theory und auf Theorien von Georges Bataille und Roger Caillois analysiert Sebastian Althoff diese unproduktive Produktionsweise des Digitalen und zeigt eine Praxis auf, die Trägheit statt flow schafft.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

paperback. Condition: New.

Taschenbuch. Condition: Neu. Re-/Dissolving Mimesis | Sebastian Althoff (u. a.) | Taschenbuch | 294 S. | Englisch | 2020 | Brill Fink | EAN 9783770564958 | Verantwortliche Person für die EU: Brill Deutschland GmbH, Wollmarktstr. 115, 33098 Paderborn, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.

Paperback. Condition: new. Paperback. A woman is implicated in an assassination and captured on CCTV. Instead of looking for a truth behind the image - is she really guilty? - the writer and curator Shumon Basar dives deeper into the image itself. The kaleidoscopic result of this "paranoid, associative portrait" is the gateway for the authors of this volume to meme Basar's encounter with the digital image and to unfold what can be recognized as a post-digital image practice. To cut, to split, to reformat, to rearrange, to zoom - these techniques mix up the relation of reality and its representations and show that questions concerning the truthfulness of images under post-digital circumstances come to a dead end. The mimetic status of imagery, the search for the one and only original or false copy becomes an unsolvable quest in a world that is overloaded with images. What the authors of this volume therefore call for is not to neglect the concept of mimesis but to treat it as even more important - though as a dynamic not as a normative, hierarchical ranking tool. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Die Warnung von Eltern, aufzupassen, was man online teilt, ist allgegenwaertig. Dem schliessen sich Datenschuetzer*innen an und gebieten einen bewussten und sparsamen Umgang mit Diensten und Daten. Eine digitale Desoekonomie widersetzt sich diesen Warnungen und.

Paperback. Condition: new. Paperback. A woman is implicated in an assassination and captured on CCTV. Instead of looking for a truth behind the image - is she really guilty? - the writer and curator Shumon Basar dives deeper into the image itself. The kaleidoscopic result of this "paranoid, associative portrait" is the gateway for the authors of this volume to meme Basar's encounter with the digital image and to unfold what can be recognized as a post-digital image practice. To cut, to split, to reformat, to rearrange, to zoom - these techniques mix up the relation of reality and its representations and show that questions concerning the truthfulness of images under post-digital circumstances come to a dead end. The mimetic status of imagery, the search for the one and only original or false copy becomes an unsolvable quest in a world that is overloaded with images. What the authors of this volume therefore call for is not to neglect the concept of mimesis but to treat it as even more important - though as a dynamic not as a normative, hierarchical ranking tool. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condition: New. New. book.

25. Condition: Gebraucht. Neu Neuware, verlagsfrisch; new item Besorgungsartikel, mit längerer Auslieferungszeit. -Die Warnung von Eltern, aufzupassen, was man online teilt, ist allgegenwärtig. Dem schließen sich Datenschützer\*innen an und gebieten einen bewussten und sparsamen Umgang mit Diensten und Daten. Eine digitale Desökonomie widersetzt sich diesen Warnungen und sucht den kritischen Umgang mit der digitalen Gegenwartskultur nicht in der Askese, sondern im Exzess. Kunstwerke, Bilder und Daten sind »zu viel«, türmen sich auf und wiederholen sich ständig. Mit Bezug auf Ansätze der Gouvernementalität, der Queer Theory und auf Theorien von Georges Bataille und Roger Caillois analysiert Sebastian Althoff diese unproduktive Produktionsweise des Digitalen und zeigt eine Praxis auf, die Trägheit statt flow schafft. 240 pp. Deutsch.

Taschenbuch. Condition: Neu. Digitale Desökonomie | Unproduktivität, Trägheit und Exzess im digitalen Milieu | Sebastian Althoff | Taschenbuch | 240 S. | Deutsch | 2023 | transcript | EAN 9783837666908 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu.

Softcover. Condition: Sehr gut. 1. Altersbedingte Gebrauchsspuren !---. nein.