Robert Heinecken (135 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. The Summer 1994 issue of Aperture magazine, No. 136, on "Metamorphoses: Photography in the Electronic Age" with: a portfolio of work by Pedro Meyer and essay by Jonathan Green; a portfolio of computer photomontage images by Eva Sutton, Martina Lopez, Shelly Smith, Anil Melnick, Roshini Kempadoo, Osamu James Nakagawa, and Esther Parada; a portfolio titled "The Virtual Landscape" with images by Kathleen Ruiz, Peter Campus, Barbara Kasten, and Paul Thorel; a Nash editions portfolio with work by Graham Nash, Robert Heinecken, David Byrne, Jonathan Reff, Eileen Cowin, Olivia Parker, and Lynn Butler; photographs by Diane Fenster, MANUAL, Deanne Sokolin, and Annette Weintraub; essays by Ben Davis, Geoffry Batchen, Timothy Druckrey, Michael Sand, and others; articles on digital montage, "The Digital Museum," Nancy Burson, and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine, almost as new. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. Condition: Very Good. 1st. [16] pages, illustrations; 21 x 26 cm. Catalogue of an exhibition held at the Ohio Silver Gallery, Los Angeles. A very good copy with moderate shelfwear to wraps. Previous owner's signature/title page, otherwise unmarked. Age toning. Size: Oblong.

Hard cover. Condition: Good. No jacket. Cover is rubbed and scuffed, with wear along edges. Spine is slightly shaken, but binding is secure. Inside is clean and unmarked.

Soft cover. Condition: Good. Softcover, 80 pgs. Texts and b&w portfolios by a variety of artists/photographers. Moderate wear to cover, some foxing to edges of last page & inside back cover.

Softcover staple bound, 16 pages very good minus condition; covers a bit scuffed and creased; no internal marks.

First edition. Oblong softcover. 84 pages. Exhibition catalog for a group show that ran June 28 through August 22, 1989. Text by Susan Kismaric. Features text by Susan Kismaric. Includes color and black and white images from John Baldessari, Robert Heinecken, Larry Sultan, John Divola, Jo Ann Callis, Nancy Barton, and Larry Johnson along with artist biographies and chronologies. A near fine copy in wrappers with some slight toning to the edges. Internally a clean copy.

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

First edition. Softcover. 111 pages. A comprehensive look at Heinecken's body of work. Features texts by Mark Alice Durant, Amy Rule, and Roxane Ramos. Includes numerous color and black and white images. A very fine copy in French style wrappers. As new and still in the publisher's shrinkwrap.

Soft cover. Condition: As New. Softcover; still in shrinkwrap, very light wear to upper left corner, else new.

Hardcover. Condition: Good. Ex-library book with stickers and/or stamps throughout.

Soft Cover. Condition: Fine. First Edition; First Printing. Numerous full page plates in color and black and white. With texts by Darryl Curran, Robert Heinecken, Leland Rice, and John Upton. Published on the occasion of the exhibition organized by Friends of Photography, October 30, 1976 - January 2, 1977, and International Center of Photography, February 10 - March 13, 1977. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to.

Paperback. 67p. A thin softcover book in very good condition. Edges mildly crinkled and very faintly tanned. Light foxing, but otherwise clean. Binding tight. An exhibition catalogue featuring black and white photographs that manipulate perspective.

Trade Paperback. Condition: Used - Like New. Still sealed in plastic wrapper.

Softcover, staple-bound, 36 pages, very good condition; light rubbing to covers; no internal marks.

Hardcover in black boards without dustjacket as issued, 158 pages, numbered 915/2000, signed by Heinecken at rear; also inscribed by Heinecken on page 7 with his rubber stamp generic inscription with pencil notations added; POOR condition; splits to front and rear inner hinges; the front and rear covers are still attached but barely. Foreign shipping may be extra.

Hardcover with dustjacket, 188 pages,very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Magazine. First edition. Near Fine magazine with a touch of rubbing/bumping to the tips. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The second issue of the Bristol Workshops in Photography periodical, Photographic INsight (Journal 1, No. 2-3, Winter-Spring 1988), a double issue of theoretical discourse on the subject of photography, featuring: an interview with Robert Heinecken; studio photography in Haiti and Nigeria; collecting fine art photographs; Phototropism by Richard Schiff; conceptual art and photography by Robert Morgan; book reviews; and more. Edited by Stephen Brigidi and Sandra Feeney. Staple-bound; 45 pages; b&w illustrations throughout; 9 x 11 inches.

Paperback. The fifth issue of Untitled, the Friends of Photography periodical, Third Quarter 1973. This issue, as were many of the early ones, was the catalogue for four exhibitions held at the Friends of Photography gallery in Carmel, California: Andre Kertesz, Robert Rauschenberg, Robert Heinecken, and Wynn Bullock. Photographs by Kertesz (8), Rauschenberg (4), Heinecken (3), and Bullock (6). Introduction by Peter Thompson, the editor; texts by Joan Murray, Brassai, Rauschenberg, Fred R. Parker, and Bullock. Staple-bound card wraps; 20 pages; b&w and color illustrations throughout; 8.5 x 11 inches. Condition: Very Good paperback/booklet with light soiling and light bumping at the extremities. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

First edition. Softcover. 26 pages. Exhibition catalog for a show that ran March 20 through May 12, 1989 at State Of Illinois Art Gallery and June 4 through July 30, 1989 at Illinois Stte Museum. Features text by Debora Duez Donato writing on Barbara Crane, Robert Heinecken, Kenneth Josephson, Joyce Neimanas and text by Terry Suhre writing on Nathan Lerner, Bea Nettles, and Charles Swedlund. Also includes a black and white image by each photographer, a checklist and selected bibliography. A clean very near fine copy in stapled wrappers. Uncommon.

First edition. Small oblong softcover. 80 pages. Features a preface by Tom Muir Wilson, a director's statement by Orrel E. Thompson and a foreword by Robert M. Doty. Includes brief artist statements, images by and information about: Barbara Blondeau, Dennis Brylc, Nicholas Dean, Robert Fichter, Betty Hahn, Robert F. Heinecken, Scott Hyde, Joan Lyons, Stephen Mindel, Joyce Neimanas, Bart Parker, Keith Smith, Michael Spencer, Jerry N. Uelsmann, William Weege, and Tom Muir Wilson. A very good plus copy in wrappers that are somewhat rubbed.

First edition. Small oblong softcover. 62 pages. Introduction by Van Deren Coke. Essays by A.B. Coleman and Bill Jay. Includes black and white and some color images from Ruth Bernhard, Barbara Crane, Judy Dater, Ralph Gibson, Emmet Gowin, Robert Heinecken, Eikoh Hosoe, Ray Metzker, Aaron Siskind, Todd Walker, Jack Welpott, Minor White. A near fine copy in wrappers.

Hardcover. Condition: Very Good. 1st. Black cloth, 158 pages, illustrations (some colour); 24 x 31 cm. Edition of 2000 copies. SIGNED by the artist-photographer and numbered 212/2000 copies on the limitation page. Light shelfwear to boards, age toning. No DJ Issued. Plain card slipcase missing. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** CONTENTS: Statement by the artist; Acknowledgements, by Robert Heinecken; Preface, by James Enyeart; Introduction, by William Jenkins; Carl Chiarenza, from an unpublished article, September, 1976; Robert Heinecken from Photography Source & Resource, Turnip Press, 1973; Charles Hagen, adapted from interview with Heinecken, Afterimage, April 1976; John Upton, "Photograph as Object", from exhibition catalogue, California State University, Long Beach, 1974; To Heinecken the Photographer, by Marvin Bell; Robert Heinecken from Untitled 7/8, The Friends of Photography, 1974; Candida Finkel, "Space-Time and the Syzygy" Exposure 15:4, 1977; Chronology; A chronological bibliography; From the publisher, by James Alinder. Size: Oblong. SIGNED. Collectible.

Softcover, staple-bound; 16 pages, poor condition, large waterstain to lower right corner of all pages; pages a bit wavy but since the pages are mostly black its not that noticeable. As is; reference copy.

Hardcover. Condition: Fine. First edition. Quarto (9¾" x 12¼"), 192pp. Photo-illustrated boards, white lettering on front cover and spine. Slight wear on fron corners, otherwise a fine copy. Copywork will feature a full portfolio of one of the artist's best-known works: the Are You Rea series (1964-1968). This series began as photograms of magazines and newspapers that were subsequently made into gelatin silver prints, and finally became an edition of lithographs. Are You Rea demonstrates Heinecken's obsessive urge to process the same images in a multitude of ways, and directly addresses the artist's affinity with Dadaism and Surrealism. The word real in an advertisement becomes the truncated rea in the photogram, and is intentionally pronounced ray to reference Man Ray's rayographs. Each lithograph is revelatory in its juxtapositions of both copy and imagery from American advertising, exposing the mass media's role in subconscious suggestion and promotion of capitalist consumption (sex, food, physical beauty). Heinecken considered pictures to represent manufactured experience, and wanted to expose the complicity in seemingly casual, everyday media imagery. In addition to Are You Rea, the exhibition will showcase two iconic Polaroid works: Tuxedo Striptease (1984) and a selection from Heinecken's Lessons in Posing series (1981-1982). Also on view will be lithographic film works, magazines, inkjet print reliefs, and standing figures and cut outs, terms that Heinecken employed to identify his life-size collaged figures of women, men, objects and animals juxtaposed into uncanny relationships.

paperback. Condition: Fine. 1st. Bound in the publisher's original illustrated softcover.

Softcover. Condition: Very Good. First edition. Oblong wrappers. 67pp. Glue seepage from binding, rear wrapper lightly soiled, a very good copy. Exhibition catalogue for the opening of the George Eastman House in June of 1967.

No Binding. Condition: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

First edition. The simultaneous softcover edition done for a show of the same name. A photo anthology with photographs from: Donald Blumberg, Charles Gill, Robert Heinecken, Ray K. Metzker, Jerry N. Uelsmann, and John Wood. Includes 11 images a brief biography and exhibition and publication history for each photographer. A near fine copy in photo-illustrated wrappers with some very minute wear. A very nice copy of this terrific book.

First edition. Softcover. [20 pages.] This issue focuses on four exhibitoins that happened at the Friends of Photography Gallery in Carmel. Includes information about and images from Andre Kertesz, Robert Rauschenberg, Robert Heinecken, and Wynn Bullock. A clean near fine copy in photo-illustrtaed stapled wrappers with some very slight toning to the edges. Uncommon.