Palladino Adrien (73 results)

paperback. Condition: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

Softcover/Paperback. Condition: Sehr gut. 211 pages. Sehr guter Zustand. Minimale Lager- bzw. Gebrauchsspuren. / Very good. Minimal wear. Sprache: Englisch Gewicht in Gramm: 399.

Softcover/Paperback. Condition: Sehr gut. 197 pages. Very good. Minimal wear. Sprache: Englisch Gewicht in Gramm: 350.

paperback. Condition: New.

Brossura. Condition: new. Edited by Foletti I. and Palladino A.English Text.Roma, 2020; paperback, pp. 200, b/w ill., cm 13x19,5.(Parva convivia. 6). Libro.

Brossura. Condition: new. English Text.Roma, 2020; paperback, pp. 211, cm 12,5x19,5.(Parva convivia. 4). Libro.

Brossura. Condition: new. Edited by Foletti I. and Lovino F.English Text.Roma, 2018; paperback, pp. 184, b/w ill., cm 16,5x24.(Studia Artium Medievalium Brunensia. 7). Libro.

Condition: NEW.

Condition: NEW.

Brossura. Condition: new. Edited by Foletti I. and Palladino A.English Text.Roma, 2017; paperback, pp. 228, b/w ill., cm 16x23.(I Libri di Viella. Arte- Studia Artium Medievalium Brunensia, 6). The city has always been, and remains, the ideal place of collective rituality. It is the city that has hosted, since Antiquity, collective celebrations of victory, important religious ceremonies, but also ritual consecrations of the elite. The aim of this book is to reflect on a specific issue: the interaction between ritual and city space. Our wish is to understand, in a multidisciplinary and cross-epochal approach, how a collective liturgy, civic or religious, can unfold within the public space and transform it. In addition to sacred buildings and seizures of power, the square and the streets become in this sense important identity-shaping loci. Bringing places of power to the street or the square means entering into a dialogue constructed between those who organise the ritual, those who perform it and those who witness it. It seems that it is in compromise between the different components of society that collective rituals can happen within the public space. Therefore, it is no surprise that the crucial question for this book is the way in which this same space is adapted to the requirements of the ritual, or, on the contrary, how the ritual adapts to the space. Libro.

Brossura. Condition: new. A cura di Foletti I., Nokkala Miltová R. e Jakubec O.Roma, 2021; br., pp. 248, ill., cm 18x24,5.(I Libri di Viella. Arte. 11). Libro.

Condition: New. 2019. paperback. . . . . .

Condition: New. 2020. Paperback. . . . . .

Paperback. Condition: new. Paperback. The city has always been, and remains, the ideal place of collective rituality. It is the city that has hosted, since Antiquity, collective celebrations of victory, important religious ceremonies, but also ritual consecrations of the elite. Based on these essential notions, the aim of this book is to reflect on a specific issue: the interaction between ritual and city space. Our wish is to understand, in a multidisciplinary and cross-epochal approach, how a collective liturgy, civic or religious, can unfold within the public space and transform it. In addition to sacred buildings and seizures of power, the square and the streets become in this sense important identity-shaping loci. Bringing places of power to the street or the square - which are by definition liminal spaces - means entering into a dialogue constructed between those who organise the ritual, those who perform it and those who witness it. It seems that it is in compromise between the different components of society that collective rituals can happen within the public space. Therefore, it is no surprise that the crucial question for this book is the way in which this same space is adapted to the requirements of the ritual, or, on the contrary, how the ritual adapts to the space. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Brossura. Condition: new. English Text.Roma, 2022; paperback, pp. 312, 18 col. ill., cm 17x24.(Studia Artium Medievalium Brunensia. 12). The cult of saints, their relics, and devotion to their shrines is a phenomenon born in Late Antiquity that durably shaped medieval and modern practices across a broad geographical and cultural area spreading first throughout the Roman Empire and beyond. How was the creation of vessels for the holy remains of saints implemented during a culturally heterogenous period?Indeed, how could boxes of various shapes, sizes, and materials become containers to shelter sacred matter?What materials could be used in reliquaries' making, and what images should adorn them? And how did reliquaries, with their geographical and social portability, contribute to the translocation of site-bound sanctity and the spread of saints' and shrines' networks across the Late Antique world? Tracing the medieval reliquary's "pre-history", this volume examines boxes bearing Christian images and patterns made between the fourth to the sixth century ce.It investigates how vessels adorned with images acquired meaning and power, exploring the dynamics of transformation that accompany both the creation of these objects and their long history of reuse, marginalization, and rediscovery. Libro.

Condition: NEW. Roma: Viella, 2020 9788833133102 Parva convivia 3 409 197 p. : indice ; 20 cm. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Palladino,Adrien - Foletti,Ivan.

hardcover. Condition: New.

Condition: New. 2017. Paperback. . . . . .

paperback. Condition: New.

paperback. Condition: New.

paperback. Condition: New.

Condition: NEW. Roma: Viella, 2021 9788833138459 I libri di Viella. Arte 11 809 248 p. : ill. col., indice, biografia ; 24 cm. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. Foletti,Ivan - Jakubec,Ondrej - Miltová,Radka Nokkala.

Condition: NEW. Roma: Viella, 2017 9788867288946 Studia artium Medievalium Brunensia 6 809 228 p. : ill. b/n, indice, biografia ; 24 cm. The city has always been, and remains, the ideal place of collective rituality. It is the city that has hosted, since Antiquity, collective celebrations of victory, important religious ceremonies, but also ritual consecrations of the elite. Based on these essential notions, the aim of this book is to reflect on a specific issue: the interaction between ritual and city space. Our wish is to understand, in a multidisciplinary and cross-epochal approach, how a collective liturgy, civic or religious, can unfold within the public space and transform it. In addition to sacred buildings and seizures of power, the square and the streets become in this sense important identity-shaping loci. Bringing places of power to the street or the square which are by definition liminal spaces means entering into a dialogue constructed between those who organise the ritual, those who perform it and those who witness it. It seems that it is in compromise between the different components of society that collective rituals can happen within the public space. Therefore, it is no surprise that the crucial question for this book is the way in which this same space is adapted to the requirements of the ritual, or, on the contrary, how the ritual adapts to the space. The city has always been, and remains, the ideal place of collective rituality. It is the city that has hosted, since Antiquity, collective celebrations of victory, important religious ceremonies, but also ritual consecrations of the elite. Based on these essential notions, the aim of this book is to reflect on a specific issue: the interaction between ritual and city space. Our wish is to understand, in a multidisciplinary and cross-epochal approach, how a collective liturgy, civic or religious, can unfold within the public space and transform it. In addition to sacred buildings and seizures of power, the square and the streets become in this sense important identity-shaping loci. Bringing places of power to the street or the square which are by definition liminal spaces means entering into a dialogue constructed between those who organise the ritual, those who perform it and those who witness it. It seems that it is in compromise between the different components of society that collective rituals can happen within the public space. Therefore, it is no surprise that the crucial question for this book is the way in which this same space is adapted to the requirements of the ritual, or, on the contrary, how the ritual adapts to the space. Foletti,Ivan - Palladino,Adrien.

Hardcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Is it possible to reconstruct the feeling of a medieval pilgrim walking towards the sacred? No, it is not. And yet, the experimental project Migrating Art Historians sought to delve into this impossibility. Journeying by foot over more than 1500km, twelve modern pilgrims - students and scholars from Masaryk University - reached some of the most impressive artistic monuments of medieval France. One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.

Condition: NEW.

Brossura. Condition: new. A cura di Foletti I. e Palladino A.Roma, 2025; br., pp. 594, cm 17x22,5.(Convivia. 5). Libro.

Cartonato. Condition: new. Edited by Foletti I., Rosenbergová S. and Kravcíková K.English Text.Roma, 2019; hardback, pp. 468, b/w and col. ill., cm 19,5x22.(Convivia. 2). Libro.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.