Nuttall Jeff (345 results)

Condition: Fine. artist's book; 16mo, 32 pp., paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condition: Very Good. 1755167973. 8/14/2025 10:39:33 AM.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Damaged book. Slightly damaged in some way typically, a grazed corner or torn cover.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.62.

Hardcover. Condition: Fine condition. Dust Jacket Condition: Near Fine dust jacket. First Printing of the First Edition. London: Routledge & Kegan Paul, 1977. 7.5" wide by 9.75" tall. Bright, clean, square, tight, unmarked copy. Sharp corners. Not a book club edition. No chips or tears. No owner's name or bookplate. No remainder mark. A study of "bad taste" in urban life, particularly in the North of England during the first half of the 20th century. Looks at some of the ways suburban dwellers can assert their "identity against encroaching respectability." From the Dust Jacket: "The main theme of their book is the extraordinary quality to be found in the leisure culture of the major cities: a popular aesthetic, made up of scraps and pieces of dead styles, clichéd ornaments and plundered pastiche, revamped and revitalized with startling vulgar vitality. The authors believe that this language of the commonplace, often called 'bad taste,' may reveal far more about the true nature of modern society." . First Printing of the First Edition. Oversize Hardcover. Fine condition/Near Fine dust jacket.

Condition: New.

Unknown Binding. Condition: Very Good. 1967 paperback edition with 63 pages. All inside pages are mint! Minor shelf wear to cover.

Encuadernación de tapa blanda. Condition: Muy bien. Ejemplar en buen estado, sin anotaciones ni desperfectos.

Paperback. Condition: Good +. First in This Edition. 111 pages. Clean black background covers. Covers' corners and spine-ends have moderate wear. Page-edges browned, page-margins lightly browned, ink name to first page o/w pages clean.

Paperback or Softback. Condition: New. Bomb Culture: 50th Anniversary Edition 0.95. Book.

Condition: Good. 1978. First Edition. 139 pages. No dust jacket. Green cloth boards with gilt lettering. Contains black and white illustrations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Gilt lettering is darkened.

Paperback. First Paperback Edition. SIGNED. 90pp. Octavo [21 cm] Tan wraps, printed in red and black. Errata slip bound in at the rear. Very good. The rear wrap is lightly soiled and stained. Internally, very clean. Inscribed by the British artist, poet, jazz musician, and social commentator on the front flyleaf.

hardcover. Condition: very good(+). First. x, 277 pages. 8vo, navy cloth with silver and green lettering. New York: Delacorte, (1968). First Edition. Lacks dust wrapper. Very good(+).

Paperback. Condition: Very good. First American edition. Sm 8vo. Illustrated wrappers. 63 pages. Slight edge wear, and a small stain at certer of side text block. No names or marks.

Paperback. Condition: Very Good. First Edition. Very Good. Wraps rubbed, price and ISBN sticker on the back cover. Square and firmly bound, some dog-earred pages, clean otherwise. Nuttall's story of and theory behind his art.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First US edition. 63 pp. Very near fine in glossy illustrated wrappers. One of 500 copies.

First edition. [36 pp]. Small light beverage ring on front cover, else very good plus in illustrated wrappers with some wear to crown of spine. Writers Forum Poets no. 17.

Soft cover. Condition: Very Good. 1st Edition. 56 pages. (SL#123).

HC. B&W illustrations (illustrator). 152pp ISBN 0710085923 WATER STAIN ON REAR BOARD UNDER DUSTJACKET The main theme of this book is the extraordinary quality to be found in the leisure culture of the major cities: a popular aesthetic, made up of scraps and pieces of dead styles, cliched ornament and plundered pastiche, revamped and revitalised with startling vulgar vitality. good w/good dustjacket (hardcover) water stain rear board.

Card Wrappers. Condition: Very Good. First Edition. (iv), 90pp. Errata slip tipped in at rear. Covers very slightly grubby. Book.

Soft cover. Condition: Very Good. 96 pages. 2 Jim Burns Poems 7 Justine Rivers Skin Robert MacAulay 15 Judy Gahagan Poem 18 John Emanuel Drawings 23 Elaine Randell Poem 25 Jonathan Treitel Quest Ken Cox Drawings 28 Elaine Randell Storm Damage 29 Laurie Preece Pictures 32 Donald Atkinson Poems 38 Charles Shearer Drawings 41 John Gower Lillian Mike Foreman 50 Edward Lowbury 52 Mary Knight The Girl with the Unicorn David Remfry 55 Herbert Lomas Reviews 60 Florence Elon From Frieda & William 64 Pop Art Retrospective from Ambit Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson 71 Joel Lane The Death of the Witness Laura Knight 77 Jeff Nuttall Eyes IV 81 Jacqueline Lucas Poems 82 William Hampton To a Man Who Became a Storyteller 83 Ann Born / Vernon Scannell Reviews 87 Duncan Chambers Poems 88 Eric Mathieson Reviews 92 Robert Magowan Looking for Binoculars 95 Kevin Crossley-Holland Poem.

Paperback. Condition: Very Good. First Edition. First Edition, 2nd Printing. Published by Delta Book, 1968. Octavo. Paperback. Book is very good with light toning to the page ends and very light edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Condition: Good. Good condition. Clean pages. Light wear. May have slight pet odor. Nice condition overall. Ships fast!

Softcover. Condition: Near Fine. First edition. Octavo. Illustrated green textured wrappers with errata slip tipped in at the rear. Sunned edges, else near fine with bumping to the yapped edges as typically found. One of 215 copy Signed and numbered on a slip tipped in at the rear.

Softcover. Condition: Fine. First edition. Stapled wrappers with applied title label. Fine. One of 675 copies.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book has a slightly shaken spine, light rubbing to dark blue cloth covers with slight gilt residue, light fading to endpapers, light wear to edges. otherwise in great condition, strong binding, bright pages with unmarked text; an overall sturdy, presentable copy with clean interiors. Dust jacket has mild rubbing with partial sticker, mild wear to edges with small tears. in very good condition, now in archival cover.;.

Soft cover. Condition: Very Good. 1st edition. Near VG. 8vo, 64pp, printed wrappers. Unmarked copy of this Nuttall text published by Mary Beach at the height of the 1960s counterculture. Unmarked copy from the collection of Opal Louis Nations, staining to back cover and adjacent leaves. Not Signed.

Original Wraps. Condition: Very Good. Dust Jacket Condition: Very Good. Michael Foreman, Laura Knight et al (illustrator). First Edition. Ambit Number 126, published in 1991. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top corner of the page block is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: Jim Burns: Poems; Justine Rivers: Skin; Robert MacAulay; Judy Gahagan: Poem; John Emanuel: Drawings; Elaine Randell: Poem; Jonathan Treitel: Quest; Ken Cox: Drawings; Elaine Randell: Storm Damage; Laurie Preece: Pitures; Donal Atkinson Poems; Charles Shearer: Drawings; John Gower: Lillian; Mike Foreman; Edward Lowbury; Mary Knight: The Girl with the Unicorn; David Remfry; Herbert Lomas: Reviews; Florence Elon: From Frieda & William; Pop Art Retrospective from Ambit: Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson; Joel Lane: The Death of the Witness; Laura Knight; Jeff Nuttall: Eyes IV; Jacqueline Lucas: Poems; William Hampton: To a Man Who Became a Storyteller; Ann Born / Vernon Scannell: Reviews; Duncan Chambers: Poems; Eric Mathieson: Reviews; Robert Magowan: Looking for Binoculars; Kevin Crossley-Holland: Poem. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting. (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.