Language: English
Published by Duke University Press (edition ), 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Language: English
Published by Duke University Press Books, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press Books, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Paperback. Condition: As New. Still shrinkwrapped; Refiguring American Music; 8vo 8" - 9" tall; 312 pages.
Language: English
Published by Duke University Press, US, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and RandB recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Duke University Press 10/29/2021, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Paperback or Softback. Condition: New. Soundscapes of Liberation: African American Music in Postwar France. Book.
Language: English
Published by MD - Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press Books, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, North Carolina, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Paperback. Condition: new. Paperback. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements. Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press Books 2021-10-29, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Bard Graduate Center, 2024
ISBN 10: 0300275765 ISBN 13: 9780300275766
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Language: English
Published by Bard Graduate Center, 2024
ISBN 10: 0300275765 ISBN 13: 9780300275766
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hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Language: English
Published by Bard Graduate Center, 2024
ISBN 10: 0300275765 ISBN 13: 9780300275766
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hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Paperback. Condition: Brand New. 294 pages. 9.00x6.00x0.75 inches. In Stock.
Language: English
Published by Northwestern Univ Pr, 2018
ISBN 10: 0810138123 ISBN 13: 9780810138124
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
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Language: English
Published by Bard Graduate Center, 2024
ISBN 10: 0300275765 ISBN 13: 9780300275766
Seller: Majestic Books, Hounslow, United Kingdom
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
Seller: moluna, Greven, Germany
Condition: New. Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.Über den AutorCeleste Day Moore.
Language: English
Published by Duke University Press, North Carolina, 2021
ISBN 10: 1478014695 ISBN 13: 9781478014690
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements. Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.