Man Ray: Art, Prints, & Posters (25 results)

Condition: Good. Fo. 213 pp. Black and white plates. Soft cover.

Condition: Good. Grade: Good. Est. Dimension: Approximately (7 x 10" (inches)) Year Printed: 2023 Director: Man Ray Original: Yes Shipped: Flat Product & Description Synopsis: An anthology of four Man Ray short films, with original music by SQÃRL (Jim Jarmusch and Carter Logan). Includes the films L'à toile de mer (1928), Emak-Bakia (1927), Le retour à la raison (1923) and Les Mystà res du Château du Dà (1929). (Music) Condition Specifics: Poster stored flat in good condition. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas. But overall the poster is in good condition for age. Please carefully inspect images before purchasing. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.

SMS (Shit Must Stop) , no. 3, 1968 - Printed by Black Edge Press in a run of approximately 2,000 Portfolio Cover by John Battan - this has tear and is worn and creased Aftograf, Poems in two booklets Enrico Baj, Glove - the plastic cover is warped and there are brown foxing marks William Bryant, Clouds Dick Higgins, O de tes London Joseph Kosuth Four Titled Abstracts Ronnie Landfield, Two Drawings - edges curled. Roland Penrose, Bush in Hand - dirt marks Man Ray, Mona Lisa's Father - signed and titled on reverse, glycerine cover curled H. C. Westermann, Correspondence - the pink ribbon is missing. Hannah Weiner (American, 1928-1997), Signal Flag Poems Terry Riley - pink colophon and tape not included Included from SMS no. 6 - John Giorno - 7 playing cards. Please see all photographs.

Rarissimo cofanetto in cartone contenente foto di Man Ray che ritraggono la moda "africanista". Le foto sono avvolte nella carta velina e ben conservate. Una riedizione molto rara del 1995 da un'originale del 1937.

No Binding. Condition: Good. 1 leave, 21x21 cm. Printed on both sides. Good, light wear, fold (as issued). Rare.

couverture souple. Nrf | Paris 1924 | 13.50 x 19 cm | broché | Edition originale, un des 535 exemplaires numérotés sur vergé Navarre, seul tirage avec 10 Japon. Ouvrage illustré d'un portrait de l'auteur en frontispice par Man Ray. Bel exemplaire malgré une petite déchirure sans gravité en tête du dos. Envoi autographe signé de Jacques Baron : " à Jeanne, Pierre et Jacques et X Collet. De tout coeur. Vraiment. Jacques." | [ENGLISH DESCRIPTION FOLLOWS] First edition, one of 535 numbered copies on Navarre laid paper, the only issue together with 10 copies on Japan paper. Illustrated with a portrait of the author as frontispiece by Man Ray. A fine copy despite a small, minor tear at the head of the spine. Signed autograph inscription by Jacques Baron: " à Jeanne, Pierre et Jacques et X Collet. De tout coeur. Vraiment. Jacques." *.

couverture souple. Une des plus rares et mythiques revues surréalistes | Le Phare de Neuilly | Neuilly-sur-Seine S.d. [1933] | 18.20 x 25.10 cm | 3 volumes brochés | Édition originale de cette importante et très rare collection complète en 4 numéros en 3 livraisons. Collection complète de cette revue surréaliste luxueuse, dirigée et financée par Lise Deharme, qui se singularise par la place éminente qu'elle accorde à la photographie. Couvertures illustrées par Man Ray, illustrations en noir. Complet de son feuillet de souscription. Contributions de Salvador Dali, Hans Arp, Dora Maar, Oscar Dominguez, Brassaï, Lee Miller, Jacques Lacan, James Joyce, Georges Ribemont-Dessaignes, Ilarie Voronca, Nathalie Barney, Benjamin Fondane, Pierre Drieu La Rochelle, Alejo Carpentier, Eugène Jolas, Lise Hirtz [Lise Deharme], Raymond Queneau, Claude Sernet, Roger Vitrac, Robert Desnos, Jean Follain, Léon-Paul Fargue, Pierre Keffer, Jacques Baron, Gottried Benn, Céline Arnauld, Monny de Boully, Georgette Camille, André de Richaud, Jules Supervielle, Claire Goll, Paul Laforgue, David Herbert Lawrence, Marcel Jouhandeau, Paul Dermée, Jean Painlevé, Nadar, Pétrus Borel et Stendhal. Quelques discrets frottements sans gravité sur les coins et les coiffes. Dos du troisième volume insolé. Très bel exemplaire de cette rare revue d'avant-garde, qui «?naquit au cours de quelques dîners qui réunissaient les dissidents du Surréalisme et autres poètes dans cette hospitalière demeure [de Lise Deharme]. Robert Desnos fournit le titre. Georges Ribemont-Dessaignes en fut le rédacteur en chef. Man Ray avait composé la couverture?: sur fond photographique de bateaux à voile, la découpure d'un phare. [.] On y trouve des curiosités?: un conte de Petrus Borel, une photo de Nadar, des chansons populaires, une enquête sur la névrose de guerre, des épitaphes prises dans un cimetière de bêtes. Entre autres curiosités, je signale un sonnet en bonne forme régulière du célèbre psychanalyste Jacques Lacan. II est intitulé Hiatus irrationalis.?» (Jacques Baron, Cahiers de l'Herne Raymond Queneaup. 333). | [ENGLISH DESCRIPTION FOLLOWS] First edition of this important and very rare magazine, complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine, edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray, illustrations in black. Contributions by Salvador Dali, Hans Arp, Dora Maar, Oscar Dominguez, Brassaï, Lee Miller, Jacques Lacan, James Joyce, Georges Ribemont-Dessaignes, Ilarie Voronca, Nathalie Barney, Benjamin Fondane, Pierre Drieu La Rochelle, Alejo Carpentier, Eugène Jolas, Lise Hirtz [Lise Deharme], Raymond Queneau, Claude Sernet, Roger Vitrac, Robert Desnos, Jean Follain, Léon-Paul Fargue, Pierre Keffer, Jacques Baron, Gottried Benn, Céline Arnauld, Monny de Boully, Georgette Camille, André de Richaud, Jules Supervielle, Claire Goll, Paul Laforgue, David Herbert Lawrence, Marcel Jouhandeau, Paul Dermée, Jean Painlevé, Nadar, Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed, otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine, which "came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode [of Lise Deharme]. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. [.] It contains curiosities: a tale by Petrus Borel, a photo by Nadar, popular songs, an investigation into the neurosis of war, epitaphs taken from a cemetery of animals. Among other curiosities, a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis." (Jacques Baron, Cahiers de l'Herne Raymond Queneau, p. 333). *.

couverture souple. Nrf | Paris 1924 | 13.50 x 19 cm | broché | Edition originale, un des 535 exemplaires numérotés sur vergé Navarre, seul tirage avec 10 Japon. Précieux et bel envoi autographe signé de Jacques Baron à " Jeanine et Raymond (Queneau). Fraternité amical (sic) et tout et tout. Jacques. Ce 19 Avril 1935 en leur domicile de Neuilly dit Neu Neu pour les dames" enrichi de ce quatrain manuscrit : "Salut aux ombres d'aujourd'hui / Ravissant la muraille en rêve / S'en allant d'amis en amis / De chansons aussi nues qu'une Eve." Ouvrage illustré d'un portrait de l'auteur en frontispice par Man Ray. Bel exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] First edition, one of 535 numbered copies on laid Navarre, with 10 single draw Japan. Precious and beautiful autograph signed by the author "Jeanine and Raymond (Queneau). Brotherhood friendly (sic) and everything. Jacques. This April 19, 1935 in their home in Neuilly says Neu Neu for ladies" enriched this handwritten quatrain: "Hi shadows today / Ravissant the wall in a dream / If going from friend to friend / De as a naked Eve songs." Illustrated book with a portrait of auterur frontispiece by Man Ray. Beautiful specimen. *.

Affiche. Condition: Assez bon. Affiche typographique en 2 couleurs imprimée par Desprest à l'occasion du salon " Comparaisons" à Paris en avril 1968. Format 54 X 35.5 cm. Affiche entoilée, une légère trace d'adhésif.

Man Ray (illustrator). Artist: Man Ray Country: USA Title: Invasion de l'espace Medium: Original Lithograph Marks: Signed in plate, not numbered Printed: 1974 by Mourlot Freres, France Paper: Heavy paper 12.50 x 9.50 inch Condition: Fine A Certificate of Authenticity included.

No Binding. Condition: Near Fine. Original Offset-litho by Man Ray. 60 x 80 cm, in fine condition. Man Ray (born Emmanuel Radnitzky; August 27, 1890 November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself.

Condition: Good. Cover and illustrations by Man Ray. Color lithographs by Marino Marini (31 x 24 cm. Guastalla, no. LT) and D'Anne-Eve Bergman. Edition of 3000. Articles on Picasso, Matisse, Tanning, César.

No Binding. Condition: Fine. Man Ray. "Invasion de l'espace." Original lithograph in colors, on somewhat heavier paper. Printed by Desjobert, Paris, in 1975 for XXe Siecle and published in Paris by San Lazzaro. 1975. Size: 12 1/4 x 9 ½ inches (308 x 240 mm). Not signed in the plate. Fine condition. Print run/size seems to be a matter of opiniondealers and auction houses have stated print runs at 1500 to 3000 copies.

No Binding. Condition: Fine. Man Ray. "Invasion de l'espace." Original lithograph in colors, on somewhat heavier paper. Printed by Desjobert, Paris, in 1975 for XXe Siecle and published in Paris by San Lazzaro. 1975. Size: 12 1/4 x 9 ½ inches (308 x 240 mm). Not signed in the plate. Fine condition. Print run/size seems to be a matter of opiniondealers and auction houses have stated print runs at 1500 to 3000 copies.

Condition: ACEPTABLE. [Un] Cartel original, representando la obra artista estadounidense, afincado en París,Man Ray,seudónimo de Emmanuel Radnitzky (1890-1976), importante representante de los movimientos dadaísta y surrealista. ["Man Ray, Solarisation, 1931."] . La mayoría de los carteles en venta son usados y pueden tener pequeños dobleces o pliegues en las esquinas.//Most of the vintage posters for sale may have slightly creased corners or small scratches. La mayoría de los carteles en venta son usados y pueden tener pequeños dobleces o pliegues en las esquinas.//Most of the vintage posters for sale may have slightly creased corners or small scratches. Formato (cm): 60x80.

Condition: ACEPTABLE. [Un] Cartel original, representando la obra artista estadounidense, afincado en París,Man Ray,seudónimo de Emmanuel Radnitzky (1890-1976), importante representante de los movimientos dadaísta y surrealista. ["Printed in France."] . La mayoría de los carteles en venta son usados y pueden tener pequeños dobleces o pliegues en las esquinas.//Most of the vintage posters for sale may have slightly creased corners or small scratches. Formato (cm): 87x60.

Condition: ACEPTABLE. [Un] Cartel original, representando la obra artista estadounidense, afincado en París,Man Ray,seudónimo de Emmanuel Radnitzky (1890-1976), importante representante de los movimientos dadaísta y surrealista. ["Camera International."] . La mayoría de los carteles en venta son usados y pueden tener pequeños dobleces o pliegues en las esquinas.//Most of the vintage posters for sale may have slightly creased corners or small scratches. La mayoría de los carteles en venta son usados y pueden tener pequeños dobleces o pliegues en las esquinas.//Most of the vintage posters for sale may have slightly creased corners or small scratches. Formato (cm): 70x50.

Sin Encuadernar. Condition: Muy bien. Measures 57 cm x 42 cm.

Kein Einband. Condition: Sehr gut. Unique Proof ** This striking original lithograph by Man Ray was created in 1974 as part of the celebrated portfolio "Bonjour Max Ernst", a tribute to his friend and fellow Surrealist pioneer Max Ernst *** Numbered in pencil lower left "Essay" 1/1 - This particular print is a rare "Essay" edition, a unique proof *** The artwork is hand-signed in pencil by the artist in the lower right margin. *** This work combines the conceptual rigor of Surrealism with Man Ray s technical mastery and poetic vision. Printed in earthy tones, the image showcases a stylized, symbolic form reminiscent of Man Ray s fascination with abstraction, object transformation, and dreamlike surrealist language. *** Published by Éditions Georges Visat, Paris, a key publisher of major 20th-century artists. *** The work is professionally framed in our own frame-shop, in a custom wooden frame, with Plexiglas® Optical HC, offering UV protection, scratch resistance, and minimal reflection. Size framed 65 x 50 cm. *** Man Ray (1890-1976) was an American artist who spent much of his career in Paris and became one of the most influential figures of the Dada and Surrealist movements. Best known for his photography, Ray also created important work in painting, sculpture, and printmaking. His art is characterized by innovation, irony, and a unique visual language that merges science, poetry, and play. *** This work is a rare collector's piece from one of Surrealism's great minds and a historical homage to Max Ernst. ****** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. This original signed lithograph by Man Ray from 1971 is a striking example of his visionary approach to art. Featuring expressive abstract forms in vibrant red and black tones on a warm beige background, the composition radiates movement and dynamism. Flowing lines and organic shapes reflect Man Ray s distinctive style, seamlessly blending surrealism and dadaism with experimental techniques *** This lithograph is hand-signed and numbered in pencil in the lower right corner and comes from a limited edition of 180, printed at the renowned Mourlot studio in Paris, known for its masterful lithographic production ***** Professional framed, under a custom-cut, thick white acid-free passe-partout , in handmade bespoke black wooden frame with Plexiglas® Optical HC scratch-resistant and UV-protected, with optional upgrade to anti-reflective art glass. Framed Dimensions: Approx. 64 x 54 cm *** The artwork embodies Man Ray s fascination with form and rhythm, balancing abstraction and figuration in a refined yet playful way. His work challenges perception and meaning, subtly deconstructing classical compositions with a poetic and almost whimsical touch. *** Man Ray (1890 1976), born Emmanuel Radnitzky, was one of the most influential avant-garde artists of the 20th century. A pioneer of dadaism and surrealism, he experimented extensively with photography, painting, and printmaking. While widely celebrated for his surrealist photography and iconic Rayographs his innovative cameraless photographic technique he was equally dedicated to painting and graphic arts. His work is exhibited in leading institutions worldwide, including MoMA (New York), Centre Pompidou (Paris), and Tate Modern (London), securing his place as a defining figure in modern art history. ## SHIPPING : Worldwide shipping available ## # CONDITION : artwork and book are in very good condition. Signatur des Verfassers.

Condition: Good. Offset lithograph measuring 12 x 7 inches. A clever ready-made in which Ray takes the classic Leonardo self-portrait and sticks the stub of a fat lit cigar into the mouth. From SMS: A Collection of Multiples, No. 3, June 1968. Title and signature in Ray's hand reproduced on verso. Very good, right edge slightly curled.

No Binding. Condition: Good. Date: 2006, Size: 12 x 16.5 inches, 20 pages., Artist: Man Ray, About the magazine : I Grandi Fotografi is a short publication from Milan about 20 pages, showcasing the work of the greatest photographers of our time. Written in italian, this photolithographies book presents their work beautifully across double-page print. Edited by Corriere della Sera (Milano) in 2006, this photobook is part of a serie of 12 limited edition photolithography books., About the artist : Man Ray was an American naturalized French visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all.

Acquatinta 76 × 57 cm, numerata e firmata in lapis sotto l'incisione. Carta brunita, vedi attentamente le foto. I colori sono ancora molto vivi.

Pas de couverture. Condition: Très bon. Lithographie originale signée, tirée en noir sur un feuillet de vélin d'Arches d'un format 38 x 28 cm. Rare épreuve à grandes marges, signée, de cette planche provenant de l'édition française d'Alphabet pour adultes, publiée par Pierre Belfond en 1970. 180 exemplaires de l'ouvrage furent imprimés au format 33 x 28 cm, aucune des lithographies n'étant signées. Quelques exemplaires des planches furent, comme la nôtre, tirés à grandes marges (38 x 28 cm) et signés par l'artiste.

Kein Einband. Condition: Sehr gut. "Man Ray. (Philadelphia 1890 - 1976 Paris). Farbradierung, Aquatinta auf BFK Rives Bütten, 1969. Titel: o. T. (Blatt 2 der Folge "Electro-Magie", eine Kathedrale). Beilage der Buchedition "Electro-Magie" G. Visat Verlag, Paris. Plattenformat: 18,5 x 13,8 cm. Blattformat: 37,5 x 28,0 cm, Papier mit dem vollen Schöpfrand an allen vier Seiten. Unter der Darstellung rechts mit Bleistift von Hand signiert. Unter der Darstellung links, bezeichnet mit "H. C. ". Auflage: 150 signierte Exemplare auf Rives Bütten und 100 signierte Exemplare auf Japanpapier plus H. C. (Künstler-) Exemplare. Werkverzeichnis/Referenz: Anselmino 40. Zustand: altersgemäß sehr guter Zustand, am linken oberen Blattrand eine minimale Randknickstauchung.". Signatur des Verfassers.