Müller Westermann Iris (207 results)

Condition: Very Good. 1758801331. 9/25/2025 11:55:31 AM.

Hardcover. Condition: VG+ in VG+ dust jacket. Oversize black cloth hardcover, slight binding lean, else like new -- clean, tight, unmarked. Dust jacket with very light wear. Published on the occasion of an exhibition at Moderna museet, Stockholm, Feb. 19-May 15, 2005; Munch-museet, Oslo, June 11-Aug. 28, 2005; the Royal Academy of Arts, Sept. 17-Dec. 11, 2005./ Includes bibliographical references (pages 196-199) and index. Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.

Paperback. Condition: Used. Big thick heavy book of pictures by Munch and accompanying text about him and his life and work etc. An absolute must if you want to impress visitors with your awesome taste.

Couverture souple. Condition: Comme neuf. In-4 de 208pp. Couverture rempliée illustrée de l'éditeur.

Hardcover. Condition: As New in Original Wraps. Dust Jacket Condition: As New. Brand New larger hardback still in its original plastic shrink-wraps. Thus offered For Sale- "AS NEW." Due to plastic-wrap; some details (such as Edition and no. of pages) are unknown. Stored in yet, a second layer of sealed plastic protection and mailed (bubble-wrapped) in a sturdy Jiffy Rigi Bag envelope. We ship daily from Roswell, Ga. Serving satisfied customers since 1999.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good.

Hardcover. Condition: Near Fine. 22.7 x 17.6 cm. 88pp. Grey cloth no dust jacket as issued. Published on occassion of the exhibition of the same name September 10 - October 24, 2015 at Andrea Rosen Gallery, New York, New York. many color illustrations.

Hardcover. Condition: As New. Dust Jacket Condition: As New. New book and DJ, still in publisher's shrinkwrap.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 206 pages: ill.; 27 cm. Notes; "Translated from the German, Swedish, and original Norwegian by Translate-a-book, Oxford" -- t.p. verso. Published on the occasion of an exhibition at Moderna museet, Stockholm, Feb. 19-May 15, 2005; Munch-museet, Oslo, June 11-Aug. 28, 2005; the Royal Academy of Arts, Sept. 17-Dec. 11, 2005. Includes bibliographical references (p. [196]-199) and index. Contents; Includes a chronology by Ylva Hillström. Summary; There is little doubt that the celebrated Norwegian painter and printmaker Edvard Munch (1863-1944) had the greatest impact on expressionism of any Scandinavian artist. His intense, evocative treatment of psychological and emotional themes exerted a major influence on the art of the twentieth century. Often biographical, his output offers a fascinating insight into the psyche of an artist. No artist observed and painted himself throughout his life as frequently as Munch, and few have revealed their weaknesses and anxieties as frankly. This handsome volume, the catalogue of an exhibition at the Moderna Museet, Stockholm, the Munch Museet, Oslo, and the Royal Academy of Arts, London, contains beautiful reproductions of 150 paintings, drawings and rarely seen photographic self-portraits of startling originality. The curator and scholar Iris Muller-Westermann sets them in context in her incisive account of the artist's life and career, and Merete Mazzarella examines how many of Munch's preoccupations remain relevant today. Edvard Munch: By Himself sheds light for the first time on the uniquely wide range of Munch's self-portraits, enabling us to trace the visual self-reflections of one of the most influential figures in modern art. Subjects; Munch, Edvard 1863-1944. Royal Academy of Arts (Great Britain) - Exhibitions. Munch-museet (Oslo, Norway) - Exhibitions. Moderna Museet (Stockholm, Sweden) - Exhibitions. Painters, Norwegian - 19th century. Painters, Norwegian - 20th century. Self-portraits - 20th century. Self-portraits - 19th century. Self-portraits, Norwegian. Royal Academy of Arts (London). Painting & paintings; Individual artists; Drawing & drawings; Expressionism. ART / History / General. ART / European. ART / Individual Artists / General. 1.4 Kg.

Condition: New.

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condition: Fine. 1st Edition. Book is in fine condition. 206pp with colour illustrations.

Hardcover without dustjacket as issued, 88 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Used - Very Good. 2005. Hardcover. Cloth, d.j. 4to. Profusely illus. Some shelf-wear. Else bright, clean copy. Very Good.

paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Soft cover. Condition: As New. Book is like new. Pages, cover and spine in excellent condition.

Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 206 pp., 216 illustrations most in color. Published on the occasion of the exhibition from the Moderna Museet, Stockholm 19 February-15 May 2005, Munch-Museet, Oslo 11 June-28 August 2005 and the Royal Academy of Arts, London 17 September-11 December 2005. Dustjacket is protected with a mylar cover.

Hardcover. Condition: New/Sealed. black cloth boards w/ black & gold pictorial dustjacket. 206 pgs w/ illustrations. content as follows: Published on the occasion of an exhibition at Moderna museet, Stockholm, Feb. 19-May 15, 2005; Munch-museet, Oslo, June 11-Aug. 28, 2005; the Royal Academy of Arts, Sept. 17-Dec. 11, 2005./ Includes bibliographical references (pages 196-199) and index.

Wire Spiral Bound. Condition: VG. Cover title: Naturally Artificial. 1 volume (unpaged) : color illustrations ; 22 cm. Exhibition catalogue published in conjunction with the XLVII Biennale di Venezia, June 11 - September 11, 1997. Foreword by Jon-Ove Steihaug, curated by Jon-Ove Steihaug and Iris M.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. 4to. A fine copy in a very good dustwrapper which is complete and untorn. 206 pages. Illustrated throughout mainly in colour. This exhibition catalogue "examines for the first time Munch's extensive oeuvre of painted nd graphic self-portraits, together with his rarely seen drawings and photographic self-portraits.".

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket.

Hardcover without dustjacket as issued, 288 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover exhibition catalog, 206 pages, in English; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra for this item.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 206 pages: ill.; 27 cm. Notes; "Translated from the German, Swedish, and original Norwegian by Translate-a-book, Oxford" -- t.p. verso. Published on the occasion of an exhibition at Moderna museet, Stockholm, Feb. 19-May 15, 2005; Munch-museet, Oslo, June 11-Aug. 28, 2005; the Royal Academy of Arts, Sept. 17-Dec. 11, 2005. Includes bibliographical references (p. [196]-199) and index. Contents; Includes a chronology by Ylva Hillström. Summary; There is little doubt that the celebrated Norwegian painter and printmaker Edvard Munch (1863-1944) had the greatest impact on expressionism of any Scandinavian artist. His intense, evocative treatment of psychological and emotional themes exerted a major influence on the art of the twentieth century. Often biographical, his output offers a fascinating insight into the psyche of an artist. No artist observed and painted himself throughout his life as frequently as Munch, and few have revealed their weaknesses and anxieties as frankly. This handsome volume, the catalogue of an exhibition at the Moderna Museet, Stockholm, the Munch Museet, Oslo, and the Royal Academy of Arts, London, contains beautiful reproductions of 150 paintings, drawings and rarely seen photographic self-portraits of startling originality. The curator and scholar Iris Muller-Westermann sets them in context in her incisive account of the artist's life and career, and Merete Mazzarella examines how many of Munch's preoccupations remain relevant today. Edvard Munch: By Himself sheds light for the first time on the uniquely wide range of Munch's self-portraits, enabling us to trace the visual self-reflections of one of the most influential figures in modern art. Subjects; Munch, Edvard 1863-1944. Royal Academy of Arts (Great Britain) - Exhibitions. Munch-museet (Oslo, Norway) - Exhibitions. Moderna Museet (Stockholm, Sweden) - Exhibitions. Painters, Norwegian - 19th century. Painters, Norwegian - 20th century. Self-portraits - 20th century. Self-portraits - 19th century. Self-portraits, Norwegian. Royal Academy of Arts (London). Painting & paintings; Individual artists; Drawing & drawings; Expressionism. ART / History / General. ART / European. ART / Individual Artists / General. 1.4 Kg.

Hardcover. Condition: new. Hardcover. At the turn of the twentieth century, Swedish artist Hilma af Klint (18621944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klints artistic investigation in her own words. Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves The Five, began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words, and geometric series, all form part of af Klints abstract language. These abstract techniques would not be seen again until years later.Notes and Methods presents facsimile reproductions of a wide array of af Klints early notebooks accompanied by the first English translation of af Klints extensive writings. It contains the rarely seen Blue Notebooks, hand-painted and annotated catalogues af Klint created of her most famous series Paintings for the Temple, and a dictionary compiled by af Klint of the words and letters found in her work. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Mueller-Westermann. It will stand as an important and timely contribution to the legacy of Hilma af Klint. Notes and Methods presents facsimile reproductions of a wide array of af Klints early notebooks accompanied by the first English translation of af Klints extensive writings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.