Lucherini Vinni (48 results)

paperback. Condition: New.

Condition: NEW.

Paperback. Condition: new. Paperback. This book collects essays on writings by erudite travellers who explored the Mediterranean countries in search of classical antiquities between the 17th and the 19th centuries, but encountered the art of the Middle Ages, nearly always unexpectedly. The analysis of this literature allows to evaluate the diverse perceptions of medieval heritage, particularly in Southern Italy and the lands of modern-day Croatia and Greece - considered prime destinations for the on-site study of Antiquity besides Rome. The texts are scrutinised from the perspective of the vocabulary employed by the authors, so to evaluate the interpretative categories they adopted in the examination and classification of the art and architecture from the Middle Ages, before history of medieval art was developed as an academic discipline during the 19th century. Proceedings of a conference held at the Universitaa di Napoli Federico II, Naples, Italy, November 20-21, 2023. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Brossura. Condition: new. A cura di D'Ovidio S. e Lucherini V.Roma, 2024; br., pp. 316, ill., cm 17x24.(Quaderni Napoletani di Storia dell'Arte Medievale. 9). Libro.

paperback. Condition: New.

paperback. Condition: New.

Condition: NEW.

Condition: NEW.

Brossura. Condition: new. Edited by Barral i Altet X., Lucherini V. and Lövei P.English Text.Roma, 2018; paperback, pp. 732, b/w and col. ill., cm 17x24.(Accademia Ungheria. 7). Libro.

Brossura. Condition: new. A cura di M. D'Onofrio.Roma, 2016; br., pp. 566, ill. b/n, cm 17x23.(I Libri di Viella. Arte). Il volume offre un quadro della committenza artistica a Roma nel corso di tutto il Medioevo attraverso uno studio dettagliato sulle figure dei singoli pontefici che ne furono i principali promotori. I fatti artistici, analizzati dal punto di vista della committenza papale, non solo consentono di capire il significato primario connesso alla loro funzione, ma ricreano anche un'immagine speculare del contesto culturale di appartenenza. L'ambito cronologico, circoscritto fra il pontificato di Silvestro I (314-335) e quello di Martino V (1417-1431), lascia intravedere nel comportamento di molti pontefici la persistenza di una mentalità che, da un atteggiamento iniziale di semplice patronato e protezionismo, si tramuta nel tardo Medioevo in vero e proprio mecenatismo. I saggi raccolti, ricchi di spunti e suggestioni, pongono sotto la giusta luce aspetti meno noti di una città come Roma, quale centro ideale della cristianità e termine imprescindibile di riferimento per le sue valenze storico-artistiche. Libro.

Brossura. Condition: new. Edited by S. Romano, Foletti I. and Gianandrea M.English Text.Roma, 2018; paperback, pp. 468, col. ill., cm 17x24.(Études Lausannoises d'Histoire de l'Art. 27). Libro.

Paperback. Condition: new. Paperback. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections - the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power -, with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: NEW. Roma: Viella, 2018 9788867286614 Bibliotheca Academiae Hungariae 7 1409 732 p., clxxvi p. of plates : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. Lġvei,Pál - Lucherini,Vinni - Takács,Imre.

Condition: NEW. Roma: Viella, 2018 9788867289134 Études lausannoises d'histoire de l'art 27 1409 468 p. : indice ; 24 cm. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. Foletti,Ivan - Gianandrea,Manuela - Romano,Serena.

Condition: NEW. Roma: Viella, 2016 9788867284467 1105 566 p. : ill. col., indice, bibliografia ; 24 cm. Il volume offre un quadro della committenza artistica a Roma nel corso di tutto il Medioevo attraverso uno studio dettagliato sulle figure dei singoli pontefici che ne furono i principali promotori. I fatti artistici, analizzati dal punto di vista della committenza papale, non solo consentono di capire il significato primario connesso alla loro funzione, ma ricreano anche un'immagine speculare del contesto culturale di appartenenza. L'ambito cronologico, circoscritto fra il pontificato di Silvestro I (314-335) e quello di Martino V (1417-1431), lascia intravedere nel comportamento di molti pontefici la persistenza di una mentalità che, da un atteggiamento iniziale di semplice patronato e protezionismo, si tramuta nel tardo Medioevo in vero e proprio mecenatismo. I saggi raccolti, ricchi di spunti e suggestioni, pongono sotto la giusta luce aspetti meno noti di una città come Roma, quale centro ideale della cristianità e termine imprescindibile di riferimento per le sue valenze storico-artistiche. D'Onofrio,Mario.

Condition: NEW.

Condition: NEW.

Condition: Buone Condizioni. Copertina nel retro rovinata Dettagli LibroSku: PZZLB89380ISBN: 9788833130408Titolo: Reliquie In Processione Nell'europa MedievaleEditore: ViellaAnno: 2019Pagine: 194Formato: BrossuraLe processioni medievali di reliquie si pongono come uno degli atti performativi per eccellenza del sacro. I rituali che le contraddistinguono, regolati di sovente dalle gerarchie ecclesiastiche con il concorso di altre istituzioni, modificano simbolicamente, quando non materialmente, lo spazio in cui si svolgono, contribuendo a creare l'immaginario identitario di una comunità. Questo libro, più che alle costanti individuabili nelle processioni dell'Europa medievale, pi?? che alla ripetitività di gesti e comportamenti, vuole mettere l'accento, attraverso una serie di casi esemplari, sulle variabili e sugli elementi di discontinuità delle processioni medievali, analizzando sì le componenti dei riti e il ruolo in essi svolto in un dato momento dalle reliquie dei santi, ma provando a spiegare quest.

Brossura. Condition: new. A cura di Lucherini V.Roma, 2019; br., pp. 194, ill. b/n, cm 17x24.(I Libri di Viella. Arte). Le processioni medievali di reliquie si pongono come uno degli atti performativi per eccellenza del sacro. I rituali che le contraddistinguono, regolati di sovente dalle gerarchie ecclesiastiche con il concorso di altre istituzioni, modificano simbolicamente, quando non materialmente, lo spazio in cui si svolgono, contribuendo a creare l'immaginario identitario di una comunità. Questo libro, più che alle costanti individuabili nelle processioni dell'Europa medievale, più che alla ripetitività di gesti e comportamenti, vuole mettere l'accento, attraverso una serie di casi esemplari, sulle variabili e sugli elementi di discontinuità delle processioni medievali, analizzando sì le componenti dei riti e il ruolo in essi svolto in un dato momento dalle reliquie dei santi, ma provando a spiegare questi dati a partire dalla loro storicizzazione sulla lunga durata. Libro.

Paperback. Condition: new. Paperback. This book collects essays on writings by erudite travellers who explored the Mediterranean countries in search of classical antiquities between the 17th and the 19th centuries, but encountered the art of the Middle Ages, nearly always unexpectedly. The analysis of this literature allows to evaluate the diverse perceptions of medieval heritage, particularly in Southern Italy and the lands of modern-day Croatia and Greece - considered prime destinations for the on-site study of Antiquity besides Rome. The texts are scrutinised from the perspective of the vocabulary employed by the authors, so to evaluate the interpretative categories they adopted in the examination and classification of the art and architecture from the Middle Ages, before history of medieval art was developed as an academic discipline during the 19th century. Proceedings of a conference held at the Universitaa di Napoli Federico II, Naples, Italy, November 20-21, 2023. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Brossura. Condition: new. Edited by Lucherini V.French Text.Roma, 2024; paperback, pp. 208, ill., cm 17x24.(I Libri di Viella. Arte). Libro.

Condition: New. 2008. Paperback. . . . . .

Brossura. Condition: new. A cura di Lucherini V.Roma, 2018; br., pp. 200, ill. b/n, tavv. b/n, cm 17x24.(I Libri di Viella. Arte). In che modo l'età moderna e contemporanea hanno guardato alle immagini medievali di culto? Come le hanno percepite? Sotto quali istanze le hanno conservate e ri-contestualizzate? E, invece, in che modo un'immagine che non era stata oggetto di culto diventa, alla fine del Medioevo o dopo il Medioevo, vettore di miracoli e fulcro di una nuova devozione? Il libro porta un contributo significativo a un tema ancora relativamente poco studiato, presentando esempi di più geografie europee, attraverso i quali si pone l'accento sulla dialettica tra ri-appropriazione e cancellazione del senso e delle funzioni originarie delle immagini, con uno sguardo particolare verso le componenti sociali implicate nei diversificati processi di modificazione connessi agli oggetti figurativi medievali. Libro.

Condition: Neuf.

Paperback. Condition: new. Paperback. Le processioni medievali di reliquie si pongono come uno degli atti performativi per eccellenza del sacro. I rituali che le contraddistinguono, regolati di sovente dalle gerarchie ecclesiastiche con il concorso di altre istituzioni, modificano simbolicamente, quando non materialmente, lo spazio in cui si svolgono, contribuendo a creare l'immaginario identitario di una comunita. Questo libro, piu che alle costanti individuabili nelle processioni dell'Europa medievale, piu che alla ripetitivita di gesti e comportamenti, vuole mettere l'accento, attraverso una serie di casi esemplari, sulle variabili e sugli elementi di discontinuita delle processioni medievali, analizzando si le componenti dei riti e il ruolo in essi svolto in un dato momento dalle reliquie dei santi, ma provando a spiegare questi dati a partire dalla loro storicizzazione sulla lunga durata. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. 568 pages. Italian language. 9.37x6.46x1.10 inches. In Stock.

Condition: New. 2008. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections - the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power -, with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condition: Very Good. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear. Bumped at top of spine creating small tear.

brossura paperback. Condition: Perfetto (Mint). In 8, pp. 195. Brossura. Illustrazioni b/n nel testo paperback 9788833130309 Perfetto (Mint) .