Published by Philosophical Library, New York/Bell Publishing Company (Crown Publishers), 1944
Seller: JBK Books, North Manchester, IN, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 286pp; Glossary. Contents clean and textually unmarked. No library stamps. Owner's name written on front blank endpaper. Red cloth HC with black lettering on spine.
Seller: Cragsmoor Books, Cragsmoor, NY, U.S.A.
First Edition Signed
Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Schrifenreihe des Instituts fur Deutsche Geschichte, Universitat Tel Aviv. Beige stiff wrapps., blue, white lettering, blue, white, red design to cover, bottom front corner creased, o.w. as new. 334pp. incl. bibliography, index. Thumb creases pp. 308-320, o.w. appears unread. INSCRIBED on 1/2 t.p. with date, 4 lines. In German. Inscribed by Author(s).
Published by J. Kauffmann, Frankfurt a. M., 1894
Seller: The Old Mill Bookshop, HACKETTSTOWN, NJ, U.S.A.
Pp. viii, 112. 1 vols. 8vo. Pp. viii, 112. 1 vols. 8vo. Half cloth and marbled boards. Ownership signature of Max L. Margolis, 1894, and his bookplate. Fine.
Published by CUJCR (Documentation Centre of the Central Union of Jewish Religious Communities), Bratislava, 1949
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
First Edition
Softcover. Condition: vg- to vg+. First edition. Quarto. 142, [4]pp. Tan paper wrappers. Pages uncut. Powerful memorial publication containing photographic and historical material documentation of the horrors perpetrated upon the Jewish community of Slovakia by the Nazis during the Holocaust (1939-1945). Although there is some initial text, most of the history is conveyed visually, with the book being profusely illustrated throughout with finely produced b/w photogravure images after harrowing original photographs and facsimile images of relevant original documents of all kinds. The design, visual layout (including some photo-collage) and occasional illustrated images (including the frontispiece) are by Czech-Jewish artist and designer Lev (Leo) Haas (1901-1983). The work was published by the Central Union of Jewish Religious Communities in Slovakia. This variant contains initial text, and captions throughout in both English and Hebrew. The final three pages contain a section of notes on the documents which is entirely in English. Wrappers with some small tears along the spine and chipping at the tail of the spine. A few pages throughout with some small closed tears to the margins of the pages. All pages clean with vibrant images throughout. Wrappers in very good-, interior in very good+ condition overall. Hebrew title: ???? ????? ???????:? ??????? ??????? This English/Hebrew variant is more scarce than the Slovak-language version, issued under the title "Tragédia Slovenských Zidov: Fotografie a Dokumenty".
Published by Jean de Tournes, Lyon, 1551
Seller: Arader Books, New York, NY, U.S.A.
First Edition
Hardcover. Condition: Near fine. First. A FINE FRENCH ROYAL "RELIURE D'AMOUR" -- THE ROCQUENCOURT--FIRMIN DIDOT--BORDES --HOE--GANAY COPY Two volumes in one. Lyon: Jean de Tournes, 1551. Octavo (6 3/8" x 3 15/16", 162mm x 100mm). [Full collation available.] With two wood-engraved vignettes (one on each title page) and a wood-engraved printer's device (dd4v) in addition to several head- and tail-pieces. Bound (at least partly in the workshop of Louis-Antoine Boyet, active 1698-1733) in deep brown morocco. On the boards, all gilt, "HD" monogram at the center within a lobed square, each lobe with a fermesse (also "S fermé" or "closed S," not unlike $); set within a scrollwork scalloped lozenge surmounted with a coronetted fleur-de-lys; flanking the lozenge the coronetted initials L (viz. Louis XIII) and counterchanged A's (viz. Anne of Austria) top-and-bottom; set within a double-fillet lobed rectangular panel with fleurs-de-lys at the corner of each lobe (the left and right lobes scalloped, with a fleur-de-lys at the join), and with scrollwork corner-ornaments; pointillé corner-fleurons; all set within a double fillet border with rosettes at the corners. On the spine, five raised bands with a floral roll gilt. Panels gilt. Author gilt to the second panel. Gilt floral roll to the edges of the boards, continued at the inside dentelle. Marbled end-papers. All edges of the text-block gilt. Near fine, with some rubbing at the edges of the raised bands and hinges. A little split to the upper fore-corner of the front board. Light even tanning throughout. Ruled in sanguine throughout. A very few marginalia in an early hand (T4v offsetting to T5r, T6v), partially trimmed. Armorial ex-libris of de Rocquencour, the small label of Hubert de Ganay and an octagonal (shelf?) label "KKb" to the front paste-down (with "No 202" written in graphite at the bottom). Partially obliterated shelf-label (printed ?]4,102 with 202 written in graphite at the top) to the verso of the front free end-paper. Booksellers' notes to the verso of the front free end-paper, the recto of the initial binder's blank and the recto of the rear free end-paper. Leo the Hebrew, as he is called in English (Leone Ebreo in Italian; Leon l'Hébreu or, as here, Hebrieu in French), born Judah Leon Abravanel (or Abrabanel) ca. 1460 in Lisbon, was a poet and a philosopher who relocated to Italy (including the courts of Naples, Genoa and Florence). His Dialoghi d'amore (first edition 1535) explores philosophy through the lens of love, philo-sophia being love of wisdom. The dialogue -- here between Philo and Sophia -- as a structure descends from Socrates via Plato; from Boethius through the medieval and early modern period, the dialogue as a rhetorical device allows the author a great deal of flexibility in the presentation of viewpoints. The Dialoghi were popular, being translated into Hebrew, Latin, Spanish (there is lingering confusion over the language of the work's composition) and, as here, French before long, long agreed to be the work of Pontus de Tyard. Standing on the shoulders both of renaissance Neoplatonism and of medieval courtly romance, the work might be read on many levels, whence its appeal. At the very heart of the allure of this storied copy of Tyard's translation -- otherwise quite rare; only one copy beside the present one has ever come to auction; seven copies are recorded in institutional libraries -- is its binding. [Please inquire for an extensive analysis of the binding as well as of later provenance.] To summarize the provenance evidence of the binding: the HD (whether a single person or a pair) at center of the boards is still unknown, but may have been active in either the first or last quarter of the XVIIc, and may predate the rest of the decorated binding. The Louis XIII-Anne of Austria surround likely does not date from their reign, but instead that of Louis XIV (though why is unclear). Adams A58; Brunet III.984; Olivier-Hermal-Roton XXV, pl. 2493 (and illust. 9).
Language: Hebrew
Published by Avraham Yosef Shtibl (Shtibel) 1921, 1922, Warsaw Warszawa, Varsha, 1922
Seller: Meir Turner, New York, NY, U.S.A.
Hardcover. Condition: Fair. No Jacket. In Hebrew. Volumes 1 and 2, each containing three parts. All six parts have their own title page. The complete set was published 1920-1923 in 10 parts bound in in 3 volumes. 214 x 148 mm. Book blocks loose in bindings. First title page of volume 2 is detached. Contents: Volume 1 part 1: 147 pages. Volume 1 part 2: 127 pages. Volume 1 part 3: 134 pages. Volume 2 part 1: 76 pages. Volume 2 part 2: 100 pages. Volume 2 part 3: 101 pages.
Hard Cover. Condition: Good. DE M. LEON HEBREU: Contenant les grands & hauts poincts, desquels elle traite, tant pour les choses Morales & Naturelles, que pour les diuines & supernatureles. Traduite d?Italien en François, par le Seigneur du Parc, Champenois [vinheta com autor e D. C. L] A LYON, PAR BENOIST RIGAUD. M. D. XCV. [1595]. In 8º (12x8 cm) col: 816, [47] págs. Encadernação da época em pergaminho flexível com título 2 vezes manuscrito na lombada (uma vez ao alto e desvanecido e outra vez na coifa superior). Exemplar com leves trabalhos de traça marginal com perda insignificante de texto. Obra do grande filósofo português filho do Rabino conselheiro do Rei de Portugal Afonso V. Abravanel nasceu em 1465, em Lisboa, e morreu em 1535, em Itália. Estudou o Talmude, a Cabala e a filosofia clássica hebraica, latina e muçulmana, e formou-se em medicina. Filósofo marcado pelo espírito renascentista, de tendência sincrética, tentou mostrar o acordo entre a Bíblia e a filosofia grega. Esta é a sua obra principal, Diálogos de Amor, que é um diálogo entre dois amantes: Fílon - o amor - e Sofia - a sabedoria. Aí expõe a sua doutrina, segundo a qual o amor é o fundamento ontológico do real, concebido não apenas como sentimental, mas também como intelectual. Deste modo pretende unificar fé e razão, embora deixando clara a prevalência da primeira. Pelo amor Deus criou e pelo amor a criatura regressa a Deus. É, então, o amor que a tudo anima e a tudo harmoniza. Neste sentido, Leão Hebreu defende uma conceção cosmológica que, à maneira neoplatónica, estabelece uma hierarquia de seres que vai do puro espírito - Deus - à matéria. O mundo é visto como um ser vivo composto de superior e inferior, respetivamente, alma e corpo. O regresso do homem a Deus realiza-se pelo amor na medida em que este é um amor intelectual. Work of the great Portuguese Renaissance philosopher Abravanel who was born in Lisbon in 1465, and died in Italy in 1535. Studied the Talmud, the Kabbalah, the Jewish classical philosophy, as well as the Latin and Muslim, and graduated in medicine. He is in the spirit of syncretistic tendency which is natural of the Renaissance period, trying to show the agreement between the Bible and the Greek philosophy. Here is his major work, this book called Love Dialogues, which is a dialogue between two lovers: Philo ? the love - and Sofia ? the wisdom. Here he exposes his doctrine, according to which love is the ontological foundation of the real life, conceived not only as sentimental, but also as an intellectual: and seeks to harmonize faith and reason, while highlighting the prevalence of faith. For the love God has created and loves the creatures who return to God. It is then the love that animates everything and harmonizes everything. In this sense, Leo Hebrew advocates a cosmological conception that the Neo-Platonic way, establishes a hierarchy of beings that goes from pure spirit - God ? and the world is seen as a composite being made of of upper and lower parts, respectively, soul and body. Then his doctrine is that the return of man to God is held by love to the extent that this is an intellectual love. Bound in the original contemporary flexible parchment with title twice handwritten at spine (once in a contemporary faded writing, and a later small one at the top of spine. Ex-libris from an actual Portuguese writer and poet. Copy with some marginal and not textually concernable wormholes. Other known editions of this work: 1st Italien edition: Dialogi d"Amore di maestro Leone medico Hebreo. Stampata in Roma per Antonio Blado d"Assola, Del M.D.XXXV. Raríssima esta edição, sabemos apenas da existência de 2 exemplares: um na Bib. Nac. Italiana, outro na posse de Benedetto Croce. [Very rare edition: only two known copies]. 1st French edition: Philosophie d"amour de M. Leon Hébreu, traduicte d"italien en françois, par le Seigneur du Parc [Denys Sauvage] Champenois. Lyon, 1559. In-12°. (Baudrier, IX 261) 2nd French edition: Dialogues d"amour Lyon, 1595, in-8°. Tradução de Pontoise de Tiard. Baudrier, Bibliogr. lyon., III, p. 441. Language: Francês / French Location/localizacao: M-1-D-18.