Lawler Louise (186 results)

Paperback. Condition: New. New copy.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condition: Very Good. 100 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings.

softcover. Condition: Fine copy. Lawler, Louise (illustrator). 1st. 12mo, 141 pp., Edited by Nikolaus Hirsch & Markus Miessen., Still shrink-wrapped from the publisher.

Softcover, 96 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Mit 32 Abb., davon 18 farb. Mwst.: 7%. Wir verschicken keine Bestellbestätigung, Versand wenn möglich am Tag des Bestelleingangs. Gewicht in Gramm: 200 Oktav, 68 S. Deutschsprachige Augabe OBroschur Neuwertiger Zustand.

Condition: As New. Lawler, Louise (illustrator). Unread book in perfect condition.

Condition: as new. Wie neu/Like new.

Hardcover missing dustjacket, unpaginated; poor condition; covers have heavy yellowing and staining along top and bottom edge; pages yellowed at edges; odor when flipped through; no internal marks. As is. Foreign shipping may be extra.

Softcover, 196 pages, very good condition, partially removed price sticker on inside rear cover; otherwise clean and crisp, no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Near Fine. Near Fine paperback. Overall an attractive copy. No markings to the text. Illustrated. 160 pp.

Condition: New.

Paperback. Condition: new. Paperback. Works by one of the most important artists working in America today-photographs, collaborative projects, ephemeral objects, and trenchant and witty institutional critique.For the past two decades Louise Lawler has been taking photographs of art in situ, from small poignant black-and-white images of art in people's homes to large format glossy color pictures of art in museums and in auction houses. In addition she has produced a variety of objects-paperweights, etched drinking glasses, matchbooks, gallery announcements-all of which cleverly describe how art comes to accrue value as it moves through various systems of exchange. Lawler's oeuvre was essential in creating an expanded field for photography, it was crucial in postmodern debates over theories of representation, it remains indelible within the field of institutional critique, and it has always been trenchant and witty in its sustained commitment to a feminist vision of art, art history, and contemporary art practice. But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords. The very self-effacing nature of Lawler's practice, however, her continual suspicion about notions of authorship-and her sly disregard for museological conventions-have meant that she has resisted precisely the usual mid-career retrospective. Twice Untitled and Other Pictures, published in conjunction with Lawler's first major museum exhibition in the United States, organized by the Wexner Center for the Arts, eats away at the standard museum practices of chronology, linear development, and the presentation of masterpieces, opting instead to explore such dynamic themes and undercurrents in Lawler's practice as her relationship to sculpture, her long history of collaborative projects, her production of such ephemera as napkins, matchbooks, and announcement cards, and the steady political dimension of her work-which culminated most recently in works that are deeply critical of the American invasion of Iraq. With essays by art historian and political theorist Rosalyn Deutsche and curators Ann Goldstein and Helen Molesworth, Twice Untitled and Other Pictures promises to be an essential volume for anyone interested in late twentieth- and early twenty-first- century art. Works by one of the most important artists working in America todayphotographs, collaborative projects, ephemeral objects, and trenchant and witty institutional critique. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. Lawler, Louise (illustrator). New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Lawler, Louise (illustrator).

Paperback. Condition: New. Lawler, Louise (illustrator).

Condition: New. Lawler, Louise (illustrator).

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

88 pp.; 29 x 22.5 cm.; glue bound; black-and-white & color; edition size 2250; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held January 8 - February 23, 1992. Traveled to Santa Monica Museum of Art, Santa Monica, CA, April 2 - June 14, 1992 and North Carolina Museum of Art, Raleigh, NC, August 8 - October 25, 1992. Texts by Frances Colpitt and Phyllis Plous. Artists include Art & Language, John Baldessari, Robert Barry, David Bunn, Sarah Charlesworth, Clegg & Guttmann, Douglas Huebler, Mike Kelley, Joseph Kosuth, Louise Lawler, Glenn Ligon, Thomas Locher, Antonella Piemontese, Stephen Prina, Richard Prince, Buzz Spector, Lawrence Weiner, Christopher Williams. Includes checklist of the exhibition, selected chronology of 1964 - 1992, biographies, and bibliographies. Good. "LAWLER" written in black ink on top right corner of recto and 4.3 cm. sticker wraps around from verso, across the spine, to the recto. Light rubbing of cover edges. Light bumping of top right corner of publication. Contents clean and unmarked.Due to large size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Condition: New.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Shows some signs of wear but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. Condition: new. Lawler, Louise (illustrator). Paperback. It's the late twenty-first century. Technological, environmental, and social catastrophes have changed the meanings of culture, nature, and landscape forever. But in what remains of the international urban scene, architecture still refuses to admit it hasn't been modern since the early twentieth century. Enter Ickles, Etc.Helming Los Angeles's most misunderstood info-architecture practice is Henries Ickles, "the man without self-concept." Time and again Ickles offers practical solutions to the most impenetrable theoretical entanglements of art, architecture, and science in the 2090s.In the fifth book in the Critical Spatial Practice series, Mark von Schlegell's fusion of theory and fiction puts the SF back in notions of "speculative aesthetics." A collection of interconnected comical sci-fi stories written for various exhibitions, Ickles, Etc. explores the future of architectural practice in light of developments in climatology, quasicrystalography, hyper-contemporary art, time travel, and the EGONET. Occupying New Los Angeles, visiting the Danish Expansion, Nieuw Nieuw Amsterdam, and 1970s St. Louis, the practice finds selves embroiled in very spicy mustards indeed, redefining info- architecture and jettisoning the burdensome "self-concept" of the Western tradition in the process. Just don't expect a visit to the ruins of Disney Hall! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

gebunden. Condition: Neu. Neu -Die amerikanische Konzeptkünstlerin Louise Lawler praktiziert ein in Richtung ğappropriation artĞ zielendes Konzept - ihre Fotografien untersuchen und zeigen die Werke anderer Künstler im Hinblick auf deren Rahmenbedingungen. Sie dokumentieren wertungsfrei und distanziert, analysieren kontextuelle Verflechtungen auf unterschiedlichsten Ebenen und zeigen das visuelle Vokabular anderer Künstler beispielhaft für spezifische Formen der Kommunikation. Ihre Werke sind dabei von hoher formaler Prägnanz. Am Beispiel ausgewählter Richter- Gemälde erfahren wir viel über den Umgang mit moderner Kunst auf den verschiedenen Ebenen des zeitgenössischen Kunstbetriebs. Die scharfen, farbigen, fast minimalistischen Kompositionen von Lawlers Bildern korrespondieren verblüffend mit Richters ebenfalls die Fotografie thematisierenden, unterkühlten Malereien und führen zu einer Art medialer Verdoppelung, zu einem kühlen Echo sozusagen. Dieser Band versteht sich als Hommage an Gerhard Richter anlässlich seines 80. Geburtstages in diesem Jahr. (Text dt., engl., Schirmer/Mosel) 56 pp. Englisch.

Paperback. Condition: New.

Hardcover with dustjacket, 76 pages; in English and German; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Condition: New. pp. 194.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.