Larry Peerce (16 results)

Soft cover. Condition: VG+. A VG+ folded pressbook with no cuts. Size: 11" X 14". Book.

Soft cover. Condition: VG+. A VG+ pressbook with no cuts from the film "Goodbye, Columbus" based on the novella by Philip Roth. Size: 11" X 14". Book.

No Binding. Condition: Very Good. A VGF or better original release 8 X10 mini lobby card. Photographic Image.

Soft cover. Condition: VG+. A VG or better 14-page folded pressbook with no cuts from the film "Goodbye, Columbus" based on the novella by Philip Roth. Contains two ad supplements. Size: 11" X 14". Book.

No Binding. Condition: VGF. A lot of seven VG or better original release 8 x 10 stills. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG+. A VGF or better original one sheet. Size: 27" x 41". Poster.

No Binding. Condition: VG+. A lot of seven VG or better original release 8 x 10 stills. Photographic Image.

Vintage black-and-white still photograph from the 1973 US film. Mimeograph snipe affixed to the verso. Taylor stars as a woman attempting to save her marriage by opting to surgically alter her face, so she sets off for Switzerland to have the operation. Her husband seems uninterested after all, but she still hopes to salvage their relationship, even in light of all the young men now finding her new looks quite tempting. A story set in Switzerland, shot in Italy. 8 x 9.5 inches. Faint foxing on the verso, else Near Fine.

Paperback. Condition: Good. 12.5in x 15in staple-bound booklet intended for use by theaters to promote ticket sales of Goodbye, Columbus. Includes publicity photos, articles, bios, and samples of posters suppliable by Paramount Pictures. Booklet shows light scuffing and puckering to edges, especially to spine. Overall in excellent condition for ephemera of this age. Else intact and unmarked. Stored in an archival Mylar.

Vintage press kit for the 1980 film. Full-color illustrated pocketed folder, containing 11 black-and-white photographs, and 21 gatherings of promotional reading material. A compulsive liar's colorful tall tales land him in hot water with his family, but also help him get a job as a social worker, where he becomes determined to help a young boy who was wrongfully taken from his mother. Set in Manchester, New Hampshire, shot on location in Spokane, Washington. Folder, photographs, and promotional material Very Good plus.

Eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso, and a stamp noting production No. 79-22 on the bottom right corner of the recto. Based on Sylvia Plath's influential semi-autobiographical 1963 novel, about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England, shot on location in New Jersey and New York. 10 x 8 inches. Near Fine.

Final Draft script for the 1978 film. A sequel to The Other Side of the Mountain. Jill returns to her home in California with her mother where she sparks a romance with one of the locals. Set in Bishop, California, shot on location in Bishop, California and Victoria, British Columbia. Red titled wrappers, noted as Final Draft on the front wrapper, production No. 00460 and sticker indicating copy No. II, dated May 3, 1977. Title page present, noted as Final Draft, with credits for screenwriter Douglas Day Stewart and skier Jill Kinmont. 126 leaves, with last page of text numbered 130. Xerographic duplication, rectos only, with blue and yellow revision pages throughout, dated variously between 5/17/77 and 5/18/77. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Draft script for the 33rd episode of the second season of the 1965-1966 NBC Western television series, which aired on January 9, 1966. Copy belonging to actor Nick Dimitri, who played the character "Young Hawk," with marker and ink annotations of his name, his character's name, and "Office" on the front wrapper, with manuscript marker annotations of actor's names adjacent to the character's names on the Cast page. Created by Larry Cohen, his first series as creator and producer, the series was originally intended as an allegory about blacklisting during McCarthyism, which, according to Cohen, lead to him being fired from the series after mistakenly telling its right-wing star, Chuck Connors. Following star Connors' popular 1958-1963 Western series "The Rifleman," Connors stars as Jason McCord, a former US cavalry captain who was court-martialed after being unjustly accused of cowardice. The series premiered on January 24, 1965 and aired for two seasons and 48 episodes ending on April 24, 1966. In this episode Connors comes upon a bound white Indian woman who says three wolfer brothers kidnapped and attacked her, who he decides he needs to find and kill while returning her to her people. Green titled wrappers, with credits for screenwriter Frank Paris. Title page present, with credits for screenwriter Frank Paris. 31 leaves, with last page of text numbered 28. Mimeograph duplication, rectos only, with two blue revision pages, dated 11/4/65. Pages Near Fine, wrapper Very Good plus, with light toning and foxing to the extremities, bound with two gold brads.

Revised Final Draft script for the 1971 film. Copy belonging to Phil Abramson, set director for the film, with his name in manuscript ink on a couple of pages, and manuscript annotations throughout. Laid in is a folded photocopied shooting schedule sheet with photocopied annotations, and "Phil 140" in manuscript pencil at the top. Based on Thomas McGuane's 1968 debut novel. Vernor Stanton (Fields), an unstable patrician iconoclast, and his lifelong friend, James Quinn (Coster), engage in various drug-fueled adventures, often violent in nature. The two aim to destabilize the Centennial Club, the summer sporting resort for upper-class Michigan families, where they are members. Featuring a brief appearance by a pre-"Exorcist" Linda Blair. Set in Michigan, shot on location in Hot Springs, Arkansas. Salmon titled wrappers, noted as REV. FINAL DRAFT on the front wrapper, dated October 4, 1969. Title page present, identical on the front wrapper, with credits for screenwriter Semple, Jr., and novelist McGuane. 117 leaves, with last page of text numbered 116, plus a laid-in shooting sheet (dated Jan. 17, 1970). Mechanical duplication, with pink, blue, white, and yellow revision pages throughout, dated variously between 10/24/69 and 12/3/69. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.

First edition of the author's first book and winner of the National Book Award. Octavo, original cloth. Boldly signed Philip Roth on the title page and additionally by the director of the film Larry Peerce and by actors Richard Benjamin and Ali MacGraw, who starred in the 1969 film. Near fine in a near fine dust jacket. Jacket design by Sanford Roth. Also laid in are signed notes from Benjamin and MacGraw. A unique example. "Goodbye Columbus, a Houghton Mifflin Literary Award, is Philip Roth's first book, and an impressive one. There is blood here and vigor, love and hate, irony and compassion. Mr. Roth has written a perceptive, often witty and frequently moving piece of fiction." The novella is accompanied by five short stories that range in tone from the iconoclastic to the astonishingly tender that illuminate the subterranean conflicts between parents and children and friends and neighbors in the American Jewish diaspora. Saul Bellow wrote upon review of Goodbye, Columbus, "Unlike those of us who come howling into the world, blind and bare, Mr. Roth appears with nails, hair, teeth, speaking coherently. He is skilled, witty, energetic and performs like a virtuoso." It was the basis for the 1969 film starring Richard Benjamin and Ali MacGraw, directed by Larry Peerce. The screenplay, by Arnold Schulman, won the Writers Guild of America Award.

Condition: Buen estado. 1 poster Impreso color Buen estado Cartel original del estreno en España. Marilyn Hassett, Beau Bridges, ?