Krajewski Paul (51 results)

Condition: New.

Condition: New. In.

Condition: New.

Condition: New. In.

Hardcover/Pappeinband. Condition: Sehr gut. 155 Seiten durchgehend mit Abbildungen und Fotographien. Kaum Lese- und Lagerspuren. Ein sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 400.

Originalpappband. Condition: Sehr gut. 4. Auflage. 155 Seiten Mit zahlreichen Schwarz-Weiß- Abbildungen. Sehr gutes Exemplar der 4. Auflage, Sprache: Deutsch Gewicht in Gramm: 550.

111 pp.; 28 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph documenting an installation by Paul Thek at the Lembruck Museum in Duisberg in the winter of 1973/74. An exhibition catalogue was never published but extensive installation photos were taken, and presented here for the first time. Texts by Michael Krajewski, Marietta Franke, Siegfried Salzmann, Barbara Catoir, and Franz Deckwitz. Includes a list of works in the collection. "This publication is devoted to a little-known temporary artwork: in the winter of 1973/74 Paul Thek was a guest of the LehmbruckMuseum in Duisburg. His expansive environment "Ark, Pyramid - Christmas" ("The Manger") filled a whole room. It was the further development of his installation realized at Documenta 5 in Kassel (1972). This exhibition, organized by the director of the museum at the time, Siegfried Salzmann (1985-1993), was the fourth in Thek's series of atmospheric, large-scale projects in Europe, which engaged with individualized religious symbols. The festive period provided Thek with the occasion to present, for the first time, a self-written theatre piece in the form of a nativity play featuring children from Duisburg. A great quantity of original material and documents have been discovered in the museum's repository and enable a reconstruction of the exhibition in this book, accompanied by an interview that Marietta Franke conducted with Franz Deckwitz, who helped with the installation in 1973." -- publisher's statement. Very Good / Fine. Light rubbing of edges, otherwise Fine. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. 111p., 8.75x11 inches, texts in German and English, illustrated monograph of b&w and color plates, very good paperback in pictorial white wraps.

331 pp.; 28.9 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held the Bauhaus-Archive, Museum für Gestaltung, Berlin, February 9 - April 20, 1992. Texts by Klaus Weber, Peter Haffenden, Peter Hahn, Karsten Kruppa, Katja Schneider, Beate Manske, Helmut Erfurth, Thomas Heyden, Jutta Weber, and Karsten Hintz. Artists include August Agatz, Josef Albers, Waldemar Alder, Alfred Arndt, Carl Auböck, Gerd Balzer, Max Bill, Heinrich Siegfried Bormann, Marianne Brandt, Hin Bredendieck, Marcus Leser Bronstein, Maria Cyrenius, Christian Dell, Hermann Gautel, Walter Gropius, Lawrence H. Haase, Erika Hackmack, Walter Hartstang, Walther Erich Heller, Walter Holzhausen, Johannes Itten, Martin Jahn, Carl Jakob Jucker, Paul Klee, Josef Knau, Alfred Kopka, Max Sinowjewitsch Krajewski, Alfred Lipovac, Friedrich Marby, Erich Markiewiz, Erika Marx, Gerda Marx, Adolf Meyer, Laszlo Moholy-Nagy, Gyula (Julius) Pap, Hans Pistorius, Josef Pohl, Hans Przyrembel, Paul Reindl, Otto Rittweger, Wolfgang Rössger, Wilhelm Schabbon, Alfred Schäfter, Oskar Schlemmer, Herbert Schröter, Lili (Elisabeth) Schultz, Helmut Schulze, Rudolf Schwarz, Naum (Nachman Julius) Slutzky, Otto Umbehr, Gerhard Vallentin, Wilhelm Wagenfeld, Elisabeth Winkelmayer, Richard Winkelmayer, Willi Wirths, and Werner Zimmermann. Includes biography, Bauhaus chronology, bibliography. Text in German. Very Good. Light rubbing of covers and cover edges with wear at top edge of spine. Yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

224 pp.; 26 x 19.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue orginally published in conjunction with show held at The Museum of Modern Art, New York, in 1938. Edited by Walter Gropius, Herbert Bayer, and Ise Gropius. With writing by Gropius, Alexander Dorner, Janet Henrich, and Beaumont Newhall. Artists include Walter Gropius, Herbert Bayer, Ise Gropius, Josef Albers, Marcel Breuer, Lyvonel Feininger, Johannes Itten, Wassily Kandinsky, Paul Klee, Gerhard Marcks, László Moholy-Nagy, Anni Albers, Rudolf Baschant, Otti Berger, Max Bill, F.W. Bogler, T. Bogler, Marianne Brandt, Albert Braun, Hinrick Bredendieck, Max Bronstein, P. Bücking, Alma Buscher, Paul Citroën, Ruth Citroën-Valentin, Christian Dell, Friedl Dicker, E. Dieckman, Theo van Doesburg, Werner Drewes, C. an Eesteren, F. Ehrlich, Martha Erps, Lux Feininger, Werner Feist, Margrit Fischer, Fred Forbat, M. Friedländer, Fritsch, Maxwell E. Fry, Lotte Gerson, Siegfried Griesenschlag, George Grosz, Toma Grote, G. Hantschk, J. Hartwig, G. Hassenpflug, Florence Henry, T. Hert, Ludwig Hirschfeld-Mack, H. Hoffmann, Ruth Hollós, K. Jucker, Peter Kele, I. Kerkovius, R. Koppe, J. Knau, M. Krajewski, Fritz Kuhr, Lothar Lang, Nathan Lerner, L. Leudesdorff-Engstfeld, O. Lindig, Heinz Loew, Gerda Marx, W. Menzel, Hannes Meyer, T. Mìzutani, E. Mögelin, Farkas Molnár, Klaus Neumann, Erna Niemeyer, H. Nösselt, B. Otte, Don Page, J. Pap, R. Paris, H. Pryzrembel, M. Rasch, Paul Reichle, O. Rittweger, Peter Röhl, Alfred Roth, Alexander Schawinsky, Oskar Schlemmer, K. Schwerdtfeger, Guntha Sharon-Stölzl, Naum Slutzky, Victor Sklaire, Irmgard Sörenson-Popitz, George Teltscher, P. Toliner, W. Tümpel, Henry van de Velde, Marco Vici, Charlotte VIctoria, Hans Volger, Lis Volger, W. Wagenfeld, N. Wassiljeff, Seymour Wassng, Andreas Weininger, Hans Witwer, Iwao Yamawaki, F.R.S. Yroke, and Werner Zimmermann. Includes biographical notes, bibliography, and index of illustrations. This is the third printing following the book's orginal publication by The Museum of Modern Art in 1938, and a second printing by Charles T. Branford Company in 1952. Very Good. Dust-jacket, now in archival mylar, has closed 4 cm. tear along spine edge, and light soiling and wear to edges. Cloth covers are Very Good, interior has light aging to pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. Condition: gut. 2015. Frank Böckelmann/Horst Ebner: Die Befreiung frißt ihre Kinder - Thomas Kapielski: Kompost II. Aphorismen - Gerd Koenen: Vom Ernst und Schrecken der einen Welt - Günter Maschke: Die Revolution des Völkerrechts 1919 und dessen heutige Selbstzerstörung - François Jullien: Landschaft denken europäisch-chinesisch - Jürgen Paul Schwindt: Die Mitmacher. Zur Pathogenese der neuen deutschen Universität (5) - Sebastian Hennig: Die Hölle hat kein Bild. Dresden, Februar 1945 - Markus Krajewski: Bauformen des Gewissens. Architektur und Medien nach der Stunde null - Napoleon Bonaparte: Geheime Aufzeichnungen - Alexander Schuller: Dea i dino oder Kiez to go - Josef Kraus: Schluß mit der Re-Ideologisierung der Bildungspolitik! - Otto Gross: Orientierung der Geistigen - Otto Gross: Zum Problem Parlamentarismus - Otto Gross: Themen der revolutionären Psychologie - Anton Kuh: Die Lehre des Otto Gross - Siegfried Gerlich: Der monströse Marquis. Zur anthropologischen Revolte de Sades - Takasaki: Als ich aufwachte - Jörg Bernig: Eine Hand auf der Stirn. Zwei Gedichte - Michael Schwezler: Weißraum 77. Gedichte - Rudolf Heinz / Stefan Winter: Todestrieb und Zeitstruktur. Ein Gespräch über Psychoanalyse, Kunst, Ökonomie (1) - Gabriel Ramin Schor: Hey Joe. Kleine paranoisch-kritisch Chronik des Lustbetrugs - Christopher Stark: Exzellenz des Marktes. Die Leuphana Universität Lüneburg In deutscher Sprache. 96 pages.