Kinkade Thomas Gurney James (47 results)

Condition: New.

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Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Paperback. Condition: New. A bold new edition of the groundbreaking book by two of America's most prominent visual artists, James Gurney (Dinotopia, Color and Light), and Thomas Kinkade, freshly updated with a new introduction, archival photographs, and illuminating text to guide a new generation of illustrators. "If I could only have one drawing book on my shelf, it would be this one." -Shari Blaukopf, author of the Urban Sketching Handbook: Working With ColorSince its release in 1982, The Artist's Guide to Sketching has become a classic art guide for students and laypeople around the world. The book includes instruction and artwork by James Gurney and Thomas Kinkade-two students who would go on to fame with Dinotopia (Gurney) and as the "Painter of Light" (Kinkade). This new edition restores the classic text with updated full-color visuals and a special section chronicling the book's origins and the friendship, drawing on archives from Gurney and the Kinkade family estate.Chapters and topics include:Chapter 1: THE EXPERIENCE OF SKETCHING (Coping with the Weather, Sketching at Night, Sitting or Standing?, Dealing with Curious Spectators, Being Inconspicuous, At Home Amid the ElementsChapter 2: MATERIALS (Sketchbooks, Pencils, Pens, Markers, Wash and Drybrush, Sketchboxes and Carrying Cases, Experiencing Your Materials)Chapter 3: ACHIEVING ACCURACY: (When to Use an Underdrawing, How Much Underdrawing is Necessary,  Establishing the Large Shapes, Measuring Lengths, Measuring Slopes, Using Perspective Guidelines, Constructing with Geometric Forms, Completed Underdrawing, The Final Execution)Chapter 4: CAPTURING MOTION (Freezing Motion: A New Way of Drawing, Learning to Observe Motion, Training Your Memory, Getting It Down Fast, The Scribble Approach, The Gestural Approach, The Mannikin Approach, The Tonal Mass Approach, When Your Subject Moves Unexpectedly, Places to Go for Motion Sketching)Chapter 5: CREATING MOOD (Choosing a Subject, Noting Impressions, Composing with Thumbnails, Selectivity, Center of Interest, Dramatic Opposition, Delicacy, Mystery, Structure and Expression)Chapter 6: USING IMAGINATION (Dare to be Creative, Being Imaginative On-the-Spot, Exaggeration, Changing Context and Scale, Using Anthropomorphism, Additions and Combinations, Feeding the Imagination, Becoming More Imaginative)Chapter 7: STUDYING NATURE (Nature: Your Personal Drawing Workshop, The Experience of Nature Sketching, Plants, Animals, Sketching at the Zoo, Natural History Museum, Clouds, Rocks and Landforms, The Benefits of Studying Nature)Chapter 8: SKETCHING PEOPLE (Finding Raw Material, Exaggerating Character Traits, The Cartoon Approach, Portraying People in Their Environment, Two Characters, Group Composition, The On-The-Spot Portrait, Making People Sketches Come Alive, Family and Friends: Your Free Models)Chapter 9: EXPLORING THE MAN-MADE WORLD (Begin with the Commonplace, Sketching the Home, Indicating Building Exteriors, Signs and Letterforms, A New Look at Machines, Using Clutter,

Condition: New.

Paperback. Condition: New. A bold new edition of the groundbreaking book by two of America's most prominent visual artists, James Gurney (Dinotopia, Color and Light), and Thomas Kinkade, freshly updated with a new introduction, archival photographs, and illuminating text to guide a new generation of illustrators. "If I could only have one drawing book on my shelf, it would be this one." -Shari Blaukopf, author of the Urban Sketching Handbook: Working With ColorSince its release in 1982, The Artist's Guide to Sketching has become a classic art guide for students and laypeople around the world. The book includes instruction and artwork by James Gurney and Thomas Kinkade-two students who would go on to fame with Dinotopia (Gurney) and as the "Painter of Light" (Kinkade). This new edition restores the classic text with updated full-color visuals and a special section chronicling the book's origins and the friendship, drawing on archives from Gurney and the Kinkade family estate. Chapters and topics include: Chapter 1: THE EXPERIENCE OF SKETCHING (Coping with the Weather, Sketching at Night, Sitting or Standing?, Dealing with Curious Spectators, Being Inconspicuous, At Home Amid the ElementsChapter 2: MATERIALS (Sketchbooks, Pencils, Pens, Markers, Wash and Drybrush, Sketchboxes and Carrying Cases, Experiencing Your Materials)Chapter 3: ACHIEVING ACCURACY: (When to Use an Underdrawing, How Much Underdrawing is Necessary,  Establishing the Large Shapes, Measuring Lengths, Measuring Slopes, Using Perspective Guidelines, Constructing with Geometric Forms, Completed Underdrawing, The Final Execution)Chapter 4: CAPTURING MOTION (Freezing Motion: A New Way of Drawing, Learning to Observe Motion, Training Your Memory, Getting It Down Fast, The Scribble Approach, The Gestural Approach, The Mannikin Approach, The Tonal Mass Approach, When Your Subject Moves Unexpectedly, Places to Go for Motion Sketching)Chapter 5: CREATING MOOD (Choosing a Subject, Noting Impressions, Composing with Thumbnails, Selectivity, Center of Interest, Dramatic Opposition, Delicacy, Mystery, Structure and Expression)Chapter 6: USING IMAGINATION (Dare to be Creative, Being Imaginative On-the-Spot, Exaggeration, Changing Context and Scale, Using Anthropomorphism, Additions and Combinations, Feeding the Imagination, Becoming More Imaginative)Chapter 7: STUDYING NATURE (Nature: Your Personal Drawing Workshop, The Experience of Nature Sketching, Plants, Animals, Sketching at the Zoo, Natural History Museum, Clouds, Rocks and Landforms, The Benefits of Studying Nature)Chapter 8: SKETCHING PEOPLE (Finding Raw Material, Exaggerating Character Traits, The Cartoon Approach, Portraying People in Their Environment, Two Characters, Group Composition, The On-The-Spot Portrait, Making People Sketches Come Alive, Family and Friends: Your Free Models)Chapter 9: EXPLORING THE MAN-MADE WORLD (Begin with the Commonplace, Sketching the Home, Indicating Building Exteriors, Signs and Letterforms, A New Look at Machines, Using Clutter.

Condition: New. 2025. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New. 2025. Paperback. . . . . .

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition. Hardcover with dust jacket. Oblong 4to with 159 pages. The book and dust jacket are in very good condition with very slight shelf wear. Interior is clean and tight. "Arthur Denison, a Victorian scientist, and his son Will are shipwrecked on an amazing island . Here, dinosaurs live in harmony with a colony of humans, made up of other marooned travelers and their descendants. Will and his father are fascinated by the technology of their new home. They visit a hatchery, a blacksmith in Volcaneum, and a city built on waterfalls. The boy is most impressed by the Skybax Riders, people who are trained to fly on winged reptiles. Deciding to join them, he goes through their rigorous training program. In the meantime, his father finds a route to the dinosaur underground, a mythic place referred to in old dinosaur tales." Black-multi colored spine/Gold text. Size: Oblong 4to. Childrens.

Condition: New.

Condition: New.

hardcover. Condition: Good. Hardcover with dust jacket shows moderate wear. Text is unmarked with only name along text edge. Ships FAST!

paperback. Condition: New.

Condition: New. In.

Paperback. Condition: Brand New. expanded edition. 175 pages. 10.50x9.00x0.75 inches. In Stock.

hardcover. Condition: Good. Hardback--dust cover shows moderate wear--cover shows slight wear--foxing on outer page edges otherwise good condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. expanded edition. 175 pages. 10.50x9.00x0.75 inches. In Stock.

Paperback. Condition: Brand New. expanded edition. 175 pages. 10.50x9.00x0.75 inches. In Stock.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Fair. Dust Jacket Condition: Good. First Edition. Dust jacket in good condition. First edition. Cover and binding are worn but intact. A reading copy in fair condition. CLEAN CONTENT PAGES. COVER STAINED. See photos for more information. Photographed with protective mylar plastic on dust jacket. Secure packaging for safe delivery.

Condition: New. Idioma/Language: Español. Antes de que Tom Kinkade se convirtiera en el «Pintor de la luz» y yo en el creador de ' Dinotopía ', éramos dos estudiantes de arte desconocidos y sin dinero. Estábamos hartos de pasar el tiempo sentados en aulas sin ventanas, escuchando clases de teoría del arte. Urdimos un plan audaz para abandonar los estudios y descubrir Norteamérica, y lo documentamos todo en nuestros cuadernos de bocetos. El 16 de septiembre de 1980 nos subimos a un vagón de un tren de mercancías en Los Ángeles y emprendimos un viaje hacia el este. Hicimos rápidos bocetos de leñadores, zapateros y mineros, y dormimos en cementerios y tejados. Este libro es el resultado de aquella odisea artística. En las más de cuatro décadas transcurridas desde su primera publicación, el dibujo urbano o 'urban sketching' se ha ido haciendo cada vez más popular. ¿Por qué? Porque dibujar 'in situ' es una forma estupenda de ampliar nuestros conocimientos y vocabulario visual. Sin embargo, su mayor beneficio es que nos permite conectar con nuevos lugares y personas . Esta edición se ha mejorado con imágenes escaneadas en alta resolución de las ilustraciones originales , y se ha ampliado para incluir una nueva sección con arte inédito de la misma época. -JG *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Rustica (tapa blanda). Condition: New. Dust Jacket Condition: Nuevo. 01. Antes de que Tom Kinkade se convirtiera en el Pintor de la luz y yo en el creador de Dinotopía, éramos dos estudiantes de arte desconocidos y sin dinero. Estábamos hartos de pasar el tiempo sentados en aulas sin ventanas, escuchando clases de teoría del arte. Urdimos un plan audaz para abandonar los estudios y descubrir Norteamérica, y lo documentamos todo en nuestros cuadernos de bocetos. El 16 de septiembre de 1980 nos subimos a un vagón de un tren de mercancías en Los Ángeles y emprendimos un viaje hacia el este. Hicimos rápidos bocetos de leñadores, zapateros y mineros, y dormimos en cementerios y tejados. Este libro es el resultado de aquella odisea artística.En las más de cuatro décadas transcurridas desde su primera publicación, el dibujo urbano o urban sketching se ha ido haciendo cada vez más popular. Por qué Porque dibujar in situ es una forma estupenda de ampliar nuestros conocimientos y vocabulario visual. Sin embargo, su mayor beneficio es que nos permite conectar con nuevos lugares y personas. Esta edición se ha mejorado con imágenes escaneadas en alta resolución de las ilustraciones o. LIBRO.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. B & W Drawings & Figures; 4to 11" - 13" tall; 160 pages; 1982 Watson-Guptill. Oversize HC/DJ. First edition. Snugly bound and neat in original graphic pictorial dust jacketwith unclipped front flap. Prior owner name and 1984 date penned to front flyleaf. Contents bright and fresh. Jacket has several short closed edge tears but is generally bright and fresh. Profusely illustrated with drawings and figures documenting an on the scene approach to drawing and sketching from life. NF/VG+ . Oversize book may require additional charges for expedited or international shipping.

Paperback. Condition: New. A bold new edition of the groundbreaking book by two of America's most prominent visual artists, James Gurney (Dinotopia, Color and Light), and Thomas Kinkade, freshly updated with a new introduction, archival photographs, and illuminating text to guide a new generation of illustrators. "If I could only have one drawing book on my shelf, it would be this one." -Shari Blaukopf, author of the Urban Sketching Handbook: Working With ColorSince its release in 1982, The Artist's Guide to Sketching has become a classic art guide for students and laypeople around the world. The book includes instruction and artwork by James Gurney and Thomas Kinkade-two students who would go on to fame with Dinotopia (Gurney) and as the "Painter of Light" (Kinkade). This new edition restores the classic text with updated full-color visuals and a special section chronicling the book's origins and the friendship, drawing on archives from Gurney and the Kinkade family estate. Chapters and topics include: Chapter 1: THE EXPERIENCE OF SKETCHING (Coping with the Weather, Sketching at Night, Sitting or Standing?, Dealing with Curious Spectators, Being Inconspicuous, At Home Amid the ElementsChapter 2: MATERIALS (Sketchbooks, Pencils, Pens, Markers, Wash and Drybrush, Sketchboxes and Carrying Cases, Experiencing Your Materials)Chapter 3: ACHIEVING ACCURACY: (When to Use an Underdrawing, How Much Underdrawing is Necessary,  Establishing the Large Shapes, Measuring Lengths, Measuring Slopes, Using Perspective Guidelines, Constructing with Geometric Forms, Completed Underdrawing, The Final Execution)Chapter 4: CAPTURING MOTION (Freezing Motion: A New Way of Drawing, Learning to Observe Motion, Training Your Memory, Getting It Down Fast, The Scribble Approach, The Gestural Approach, The Mannikin Approach, The Tonal Mass Approach, When Your Subject Moves Unexpectedly, Places to Go for Motion Sketching)Chapter 5: CREATING MOOD (Choosing a Subject, Noting Impressions, Composing with Thumbnails, Selectivity, Center of Interest, Dramatic Opposition, Delicacy, Mystery, Structure and Expression)Chapter 6: USING IMAGINATION (Dare to be Creative, Being Imaginative On-the-Spot, Exaggeration, Changing Context and Scale, Using Anthropomorphism, Additions and Combinations, Feeding the Imagination, Becoming More Imaginative)Chapter 7: STUDYING NATURE (Nature: Your Personal Drawing Workshop, The Experience of Nature Sketching, Plants, Animals, Sketching at the Zoo, Natural History Museum, Clouds, Rocks and Landforms, The Benefits of Studying Nature)Chapter 8: SKETCHING PEOPLE (Finding Raw Material, Exaggerating Character Traits, The Cartoon Approach, Portraying People in Their Environment, Two Characters, Group Composition, The On-The-Spot Portrait, Making People Sketches Come Alive, Family and Friends: Your Free Models)Chapter 9: EXPLORING THE MAN-MADE WORLD (Begin with the Commonplace, Sketching the Home, Indicating Building Exteriors, Signs and Letterforms, A New Look at Machines, Using Clutter.