Condition: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Reno, Reno, NV, U.S.A.
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Seller: ThriftBooks-Phoenix, Phoenix, AZ, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Condition: As New. Unread book in perfect condition.
Condition: New.
Condition: New. Brand New.
Language: English
Published by Canongate Pub Ltd, United Kingdom, 1989
ISBN 10: 086241170X ISBN 13: 9780862411701
Seller: Vashon Island Books, Vashon, WA, U.S.A.
First Edition
Hard Cover -. Condition: Near Fine. Dust Jacket Condition: Near Fine. Color Illustration By Joan Miro (illustrator). First Edition. Size: 8vo - over 7 3/4" - 9 3/4" Tall. Book.
Language: English
Published by University of Washington Press, Seattle, 1972
ISBN 10: 0295956321 ISBN 13: 9780295956329
Seller: Vashon Island Books, Vashon, WA, U.S.A.
Paperback. Condition: Very Good. Color Illustration By Joan Miro (illustrator). First Paperback Edition. a fascinating look into the native Eskimo language and their unique art. Size: 8vo - over 7¾" - 9¾" tall. Book.
Language: English
Published by Dover Publications Inc., US, 2003
ISBN 10: 0486244377 ISBN 13: 9780486244372
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. "As regards my means of expression, I try my hardest to achieve the maximum of clarity, power, and plastic aggressiveness; a physical sensation to begin with, followed up by an impact on the psyche." - MiróMiró's line recalls Picasso's in clarity and power; the Catalan's "plastic aggressiveness" led him, as it did his Andalusian friend, to bold, successful experiment and innovation in ceramics, sculpture and printmaking, especially lithography. The lithographic print medium suited and encouraged the artist's lifelong, often radical, obsession with stripping art to the marrow. The 40 plates reproduced here sample the pith of his lithographic production - a series produced in 1944, full of the eerie images and droll distortion he had sought on canvas for decades."It's never easy for me to talk about my painting," wrote Miró, "since it is always born in a state of hallucination induced by some kind of shock, objective or subjective, for which I am not personally responsible in the least." Miró hallucinates on stone for these prints, filling them with monstrous beasts and one-eyed aliens adrift in a heaven of moons and stars and black nebulae, floating breasts and generative organs. These lithographs were executed shortly after finishing the famous "constellation" series of paintings (called by one critic "the most intricate, most elaborately developed of all Miró's compositions"), right around the time his mother died and he fired his first ceramics in collaboration with Artigas.Falling in a period of intense creative mingling of whimsy with the grotesque, these prints characterize an important juncture in Miró's career. They also enlarge the boundaries of lithographic technique as they simultaneously show Miró, now "stripped" of his brilliant colors, to be an equal master of black-and-white.
Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Language: English
Published by The Museum of Modern Art, 1973
ISBN 10: 0870704621 ISBN 13: 9780870704628
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 140 pages, very good condition clean and crisp; no internal marks. Foreign shipping may be extra.
Language: English
Published by Houston Museum of Fine Arts, 1982
ISBN 10: 0890900078 ISBN 13: 9780890900079
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 156 pages, good condition; moderate edgewear to spine; small amount of white paint to bottom outer edge of pages; no internal marks. Foreign shipping may be extra.
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Acceptable. pages dog-eared, underlining in pencil and highlighting. Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Standard-sized.
Unknown. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Unknown. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Dover Publications Inc., New York, 2003
ISBN 10: 0486244377 ISBN 13: 9780486244372
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive. "As regards my means of expression, I try my hardest to achieve the maximum of clarity, power, and plastic aggressiveness; a physical sensation to begin with, followed up by an impact on the psyche." - Miro Miro's line recalls Picasso's in clarity and power; the Catalan's "plastic aggressiveness" led him, as it did his Andalusian friend, to bold, successful experiment and innovation in ceramics, sculpture and printmaking, especially lithography. The lithographic print medium suited and encouraged the artist's lifelong, often radical, obsession with stripping art to the marrow. The 40 plates reproduced here sample the pith of his lithographic production - a series produced in 1944, full of the eerie images and droll distortion he had sought on canvas for decades. "It's never easy for me to talk about my painting," wrote Miro, "since it is always born in a state of hallucination induced by some kind of shock, objective or subjective, for which I am not personally responsible in the least." Miro hallucinates on stone for these prints, filling them with monstrous beasts and one-eyed aliens adrift in a heaven of moons and stars and black nebulae, floating breasts and generative organs. These lithographs were executed shortly after finishing the famous "constellation" series of paintings (called by one critic "the most intricate, most elaborately developed of all Miro's compositions"), right around the time his mother died and he fired his first ceramics in collaboration with Artigas. Falling in a period of intense creative mingling of whimsy with the grotesque, these prints characterize an important juncture in Miro's career. They also enlarge the boundaries of lithographic technique as they simultaneously show Miro, now "stripped" of his brilliant colours, to be an equal master of black-and-white. Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback. Condition: Very Good.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.