Gustave Fredric Soderlund (42 results)

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.9.

Hardcover. Condition: Good. Hardcover, 10 1/4 by 7 1/4 inches, 133 pages. Binding has some wear to corners and spine ends. Hinges tight and pages clean.

Unknown. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.1.

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.1.

Leineneinband. Condition: Guter Allgemeinzustand. 133 Seiten - Seiten altersbedingt nachgedunkelt - Ecken bestoßen - Einband mit Lagerspuren - Vorsatzblätter mit abgeschnittenen Streifen (Namenseintrag) - mit Anstreichungen im Text - in englischer Sprache Size: 18,5 x 26 Cm. Hardcover.

Condition: New. SUPER FAST SHIPPING.

Hardcover. Condition: Good. Good hardcover copy, from a personal collection. Binding is tight, sturdy, and square; boards also very good. Markings. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Hardcover. Condition: Very Good. No Jacket. 3rd. green c w/clack titles; owner's names, notes, some foxing on end papers; 244 clean, unmarked pages; lite wear at extremities.

Hardcover. Condition: Very Good. No Jacket. 1st. First American Edition; green c w/gilt titles; owner's stamps; 133 clean, unmarked pages; tiny soft bump to lower front corner (see image).

Hardcover. Condition: Good. pp.133 tight copy with some sporactic pencil underlining and notes in margins, tanning to text pages and edges, green cloth covers with gold gilt shows some soiling, bumping to corners, and crimping and small tears to top/bottom spines Size: 4to - over 9¾" - 12" tall.

Condition: FAIR. 1946 SOFTCOVER, 3rd ed. "For use in Classes of Counterpoint" Dingy paper wraps are encased in vinyl bookcover. Some marginalia.

Condition: New. SUPER FAST SHIPPING.

Hardcover. Condition: VERY GOOD. Third Edition. 244pp. Green cloth black-stamped lettering to front cover and spine, sheet music throughout. Rubbing to extremities, wear to covers, edges a bit dusted, otherwise sound and unmarked.

Cloth. Condition: Good. No Jacket. x, 133 pp. Spine faded; pencil notations on endpapers and on roughly 1/4 of the pages of text. Very light scuffing to corners and to head and foot of spine.

Hardcover. Condition: Very Good. No Jacket. 3rd Edition. Appleton-Century-Crofts, Inc., New York. 1946. Hardcover. 3rd Edition. Book is tight, square, and unmarked but for former owner name on the FFFP. Book Condition: Very Good; light wear to tips, head, and tail from shelving; small dent on rear board. No DJ. Green cloth boards and spine with bright gilt lettering on the spine and front board. 244 pp 4to. It has become increasingly apparent in the last few years that th study of counterpoint should begin with the technique of the later sixteenth century, as exemplified in the style of Palestrina. Since the secular compositions of this composer involve a great deal of melodic and harmonic freedom, for the sake of greater pedagogic discipline, limited the choice of compositions in the compilation to the liturgical church music of Palestrina but have attempted to make the selection comprehensive enough for serious study. A clean very presentable copy.

Cloth. Condition: Very Good. No Jacket. x, 133 pp. Spine slightly faded; pencil notations on endpapers and on roughly 1/4 of the pages of text. Previous owner name stamped on front pastedown and front free endpaper. Very light scuffing to corners and to head and foot of spine.

Hard Cover. Condition: Good. No Jacket. Musical notation (illustrator). Third Edition. [x], 244pp [ink ownership; pencil notes] Size: 4to - over 9¾" - 12" tall.

Condition: Fair. Acceptable condition. No Dust Jacket (counterpoint, music theory, history, 16th century) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Hardcover. Condition: Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn, some pencil marginalia.; 7 x 10 ".

Condition: Fair. Acceptable condition. Book Good. No dust jacket. (History, Theory, Music) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Hardcover. Condition: Very Good with no dust jacket. Eastman School of Music Series. Valuable to the composer and music student seeking knowledge of the fundamentals of 16th century vocal polyphony. 133 pages. Corners and spine ends slightly worn.; 7 x 10 ".

Hard Cover. Condition: Fair. No Jacket. Cover is slightly worn with edgewear at head and foot of spine and some cornerbumping, spine is discolored. Minor pencil underlining throughout text. Previous owner's name inked on front endpage. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Good. 7 x 10 inches. x, 133 pages. Condition is Good, some underlining and marginal notes in the first 26 pages. STK.

Soft cover. Condition: Good. Handwritten scores of Gregorian chants. Clean pages. Name whited-out on title page. Rubbing to edges with tear at lower spine.

Hard Cover. Condition: Fair. No Jacket. Third Edition. Green cloth boards are tanning, rubbed to board on edges, spinecover taped in place (very old tape.) Text pages have a tiny amount of pencil markings. Size: 4to - over 9¾" - 12" tall.

Condition: Good. Good condition. No Dust Jacket (Music Theory) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Good. Dust Jacket Condition: No. Third American Edition. New York: Appleton Century Croft, 1946. Book. Good. Hardcover. Third American Edition. 4to - over 9¾" - 12" tall. Hardcover Collection and Examples of Gregorian chant. A Good- Working collection. One inch chip of covering paper toward top of spine. Some fades. Internally clean tight. Lyrics and music notation Good, clean. NO writing or underlines.

x, 133p., music, original green cloth (Eastman School of Music series).

Hardcover. Condition: Fair. Third Edition. 244p. Ex-library book. Old library markings on spine and inside. A Few stains and scuffing to front cover. Sunfading and wear to cover edges. Spine taped and ends slightly worn. Otherwise text clean and book tight. Palestrina is perhaps the most famous of these three composers. This does not diminish the musically historical importance of the others though. Orlande de Lassus was a Netherlander who settled first in Sicily and then finally in Munich. He is considered one of the most influential composers of the 16th century and was skilled at many different compositional styles. He is best known for his mature polyphonic style.nMarc Antonio Ingegneri was an Italian composer of the same era. He was known as a string player but wrote a decent amount of masses and madrigals. His music is compared in style to that of Palestrina.nGiovanni Pierluigi Palestrina is most well-known of the three and was considerably famous in his own day and age. Much of his compositions have survived the test of time and he is credited with a massive influence on the development of church music. Not only that but he influenced many other famous composers we know today such as Guillaume Dufay and Josquin des Prez.

Condition: Good. Good condition. No Dust Jacket 3rd edition. Spine taped. Writing inside. Stamped on front endpage. (music, vocals, sheet music).