Published by Prentice Hall, 1998
ISBN 10: 0134401999 ISBN 13: 9780134401997
Seller: Read&Dream, SAINT LOUIS, MO, U.S.A.
Condition: Acceptable.
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Published by generic
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.
Paperback. Condition: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 1.01.
Published by Scottish Arts Council, Edinburgh, 1978
Seller: Peter Moore Bookseller, (Est. 1970. PBFA, BCSA), Cambridge, United Kingdom
Association Member: PBFA
Soft cover. Condition: Good. Dust Jacket Condition: New. 40pp. 22cm. 18 full page black and white plates. Soft covers. A good clean copy. (To accompany an exhibition. Includes a full list of his archive of 390 photographs from the V & A).
Published by George Weidenfeld & Nicholson, London, 1985
ISBN 10: 0297784072 ISBN 13: 9780297784074
Seller: Attic Books, Cheltenham, GLOS, United Kingdom
First Edition
Publisher's Cloth. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. - 224 mm. Cloth hardcover, gilt titling to spine. Illustrated. B&W photographic plates. Pp. x, 174. Minor edgewear and rubbing to DJ.
Published by London, Pentagram 1997, 1997
Seller: Inch's Books, Oxford, United Kingdom
22pp, colour illustration on frontispiece. 21x15, black card wraps, black dw. Very good; dedication by Gombrich on frontispiece, with a few small marks on the same page. Published by this well known practice, originally directed by Theo Crosby, the aim of the Papers was to "publish examples of curious, entertaining, stimulating, provocative and occasionally controversial points of view that have come to the attention of.Pentagram." The text of Gombrich's 1992 lecture to the Arts and Architecture group.
Published by Verlag Galerie Welz, Salzburg, 1990
ISBN 10: 3853491480 ISBN 13: 9783853491485
Seller: Literary Cat Books, Machynlleth, Powys, WALES, United Kingdom
Association Member: IOBA
First Edition
Original Wrappers. Condition: Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Edition. A fine , well illustrated 111 Page Catalogue with Introductory texts by Sir Enst H. Gombrich and Hans Tietze + Personal Recollections of Gerhart Frankl by Julian Sofaer. 150 works are illustrated including 86 in Colour. A fine copy of this elusive and important item. Light shelfwear. ; Paperback; Quarto Oblong.
Published by NY: Pantheon, 1960
Seller: Salmon of Knowledge Books -- Thomas I. Finnigan, Purveyor, Hyde Park, NY, U.S.A.
First Edition
Hardcover. Condition: Very Good. No Jacket. 1st Edition. Very Good condition. Spine and hinges strong. Mild foxing to early endpapers. Mild scuffing to back upper left corner of cover. Pagination and illustrations clean and bright. More photos upon request.**This item will definitely require extra shipping charges.**.
Published by Scottish Arts Council, Edinburgh, 1978
ISBN 10: 0902989502 ISBN 13: 9780902989504
Seller: David Bunnett Books, London, United Kingdom
First Edition
SOFTCOVER. 1st Edition. 4to in photo illustrated stiff card covers, 40pp, plates etc. CONDITION: Covers tanned else FINE, an otherwise well preserved and very clean and tight copy (small ink name on title-page, no other marks or inscriptions) ] ._ . . . . . . . . . . . . To see more of our Photo books type DbbPHOTO in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Published by [New York]: [Arts Magazine], 1965
Seller: James Fergusson Books & Manuscripts, London, United Kingdom
Signed
Soft cover. Condition: Very Good. 4to. Wrappers. Spine worn, covers faded and faintly creased. Inscribed by the author [to Denys Lasdun], "with very many thanks, & regards EH Gombrich". Inscribed by Author(s).
Published by Ashmolean Museum, Oxford, UK, 1992
ISBN 10: 1854440357 ISBN 13: 9781854440358
Seller: SAVERY BOOKS, Brighton, East Sussex, United Kingdom
Manuscript / Paper Collectible
Soft cover. Condition: Very Good Plus. SOFTCOVER 1992. 80 pages. 20.5x20.5cm. Spine is not creased. Clean & tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref DCdLF.
Published by Phaidon Press, 2008
ISBN 10: 0714898708 ISBN 13: 9780714898704
Seller: Agapea Libros, Malaga, Spain
Condition: New. Idioma/Language: Español. Presenta la historia del arte en forma de discurso narrativo, 'una cadena viva que a n hoy comunica la Úpoca contemporßnea con la Úpoca de las pirßmides'. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Published by Edinburgh: Scottish Arts Council, 1978, 1978
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
First Edition
Soft cover. Condition: Good. 1st Edition. Sm.8° - 40pp - 18 B/w photo-reproductions. Exhibition Catalog: Henri Cartier-Bresson (1908-2004) French humanist photographer considered a master of candid photography, and an early user of 35 mm film. With an essay by Sir E. Gombrich. Original boards. Front cover slightly stained otherwise in Good condition.
Published by Phaidon Press, London, 1960
First Edition
Hardcover. Condition: Fine-. Dust Jacket Condition: Near Fine+. First Edition. First Printing of this path-breaking work in the psychology of perception that influenced thinkers as diverse as Carlo Ginzburg, Nelson Goodman, and Umberto Eco. Thick royal 8vo (254 x 187mm): xxxi,[1],466pp, with 319 illustrations, some folding and in color. Publisher's original scarlet linen, spine lettered in gold within black title black, beige dust jacket printed in red and black and priced 70s. Printed on heavy coated stock. About Fine, tightly bound, clean and bright throughout; Near Fine or better jacket with faint spotting to upper cover panel, closed tear along bottom spine panel fold with degree or two of lightening to red lettering. No. 35 in the Bollingen series. Arntzen R1. Originally given as the A. W. Mellon lectures in the fine arts, at the National Gallery of Art, in Washington, D. C., in 1956. "Considered a classic by all who seek for a meeting ground between science and the humanities, Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. In testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's triumph in Art and Illusion arises from the fact that his main concern is less with the artists than with ourselves, the beholders." (from the dust jacket) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).