Gerstner Karl (328 results)

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover, 234 pages, over 500 illustrations of art multiples; in German; POOR condition, wear and tear to covers; many pages loose. As is. Foreign shipping may be extra.

Hardcover. Condition: New. Dust Jacket Condition: New. NEW BOOK / NEW DUST JACKET: In German. Oblong Quarto. (David R. Godine / The Groiler Club, 2003) Location: R 72.

Hardcover. White boards with tan illustrated dust jacket, 28 pp, illustrated in color. Written in German. English title, "Puzzle Upon Puzzle" VG+ (may have rubbing to board edges & corners; jacket may have rubbing to edges & corners).

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. BOX R5 Minor shelf wear and scuff marks to front and back covers. Slight edge wear and some sun wear to spine and corners.

Condition: New.

Hardcover. Condition: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bending and bowing to boards and page block. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery.

Condition: New.

28 S. 4° 400 gr.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. Karl Gerstner's work is a milestone in the history of design. Designing Programmes is one of his most important works: in four essays, the author provides a basic introduction to his design method- ology and suggests a model for design in the early days of the computer era. The book is especially topical and exciting in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. Designing Programmes was first published in 1964; in 2007 Lars Müller Publishers launched a re-designed version. This year's release of Designing Programmes corresponds with the original edition of the book, designed by Karl Gerstner.

Hardback. Condition: New. Karl Gerstner's work is a milestone in the history of design. Designing Programmes is one of his most important works: in four essays, the author provides a basic introduction to his design method- ology and suggests a model for design in the early days of the computer era. The book is especially topical and exciting in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. Designing Programmes was first published in 1964; in 2007 Lars Müller Publishers launched a re-designed version. This year's release of Designing Programmes corresponds with the original edition of the book, designed by Karl Gerstner.

Hardcover. Condition: new. Hardcover. Swiss designer and artist Karl Gerstner (1930-2017) had a significant influence on typography and the history and development of postwar graphic design. Designing Programmes is one of his most important and influential works. It was first published in 1964, and reissued in a new design by Lars Mueller Publishers in 2007; both editions are now rare (the first almost completely unavailable). Now, Lars Mueller reissues the book with its original design. Here, across four essays, Gerstner provides a basic introduction to his design methodology and suggests a model for design in the early days of the computer era. Gerstner's innovation was to propose a rule set or system defined by the designer that would determine all aesthetic decisions for a given product: for example, a logo might also function as a layout grid system or inspire a font. Today the book is especially topical in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture and art, Designing Programmes inspires the reader to seize on the material, develop it further, and integrate it into his or her own work. 175 illustrations A must-have for all design enthusiasts Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. A clean unmarked copy in excellent condition.

Hardcover. Condition: VG some very light wear on dj. Black dj with white text, color illustration. Black boards with gray text. 179 pp. Bw and color illustrations, fold-out illustration. "In The Forms of Color Swiss artist Karl Gerstner continues his investigation of the interaction of color and form presented in his earlier book, The Spirit of Colors (MIT Press 1981). In this new, richly illustrated book he draws on artistic, literary, and scientific sources, as well as on his own studio work, to explore the basic visual elements of color and form.".

hardcover. Condition: Fine copy in fine dust jacket. Well-illustrated (illustrator). 1st. 4to, 56 pp., Text in German.

Condition: gut. 95 S., 23 cm, Bibliotheksexemplar, sekundär gebunden, gebräunt. Sprache: Deutsch.

8° Gebunden. Condition: Sehr gut. Marcel Duchamp: Tu m - Rätsel über Rätsel großformatiger Kunst Bildband mit Gesamt 28/28 Seiten Werke des Künstlers Botschaft und Analyse guter Zustand Format 29cm x 22cm Dass es Duchamp war, der in der Kunst die kopernikanische Wende herbeiführte, ist eine Überzeugung, die seit langem nicht nur Eingeweihte teilen. Das Oeuvre, das er hinterließ, ist denkbar klein, aber kaum ein Werk ist darunter, das nicht vielfältige Deutungen erfuhr - kunsthistorische, psychologische, gesellschaftskritische, selbst alchimistische. Aber seltsam: Duchamps letztes »in Oel und Essig« gemaltes Werk, Tu m von 1918, ist nie umfassend in den Fokus seiner Exegeten gelangt. Bereits der Titel ist ein Rätsel: Steht er für »Tu m aimes« (Du liebst mich) oder aber, so die häufigste Interpretation, für »Tu m embêtes« (Du langweilst mich) oder, schärfer noch, für »Tu m emmerdes« (Du kannst mich mal)? Karl Gerstner, einer der herausragenden Schweizer Grafikdesigner, der Duchamp noch persönlich kannte, war von der Arbeit zunächst befremdet - und fasziniert zugleich. Um seine Neugierde zu befriedigen, machte er sich selbst ein Bild vom Bild. Und siehe da: Je tiefer er in die Materie eindrang, desto mehr schwand die Befremdung, und die Faszination wuchs. So entstand dieser Band - ermutigt durch Richard Hamilton, den wohl intimsten Duchamp- Kenner -, der in 20 Analysen Rätsel über Rätsel enthüllt. 56 Deutsch 620g.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Condition: NEW.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. This is a very good hardcover copy in a very good dustjacket with light wear to the corners. Completely clean inside and out. Fine survey of modern graphic design full of less well known designers as well as the greats. Illustrated in color throughout. 15" high X 11" wide, 249 pages. Large heavy book, foreign shipping will be extra.

Condition: As New. Unread book in perfect condition.

Condition: New.

Softcover. 4°, Original cardboard binding. Three sheets of title and introductory text, one blank sheet (violet on the front, black on the back), followed by sheets 10 to 1/2 in various colors, with differently sized omissions (creating a 3D effect when viewed), each with the sheet number and a short explanatory text on the reverse. Sheet 1/2 is also the first sheet of a second color series, which continues with sheets 3-12. This is followed by another blank sheet and three sheets of introductory text and the title page, so that the work can be viewed from both the front and the back. Some slight adhesive binding remains between the sheets, but most are loose. Clean, good condition. -- Original-Kartonage. 3 Blatt Titel und einführender Text, 1 leeres Blatt (Vorderseite violett, Rückseite schwarz), gefolgt von den Blättern 10 bis 1/2 in verschiedenen Farben, mit unterschiedlich großen Auslassungen (dadurch entsteht beim Anschauen ein 3-D-Effekt), rückseitig jeweils die Battnummer und kurzer erläuternder Text. Blatt 1/2 ist gleichzeitig das Anfangsblatt einer zweiten Farbserie, die mit den Blättern 3-12 anschließt, es folgen nochmals 1 leeres Blatt sowie 3 Blatt einführender Text und Titelblatt, so dass das Werk sowohl von vorn als auch von hinten angeschaut werden kann. Teils ist noch leichte Klebebindung zwischen den Blättern vorhanden, die meisten sind jedoch lose. Sauberer, guter Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Jahresanfang mit unterhaltender Lektüre! - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! K00526-436832.

Hardback. Condition: Very Good. Dust Jacket Condition: Very Good+. Dust jacket is lightly shelf-marked on rear; boards are faintly marked, corners sharp; binding is tight; pages are unmarked with colour plates. ; 8.3 x 0.5 x 11.5 inches; 55 pages.