Eszter Kondor Michael Loebenstein (68 results)

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. Her work is both deeply personal and political. She discusses the complex relationship between history and the present and reflects on her identity as a Jewish woman in postwar Austria and Europe. Tropes of travel and migration feature heavily in her work as means of experiencing the world and of staying alive, literally as well as artistically.Beckermann's films speak about identity conflicts and class struggle (Suddenly, a Strike), her family history in the Habsburg monarchy (Paper Bridge), and the war generation as it confronts the crimes of the Wehrmacht (East of War). In 2016, she turned the love affair between poets Paul Celan and Ingeborg Bachmann in postwar Vienna into an unconventional feature film (The Dreamed Ones). In her latest project, The Waldheim Waltz (2018), Beckermann uses 1980s archival footage of the "Waldheim Affair" to reflect on the mechanisms of populism and the media.This is the first English-language publication on Ruth Beckermann's filmic oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist conducted by Alexander Horwath and Michael Omasta, and a detailed filmography by Michael Omasta and Brigitte Mayr.

Paperback. Condition: new. Paperback. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. Her work is both deeply personal and political. She discusses the complex relationship between history and the present and reflects on her identity as a Jewish woman in postwar Austria and Europe. Tropes of travel and migration feature heavily in her work as means of experiencing the world and of staying alive, literally as well as artistically.Beckermann's films speak about identity conflicts and class struggle (Suddenly, a Strike), her family history in the Habsburg monarchy (Paper Bridge), and the war generation as it confronts the crimes of the Wehrmacht (East of War). In 2016, she turned the love affair between poets Paul Celan and Ingeborg Bachmann in postwar Vienna into an unconventional feature film (The Dreamed Ones). In her latest project, The Waldheim Waltz (2018), Beckermann uses 1980s archival footage of the "Waldheim Affair" to reflect on the mechanisms of populism and the media.This is the first English-language publication on Ruth Beckermann's filmic oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist conducted by Alexander Horwath and Michael Omasta, and a detailed filmography by Michael Omasta and Brigitte Mayr. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. This is the first English-language publication on Beckermanns oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist, and a detailed filmography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. Her work is both deeply personal and political. She discusses the complex relationship between history and the present and reflects on her identity as a Jewish woman in postwar Austria and Europe. Tropes of travel and migration feature heavily in her work as means of experiencing the world and of staying alive, literally as well as artistically.Beckermann's films speak about identity conflicts and class struggle (Suddenly, a Strike), her family history in the Habsburg monarchy (Paper Bridge), and the war generation as it confronts the crimes of the Wehrmacht (East of War). In 2016, she turned the love affair between poets Paul Celan and Ingeborg Bachmann in postwar Vienna into an unconventional feature film (The Dreamed Ones). In her latest project, The Waldheim Waltz (2018), Beckermann uses 1980s archival footage of the "Waldheim Affair" to reflect on the mechanisms of populism and the media.This is the first English-language publication on Ruth Beckermann's filmic oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist conducted by Alexander Horwath and Michael Omasta, and a detailed filmography by Michael Omasta and Brigitte Mayr.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: As New. Text clean and tight; 8vo 8" - 9" tall; 64 pages.

Condition: new.

Condition: New. pp. 64.

Paperback. Condition: Brand New. 63 pages. 8.50x6.25x0.25 inches. In Stock.

Condition: New. 2019. Paperback. . . . . .

Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Maria Lassnig (19192014) is internationally recognized as one of the most important painters of the 20th and 21st centuries. The leitmotif of her painting, the act of rendering her "body awareness" visible found additional expression in film in the early 1970s. During her time in New York, Lassnig studied animation at the School of Visual Arts and began to film in 8mm and 16mm. While several of these New York films have long since been part of her canonical works (e.g. Selfportrait, Iris, Couples, Shapes), many remained unfinished. These "films in progress" can be regarded as autobiographical notes as well as an artistic experiment featuring many of Lassnig's recognizable sujets and methods. In 2018, this filmic legacy was restored and in many cases completed according to Lassnig's original concept and instructions by two close collaborators, artists Hans Werner Poschauko and Mara Mattuschka, and presented to great international acclaim.This English-language publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own previously unpublished notes. It also includes a selection of Lassnig's "films in progress" on DVD. Two essays by James Boaden and Stefanie Proksch-Weilguni place Lassnig's work in the context of the US-American film avant-garde of the 1970s, while conversations with Mara Mattuschka, Hans Werner Poschauko and the restoration team shed a light on the rediscovery of Lassnig's fascinating films. Maria Lassnig (19192014) is internationally recognized as one of the most important painters of the twentieth and twenty-first centuries. This publication provides the first comprehensive index of Lassnigs film works, offering insight into the filmmakers world of ideas through a wide selection of Lassnigs own, previously unpublished notes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: new. Paperback. Reexamining the works and legacy of the acclaimed multimedia feminist artist and their significance for today's worldAustrian artist Valie Export (born 1940) has produced one of the most significant bodies of feminist art in the postwar period, as a pioneer in the fields of photography, video and installation art. Her groundbreaking performances during the 1960s and 1970s introduced a new form of radical, embodied feminism to Europe, examining the politics of the body in relation to its environment, culture and society. This book showcases individual works by Valie Export and reflects on ways to transpose them into the present and pursue their political potential. The contributors touch on questions of identity and difference as well as the possibilities of communication and the refusal to communicate; the self-positioning of women, gender-nonconforming and disabled people in the fields of art, film and media; and the works' frames of reference--war, division, fragmentation, objectification and nonbelonging. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the 20th and 21st centuries. The leitmotif of her painting, the act of rendering her "body awareness" visible found additional expression in film in the early 1970s. During her time in New York, Lassnig studied animation at the School of Visual Arts and began to film in 8mm and 16mm. While several of these New York films have long since been part of her canonical works (e.g. Selfportrait, Iris, Couples, Shapes), many remained unfinished. These "films in progress" can be regarded as autobiographical notes as well as an artistic experiment featuring many of Lassnig's recognizable sujets and methods. In 2018, this filmic legacy was restored and in many cases completed according to Lassnig's original concept and instructions by two close collaborators, artists Hans Werner Poschauko and Mara Mattuschka, and presented to great international acclaim.This English-language publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own previously unpublished notes. It also includes a selection of Lassnig's "films in progress" on DVD. Two essays by James Boaden and Stefanie Proksch-Weilguni place Lassnig's work in the context of the US-American film avant-garde of the 1970s, while conversations with Mara Mattuschka, Hans Werner Poschauko and the restoration team shed a light on the rediscovery of Lassnig's fascinating films.

Condition: New. 2021. Paperback. . . . . .

Condition: New.

Condition: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. paperback/dvd edition. 189 pages. 10.25x7.50x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.