Published by Academic Journal Offprint from: - The Georgian Group Journal, Volume 15, 2005., 2005
Seller: Nar Valley Books & Prints, King's Lynn, United Kingdom
8pp, 2 figs, Printed Card Cover, VGC,
Published by Maison des Sciences de l'Homme, 2013
ISBN 10: 2735116166 ISBN 13: 9782735116164
Seller: JLG_livres anciens et modernes, Saint Maur des Fossés, France
Association Member: ILAB
Condition: Très bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.
Published by Deutscher Kunstverlag Dez 2019, 2019
ISBN 10: 3422900004 ISBN 13: 9783422900004
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - Die Entwicklung und der Wandel von Stilen wird üblicherweise als Prozess verstanden, der von Menschen ausgeht: dem Künstler, dem Sammler und manchmal dem angesprochenen Publikum. Dieses Buch bietet eine andere Perspektive auf den Stilwandel, ausgehend vom Vorhandensein und der 'Agency' von Artefakten. Angeregt von neuen Konzepten in der Archäologie und Psychologie konzentriert sich die Studie auf die Jahrzehnte um 1800 und rekonstruiert die Entstehung des Klassizismus, der durch das Aufkommen neuer 'object scapes' in Rom und Paris geformt wurde, die wiederum Folge des massiven Austauschs von Objekten in einer Phase des politischen Umbruchs der Jahre 1789 bis 1815 waren. Die Verfasserin erklärt den Stilwandel, indem sie über künstlerische und ästhetische Kriterien hinausgeht. Im Zentrum dieser Untersuchung steht dabei Piranesis Museo mit seinen dort entstandenen Artefakten.
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Published by Wiley-Blackwell, 2011
ISBN 10: 1444339028 ISBN 13: 9781444339024
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition.
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Published by Cambridge University Press, 2010
ISBN 10: 0521154413 ISBN 13: 9780521154413
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: LikeNew. Most items will be dispatched the same or the next working day.
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Published by Sandstein, 2018
ISBN 10: 3954984164 ISBN 13: 9783954984169
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
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Published by Taylor & Francis Group, 2022
ISBN 10: 1138356816 ISBN 13: 9781138356818
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Leiden University Press, 2014
Seller: HAUNTED BOOKSHOP P.B.F.A., CAMBRIDGE, CAMBS, United Kingdom
Association Member: PBFA
Soft cover. Condition: Fine. No Jacket. Black & white illustrations. All clean and firm inside and out. No creasing to spine. Minimal wear.
Published by Bloomsbury Visual Arts, 2022
ISBN 10: 1350205370 ISBN 13: 9781350205376
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
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ISBN 10: 9073941164 ISBN 13: 9789073941168
Seller: Frans Melk Antiquariaat, HILVERSUM, Netherlands
Stichting Amsterdamse Historische Reeks, 1997. Paperback / Softcover. 24 x 16 cm. 196 pag. Naam op schutblad anders ALS NIEUW [Art / theory ].
Published by Sandstein, 2018
Seller: HAUNTED BOOKSHOP P.B.F.A., CAMBRIDGE, CAMBS, United Kingdom
Association Member: PBFA
Hardcover. Condition: Fine. No Jacket. Colour illustrations. Clean and firm inside and out. minimal wear, fine.
Published by Routledge -, 2019
ISBN 10: 1138710679 ISBN 13: 9781138710672
Seller: Chiron Media, Wallingford, United Kingdom
Condition: New.
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Published by Cambridge University Press, 2014
ISBN 10: 1107687853 ISBN 13: 9781107687851
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Condition: New.
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Published by Architectura & Natura, 2010
ISBN 10: 9076863830 ISBN 13: 9789076863832
Seller: Art Data, London, United Kingdom
Hardcover. Condition: Brand New. Hardcover.Width: 13 cm. Height: 20cm. 64 pages. English text.
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Published by Cambridge University Press, 2007
ISBN 10: 0521844355 ISBN 13: 9780521844352
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by De Gruyter & Ecole du Louvre., Berlin/Paris., 2017
Seller: Peter Moore Bookseller, (Est. 1970. PBFA, BCSA), Cambridge, United Kingdom
Association Member: PBFA
First Edition
Hardcover. Condition: Very Good. No Jacket. 1st Edition. 292pp. 24cm. Black and white illustrations in the text. Notes. Bibliography. Index. Hard cover. A very good clean copy.
Published by Oxford University Press
Seller: Academic Book Solutions, Medford, NY, U.S.A.
hardcover. Condition: LikeNew. Used Like New, no missing pages, no damage to binding, may have a remainder mark.
Published by CUP 1995, 1995
Seller: Antiquariat Thomas & Reinhard, Recklinghausen, NRW, Germany
Leinen, 245 Seiten, Originalschutzumschlag, das Buch ist sehr gut erhalten--- Linen, 245 pages original jacket, the book is in a very good condition. Shipping to abroad insured with tracking number.
Published by Dresden: Sandstein 2018., 2018
Seller: Antiquariat Bergische Bücherstube Mewes, Overath, Germany
192 S., 51 meist farbige Abb. Kart. *Text englisch*. *neuwertig* The display of artefacts always implies an external mediation that influences, and often codifies, the reception of the exhibits. Objects are manipulated, restored, appropriated, staged, in short displayed, through various representational strategies that include pedestals, labels, and showcases. These elements, that we could define as parerga, are often ignored because of their utilitarian function. Yet, they play an important role in the history of the artefacts and define the setting in which the objects can exert their agency. They not only shape their meaning, but also determine the effect that these artefacts have on their viewers. Framing devices create the conditions for interactions between the individual and the object to take place. This publication aims to explore the relation between artefacts and viewers as they are manifested in framing devices, and to develop a new theoretical framework for thinking about the power of objects on display.
Published by Ashgate Publishing Limited, 2003
ISBN 10: 0754603156 ISBN 13: 9780754603153
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
Condition: Used - Very Good. VG paperback. A clean, tidy copy.
Published by Leiden University Press, 2013
ISBN 10: 9087281390 ISBN 13: 9789087281397
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
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Published by Ashgate Publishing, 2005
ISBN 10: 0754634280 ISBN 13: 9780754634287
Seller: Hunter Books, Burnham, BUCKS, United Kingdom
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. UK hardback first impression. Fine in near fine jacket with a little dustiness. SLIGHTLY HEAVIER THAN AVERAGE - THERE MAY BE EXTRA POSTAGE OUTSIDE THE UK - THANKS.
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Published by Oxford University Press, 2023
ISBN 10: 0192845667 ISBN 13: 9780192845665
Seller: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condition: new.
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Published by Architectura & Natura Press, 1994
ISBN 10: 9071570290 ISBN 13: 9789071570292
Seller: De Boeken van Wouter, Amsterdam, NEDER, Netherlands
ZB 36-10 061022.
Published by Ashgate Publishing Ltd, 2005
ISBN 10: 0754634280 ISBN 13: 9780754634287
Seller: Salish Sea Books, Bellingham, WA, U.S.A.
Condition: Good. Good+ in a Very Good dust jacket; Hardcover; Withdrawn library copy with the standard library markings; Clean jacket with no tears (Now fitted with a new, Brodart jacket protector); Minor wear to the boards; Library stamps to endpapers; Text pages clean & unmarked; Excellent binding with a straight spine; This book will be stored and delivered in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); Black dust jacket with title in white lettering; 2005, Ashgate Publishing Ltd; 304 pages; "Dealing With The Visual: Art History, Aesthetics And Visual Culture (Histories of Vision)," by Caroline Van Eck & Edward Winters.
Published by Musée du Quai Branly jacques Chirac, 2017
ISBN 10: 2357440953 ISBN 13: 9782357440951
Seller: Okmhistoire, St Rémy-des-Monts, SARTH, France
First Edition
Couverture souple. Condition: Comme neuf. Edition originale. Paris 2017. 1 Volume/1. -- Comme Neuf -- Broché cousu . Couverture illustrée . Format 30 x 24 cm )( gr ). ------ 270 pages . 90 Illustrations. ********************* Présentation éditeur : "" L architecte allemand Gottfried Semper (1803-1879), qui construisit l opéra de Dresde, le Polytechnikum de Zurich et le Burgtheater de Vienne découvrit à partir de 1826 à Paris les collections naturalistes du Jardin des Plantes. Il s intéressa alors au rapport entre formes végétales et minérales et ornements architecturaux, devenant un fervent défenseur de la « thèse de la polychromie ». Il se rendit en Italie puis en Grèce, où il examina trois ans durant (1830-1833) les temples et édifices antiques à la recherche de vestiges de couleur. Dès ses premiers écrits, il bouscula les hiérarchies admises entre architecture et décor, support et revêtement, forme et ornement, et promut une pensée du matériau qui n était pas l antithèse mais le corrélat paradoxal d une pensée de l immatérialité de la couleur. Pour Semper, l existence d une polychromie de l architecture et la sculpture antiques fondait une réinterprétation profondément neuve des fonctions de l architecture, qui engageait une anthropologie des constructions humaines, de leurs formes et de leurs techniques. En 1834, Semper retourna en Allemagne où il devint directeur de l Ecole d architecture et mena une carrière brillante, brutalement interrompue par la révolution de 1849, à laquelle il prit une part active aux côtés de son ami Richard Wagner ; il conçut à cette occasion un modèle de barricades demeuré fameux. Ses convictions républicaines l entraînèrent sur la voie de l exil. Il se réfugia à Paris puis s installa à Londres. Ce séjour en Angleterre marqua un tournant dans sa théorie : en approfondissant sa connaissance des « arts industriels », il en vint à déceler en eux la matrice des arts monumentaux et des « beaux-arts ». Sa réflexion sur la polychromie entra alors dans une nouvelle phase : le primat historique des textiles suspendus, notamment des tapis utilisés comme cloisons temporaires dans les habitats mobiles des nomades devint la clé de la polychromie architecturale ; les peintures murales et autres décors de revêtement en couleur portaient dans leurs formes et leur agencement la mémoire de cette origine textile. Cette découverte décisive est exposée dans les deux volumes du Style (Der Stil), le texte majeur de Semper (1860 et 1863). Le premier, L Art textile, étudie les rapports entre décor ornemental et structure du bâti dans différentes cultures et plusieurs époques : « Nouvelle Zélande et Polynésie ; Chine ; Inde ; Mésopotamie ; Phénicie et Judée ; Egypte. Ancien et Nouvel Empire ; Asie Mineure ; Grèce ; Grèce ; Rome ; Epoque chrétienne en Occident, en Orient ; Renaissance ». Cette expansion de l espace de référence de l histoire de l architecture a fait dire de Semper qu il fut un des premiers hérauts des « arts primitifs ». Ce numéro de Gradhiva entend cerner les apports de Semper à une anthropologie de l architecture et de l habitat, et amorcer une lecture nouvelle de Der Stil, dont nous livrons des extraits inédits de la première traduction française, actuellement en préparation. "" ***************************** ref.
Published by DE GRUYTER, BOSTON, 2017
ISBN 10: 3110406918 ISBN 13: 9783110406917
Seller: Art&Libri Firenze, FIRENZE, FI, Italy
Brossura. Condition: come nuovo. Dust Jacket Condition: come nuovo. Boston, De Gruyter, 2017. Cm. 18x25, pag. 291, fig. in nero, cart.
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Originally published in France in 1745, this is the first English translation of the book by Boffrand, who was considered to be of the major and greatly talented French architects of the early 18th century. Among his projects are town and country houses for the upper classes and also mines, bridges, and hospitals. With a critical introduction and notes by van Eck. First English edition. 26 cm; pp. xxxii, 106; illustrated from engravings. Short closed tear to top edge of dust jacket; else a very good copy or better in ivory boards.
Published by Routledge, 2017
ISBN 10: 1138710725 ISBN 13: 9781138710726
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 282 pages. 9.53x6.22x0.79 inches. In Stock.
Published by De Gruyter, 2015
ISBN 10: 3110345412 ISBN 13: 9783110345414
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. Although over the past 20 years the catalogue of individual cases of such behavior towards art has increased immensely, there are few attempts at formulating a theoretical account of them, or writing the history of how such responses were considered, defined or understood. That is what this book sets out to do: to reconstruct some crucial chapters in the history of thought about such reflections in Western Europe, and to offer some building blocks towards a theoretical account of such responses, drawing on the work of Aby Warburg and Alfred Gell.