David Antin (290 results)

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condition: Very Good. Clean, sturdy, unmarked copy in very good condition. Slight edge and corner wear. SZ.

paperback. Condition: Good. Ex-Library copy, Has Heavy shelf wear, but still a good reading copy A portion of your purchase of this book will be donated to non-profit organizations.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Soft cover. Condition: Good. Good-Very Good. No clipped or missing pages. All pages clean. Most pages undamaged (a few have a little wear along the lower edge). A little foxing to outer page edges. Light soiling to front cover. A 1" tear from the bottom edge along the seam between front cover and spine. Very little wear otherwise. The magazine will be backed with cardboard and carefully packed in a sturdy box to ensure safe transit. This issue includes: "Art Attack!" by Carrie Rickey; "Moving Downtown: LA's Museum of Contemporary Art: An Update" Sarah McFadden; "The Writing on the Wall" by Carrie Rickey; "Bricks, Brushes and Barbells" by Peter Clothier; "Pasadena Pluralism: The Painting '70s" by Walter Gabrielson; "James Turrell: The Art of Deception: The sensuous appeal of Turrell's 'perceptual environments' is counterpoised by their distinctly ironic stance" by Nancy Marmer; "Of Earthly Objects and Stellar Sights: Vija Celmins: From her early disaster series to her recent panoramic views of nature, Celmins has pursued a resonant balance of image and technique" by Richard Armstrong; "The Real Thing: Wherein the author, upon viewing a collection of Impressionist pictures, ruminates on the topic of authenticity in both art and experience" by David Antin; "Turner: The Chastened Sublime: A recent exhibition of watercolors mounted at Yale presented the artist in a distinctly 18th-century light" by Brooks Adam; "Flicks and Tapes: Although the selection was decidedly conservative, this year's Whitney Biennial devoted an unprecedented amount of space to film and video" by Ann-Sargent Wooster; "Telling Stories: John Baldessari's genuinely funny art is rooted in a certain kind of calculated duplicity" by Craig Owens; "Review of Books"; "Photography: Daguerre's Progeny" by Pepe Karmel; "Artworld"; "The Pasadena Case" by Hunter Drobojowska and "Review of Exhibitions: New York".

Condition: New.

Paperback. Condition: new. Paperback. "If someone came up and started talking a poem at you how would you know it was a poem?" So begins David Antin's Talking, a collection of writings that defy classification. Combining a passion for storytelling and improvisation with a unique sensitivity to the relationship between verbal and written language, Antin creates a work that is hilarious and intelligent, making use of techniques of poetry, fiction, theater, autobiography, and cultural criticism. Originally published in 1972, the four pieces collected here center on political, social, and artistic concerns that were both timely and ahead of their time. In them we see Antin's real poetic achievement: the creation of new artistic forms. — Talking bridges the stylistic gap between David Antin's early experimental poems and the "talk pieces" for which he is most well-known. Combining one poem with two improvisations and his first published talk-poem, Talking is a unique book that cannot be classified as solely poetry, fiction or criticism. Infusing the lyricism of poetry with the compelling pull of the spoken voice, this collection is a testament to David Antin's reputation as one of the most influential artists of the contemporary era. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Condition: Very Good. Light shelfwear. Pages clean and tight. 190 pages. Introduction by Marjorie Perloff.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very good hard cover edition with very good dust jacket.1st Edition. 1st Printing. Clean. Tight binding. No markings. 419 pages.

Condition: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good. Good. Used with wear and markings but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condition: Very Good. Contains academic markings and student notes in this nice reading/research copy.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Used: Like New.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. VERY GOOD CONDITION, clean, solid,bright; orange & red,green titles on GLOSSY grey paper covers.; 296pg pages; Essays discuss the distinctive features of video, ideology and broadcasting, video aesthetics, art and entertainment, filmgoing, and satellite communications.

Paperback. Condition: New.

Paperback. Condition: Very Good. No Jacket. This book is in very good condition with tight binding and clean text. Size: 8vo - over 7¾" - 9¾" tall.

Condition: Good. - Octavo, softcover bound in decorative black-and-white wrappers. There is light staining to the wraps along the spine with additional staining to the top edge of the rear wrap & soiling to its upper half. The spine is darkened. Title & pages 194-[288]. There are a few small stains to the fore-edge with tiny stains to the top corners of several pages. Good.

Paperback. Condition: Very Good. University of California Press, 2004. Trade paperback in VG condition; a nice clean copy.

viii + 190 pp. Near fine in glossy illustrated wrappers. Introduction by Marjorie Perloff, afterword by Antin. First printing of this edition (originally published in 1972).

First printing (per publisher's number line upon copyright page). xxii, 250 pages. Hardcover: H 24.75cm x L 22.25cm. Dust jacket lightly rubbed; dj now presented in a mylar protector. White cloth. Interior pages are bright and clean. Binding is firm. A fine copy in a fine dust jacket. With Foreword "Allan at Work" by David Antin, Introduction, b/w and color illustrations, Epilogue, Acknowledgements, Notes, List of Illustrations, and Index. ISBN 0520236718.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.