Braiterman Zachary (38 results)

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Boards and dust jacket show minor wear to edges and corners.; Signed by author on endpaper. Boards are square, flat and clean. Tight binding. Text body is clean and unmarked. Dust jacket has been placed in removeable protective cover.; God; 9.1 X 6.2 X 0.7 inches; 204 pages; Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Decent overall copy Braiterman's study of the aesthetics of early German modernism in conversation with the writings of Jewish philosophers Martin Buber and Franz Rosenzweig. The works of Wassily Kandinsky, Paul Klee, Franz Marc, and others illustrate this study of the spiritual in art of the early 20th century. Hardcover, 9.5" x 6", 352 pgs including 20 colour plates. Binding solid and square. Interior clean and unmarked. Boards clean and firm, though moderately bumped at bottom corners of both front and back board, as well as at the bottom edge of the rear board towards the base of spine. These bumps apparent on DJ as well in corresponding areas. Other than that dust jacket just minorly shelf-worn with some light rubbing and creasing at bottom edges and corners of front panel, now in brodart. Overall a clean and decent of this great resource.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

(God) After Auschwitz. Tradition and Change in Post-Holocaust Jewish Thought. Cloth with dustjacket. 208 pp. Bibliography. Fine copy. ISBN 9780691059419.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0691059411.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0691059411.

Hardcover. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

hardcover. Condition: new.

Condition: Very good.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days. 649.

Condition: New. pp. 352.

Condition: New. The Shape of Revelation highlights the image of form-creation, sheer presence, lyric pathos, rhythmic repetition, open spatial dynamism, and erotic pulse unique in the work of Martin Buber, Franz Rosenzweig, and German Expressionism in order to explore the overlap between revelation and aesthetic shape from the perspective of Judaism. Series: Stanford Studies in Jewish History and Culture. Num Pages: 352 pages, 29 illustrations. BIC Classification: HPN; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 5817 x 3887 x 20. Weight in Grams: 617. . 2007. Illustrated. Hardcover. . . . .

Hardback. Condition: New. The impact of technology-enhanced mass death in the twentieth century, argues Zachary Braiterman, has profoundly affected the future shape of religious thought. In his provocative book, the author shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. The author terms this rejection "Antitheodicy," the refusal to accept that relationship. It finds voice in the writings of three particular theologians: Richard Rubenstein, Eliezer Berkovits, and Emil Fackenheim. This book is the first to bring postmodern philosophical and literary approaches into conversation with post-Holocaust Jewish thought. Drawing on the work of Mieke Bal, Harold Bloom, Jacques Derrida, Umberto Eco, Michel Foucault, and others, Braiterman assesses how Jewish intellectuals reinterpret Bible and Midrash to re-create religious thought for the age after Auschwitz. In this process, he provides a model for reconstructing Jewish life and philosophy in the wake of the Holocaust.His work contributes to the postmodern turn in contemporary Jewish studies and today's creative theology.

Condition: New. pp. 352.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Argues that the impact of technology-enhanced mass death in the twentieth century has affected the future shape of religious thought. This book shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. Num Pages: 204 pages, 2 halftones. BIC Classification: HBJD; HBTZ1; HRJ; HRLB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 14. Weight in Grams: 457. . 1998. First Edition. Hardcover. . . . .

Hardcover. Condition: Brand New. 1st edition. 300 pages. 9.00x6.25x1.00 inches. In Stock.

Condition: New. The Shape of Revelation highlights the image of form-creation, sheer presence, lyric pathos, rhythmic repetition, open spatial dynamism, and erotic pulse unique in the work of Martin Buber, Franz Rosenzweig, and German Expressionism in order to explore the overlap between revelation and aesthetic shape from the perspective of Judaism. Series: Stanford Studies in Jewish History and Culture. Num Pages: 352 pages, 29 illustrations. BIC Classification: HPN; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 5817 x 3887 x 20. Weight in Grams: 617. . 2007. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days. 515.

hardcover. Condition: Very Good. Modest shelfwear to cover, clean pages and sound binding.

Condition: New. Argues that the impact of technology-enhanced mass death in the twentieth century has affected the future shape of religious thought. This book shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. Num Pages: 204 pages, 2 halftones. BIC Classification: HBJD; HBTZ1; HRJ; HRLB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 14. Weight in Grams: 457. . 1998. First Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condition: New. The impact of technology-enhanced mass death in the twentieth century, argues Zachary Braiterman, has profoundly affected the future shape of religious thought. In his provocative book, the author shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. The author terms this rejection "Antitheodicy," the refusal to accept that relationship. It finds voice in the writings of three particular theologians: Richard Rubenstein, Eliezer Berkovits, and Emil Fackenheim. This book is the first to bring postmodern philosophical and literary approaches into conversation with post-Holocaust Jewish thought. Drawing on the work of Mieke Bal, Harold Bloom, Jacques Derrida, Umberto Eco, Michel Foucault, and others, Braiterman assesses how Jewish intellectuals reinterpret Bible and Midrash to re-create religious thought for the age after Auschwitz. In this process, he provides a model for reconstructing Jewish life and philosophy in the wake of the Holocaust.His work contributes to the postmodern turn in contemporary Jewish studies and today's creative theology.

Buch. Condition: Neu. Neuware - The Shape of Revelation explores the overlap between revelation and aesthetic form from the perspective of Judaism. It does so by setting the Jewish philosophy of Martin Buber and Franz Rosenzweig alongside its immediate visual environment in the aesthetics of early German modernism, most notably alongside 'the spiritual in art' as it appears in the art and art theories of Wassily Kandinsky, Paul Klee, and Franz Marc. The modern shape of revelation-and 'the spiritual in art' that emerges from this conversation-builds upon a vocabulary of form-creation, sheer presence, lyric pathos, rhythmic repetition, open spatial dynamism, and erotic pulse that was unique to Germany in the first quarter of the twentieth century. This study works to identify and critically assess the sensual root that is brought to bear upon the modern image of revelation and 'the spiritual in art.'.

Hardcover. Condition: Like New. Like New. Ships from Multiple Locations. book.

Cartonato. Condition: new. Cambridge, 2012; hardback. Libro.

Buch. Condition: Neu. Neuware - The impact of technology-enhanced mass death in the twentieth century, argues Zachary Braiterman, has profoundly affected the future shape of religious thought. In his provocative book, the author shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. The author terms this rejection 'Antitheodicy,' the refusal to accept that relationship. It finds voice in the writings of three particular theologians: Richard Rubenstein, Eliezer Berkovits, and Emil Fackenheim.This book is the first to bring postmodern philosophical and literary approaches into conversation with post-Holocaust Jewish thought. Drawing on the work of Mieke Bal, Harold Bloom, Jacques Derrida, Umberto Eco, Michel Foucault, and others, Braiterman assesses how Jewish intellectuals reinterpret Bible and Midrash to re-create religious thought for the age after Auschwitz.In this process, he provides a model for reconstructing Jewish life and philosophy in the wake of the Holocaust. His work contributes to the postmodern turn in contemporary Jewish studies and today's creative theology.