Bendix John (66 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.66.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Good. The journal's binding is secure. Pages are clean, unmarked, and undamaged. Uneven coloring to the exterior covers from light exposure. Trace of soiling in places on the book's outer covers. Slight rubbing to front and back covers. Light wear to edges of front and back covers, spine. One light crease in the front cover. The journal will be bubble-wrapped and shipped in a sturdy box to ensure safe transit. This issue includes: "Macrolevel Theory and Local-Level Inequality: Industrial Structure, Institutional Arrangements, and the Political Economy of Redistribution, 1970 and 1990" by Linda Lobao, Jamie Rulli and Lawrence A. Brown; "Authenticity on the Ground: Engaging the Past in a California Ghost Town" by Dydia DeLyser; "Labor Location, Conservation, and Land Quality: A Case Study of West Jilin, China" by Lee Liu; "Place, Distance, and Environmental News: Geographic Variation in Newspaper Coverage of the Spotted Owl Conflict" by Jacob Bendix and Carol Liebler; "On Methodology in Physical Geography: Current Status, Implications, and Future Prospects" by Barnard O. Bauer; "Old Methodological Sneakers: Fashion and Function in a Cross-Training Era" by Bernard O. Bauer, Thomas T. Veblen, and Julie A. Winkler; "Methodology in Geomorphology: Traditions and Hypocrisy" by Douglas J. Sherman; "A Room with a View: Some Geographic Perspectives on Dilettantism, Cross-Training, and Scale in Hydrology" by Katherine K. Hirschboeck; "Particulars in Context: Maintaining a Balance in Soil Geography" by Linda Barrett; "Methodology in Climatology" by Andrew M. Carleton; "Dynamic Modeling, Geostatistics, and Fuzzy Classification: New Sneakers for a New Geography?" by John P. Wilson and Peter A. Burrough; "Considering Complexity" by George Malanson; "Methodology, Scale and the Field of Dreams" by Jonathan D. Phillips; "Beyond Pragmatism: The Value of Philosophical Discourse for Physical Geography" by Bruce Rhoads; "Afterword: A Shoe for All Occassions or Shoes for Every Occassion: Methodological Diversity, Normative Fashions, and Metaphysical Unity in Physical Geography" by Bernard O. Bauer, Julie A. Winkler and Thomas T. Veblen.

Soft cover. Condition: Good. All pages clean and unmarked. Several vertical scratch marks on the front cover. Previous owner's name written in the upper right corner of the front cover. Slight rubbing to the back cover. Spine is not creased. Light wear to edges of covers and spine. All pages bent a little in the lower right corner. Will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit. This issue includes: Macrolevel Theory and Local-Level Inequality: Industrial Structure, Institutional Arrangements, and the Political Economy of Redistribution, 1970 and 1990 by Linda Lobao; Jamie Rulli and Lawrence A. Brown; Authenticity on the Ground: Engaging the Past in a California Ghost Town by Dydia DeLyser; Labor Location, Conservation, and Land Quality: A Case Study of West Jilin, China by Lee Liu; Place, Distance, and Environmental News: Geographic Variation in Newspaper Coverage of the Spotted Owl Conflict by Jacob Bendix and Carol Liebler; On Methodology in Physical Geography: Current Status, Implications and Future Prospects by Bernard O. Bauer; Thomas T. Veblen and Julie A. Winkler; Methodology in Geomorphology: Traditions and Hypocrisy by Douglas J. Sherman; A Room with a View: Some Geographic Perspectives on Dilettantism, Cross-training, and Scale in Hydrology by Katherine K. Hirschboeck; Particulars in Context: Maintaining a Balance in Soil Geography by Linda Barrett; Methodology in Climatology by Andrew M. Carleton; Dynamic Modeling, Geostatistics, and Fuzzy Classification: New Sneakers for a New Geography? by John P. Wilson and Peter A. Burrough; Considering Complexity by George Malanson; Methodology, Scale, and the Field of Dreams by Jonathan D. Phillips; Beyond Pragmatism: The Value of Philosophical Discourse for Physical Geography by Bruce Rhoads; Afterword: A Shoe for All Occasions or Shoes for Every Occasion: Methodological Diversity, Normative Fashions, and Metaphysical Unity in Physical Geography by Bernard O. Bauer, Julie A. Winkler and Thomas T. Veblen; plus many book reviews.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condition: New.

Encuadernación de tapa dura. Condition: Bien. VV.AA. (illustrator). 1? Edición. Tapa dura. Buen estado. 731 ilustraciones de ellas 234 en color. 497 fotografías, dibujos, gráficos y mapas. Dirigida por Alan Bullock. Gran formato. Historia. Historia del arte.

4°, Olwd. OU. 125 S. mit s.-w. phot. Abb., Standardwerk zur Institution der Landsgemeinde in den Schweizer Kantonen Appenzell Ausser- und Innerrhoden. Quelle: ar ch appenzell-ausserrhoden - Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 775.

Soft cover. Condition: VG+. A fair to good 22" x 28" original release half sheet. Poster.

No Binding. Condition: VG. A lot of six VG or better original release 8 x 10 stills. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG. A VG folded pressbook with no cuts. Size: 12" x 15". Book.

Untertitel: Morgens-Ein Schuss in den Nebel-Zwei Welten-Hier sollten Rosen blühen-Die Pest in Bergamo-Frau Fönss Untergebiet: Helvetica Abbildungen: Zahlr. Abb., Photos etc. Zustand: Ungebrauchter guter Zustand Seiten: 125 S. Format: 4°. Einband: Ln. Gebiet: Appenzell.

4°, 125 S., Oln. Mit zahlreichen farbigen und SW-Abb. - Mit SU, Zustand gut. / HINWEIS: Versand nach Deutschland und die EU (14-täglich) ab Konstanz EU-verzollt: Keine Gebühren für den Empfänger! / IMPORTANT: Shipments to EU-Countries duty-payd from Germany: No fees to the consignee! / IMPORTANTE: Spedizioni verso paesi UE sdoganate dalla Germania: nessuna tassa per il destinatario! Sprache: Deutsch 1100 gr.

Revised Final Draft script for the 1947 film, in maroon leather presentation binding belonging to William Bendix, with his name in gilt on front board, and title in gilt on spine. William Bendix was an American stage, film, radio, and television actor who is best remembered as one of television's archetypal patriarchs, the blundering Chester A. Riley in "The Life of Riley," first on the 1944-1951 ABC and NBC radio serial, then in the 1949 film, directed by Irving Brecher, then finally in the 1953-1958 NBC television series. Bendix was nominated for an Academy Award in 1942 for his supporting role in the WWII drama "Wake Island," directed by John Farrow. Based on the 1944 short story by Nelia Gardener White, published in the June 1944 issue of Good Housekeeping. Remade in 1958, under the title "The Gift of Love," directed by Jean Negulesco, and starring Lauren Bacall and Robert Stack. Actress Julie Beck (Maureen O'Hara), upon learning of a potentially fatal heart condition, adopts a young orphan, Hitty, in the hopes of comforting her husband, Bill (John Payne), when she dies. Shot on location in Laguna Beach, California. Maroon three quarter leather binding over brown leather boards with title in gilt on spine and William Bendix in gilt on lower right of front board with endpapers crediting BooKraft Hollywood. Title page present, dated August 24, 1945, noted as Revised Final, with credits for screenwriters Samuel Hoffenstein and Betty Reinhardt. 130 leaves, with last page of text numbered 129. Mimeograph duplication, rectos only. Pages Near Fine, leather binding Near Fine.

Draft script for the 1958 film. Based on the 1953 novel by Martin Dibner. A pacifist naval officer experiences conflict with his shipmates over his refusal to fire upon an unidentified plane, and volunteers for a dangerous mission in an attempt to prove his bravery. Red titled wrappers. Title page present, with credits for screenwriters John Twist and Martin Rackin. 126 leaves, with last page of text numbered 125. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads.

Draft script for the 1942 film, in maroon leather presentation binding belonging to William Bendix, with his name in gilt on front board, and title in gilt on spine. Copy lacking last part of Sequence "C" and Sequence "D," possibly due to reports that multiple endings had been considered and filmed, due to the uncertain course of the war. William Bendix was an American stage, film, radio, and television actor who is best remembered as one of television's archetypal patriarchs, the blundering Chester A. Riley in "The Life of Riley," first on the 1944-1951 ABC and NBC radio serial, then in the 1949 film, directed by Irving Brecher, then finally in the 1953-1958 NBC television series. Bendix was nominated for an Academy Award in 1942 for his supporting role in the WWII drama "Wake Island," directed by John Farrow. Preceding the script is a note asserting the "extremely confidential information supplied by the US Marine Corps" in the script, emphasizing that it is not to be taken out of the studio unless absolutely necessary, nor is it to be read by or discussed with any unauthorized persons. The script, written just a few months after the fall of Wake Island to Japanese forces, was based on (then confidential) official Marine records, and was sent to the Marines for approval prior to filming. The first major Hollywood film on the US entry into WWII. Nominated for four Academy Awards, Best Picture, Best Director, Best Original Screenplay, and Best Supporting Actor for Bendix. Shot on location in Salt Lake City, Utah, and in Coachella Valley, San Diego, and Salton Sea, California. Maroon three quarter leather binding over brown leather boards with title in gilt on spine and William Bendix in gilt on lower right of front board with endpapers crediting BooKraft Hollywood. Title page integral with first page, dated 3-24-42, with credits for screenwriter Frank Butler. 104 leaves, with last page of text numbered A-6. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 4-9-42 and 4-15-42. Pages Near Fine, leather binding Near Fine.

Draft script for the 1942 film, with annotations in manuscript pencil on three pages regarding action and character. Final 25 pages bound separately, likely due to reports that multiple endings had been considered and filmed, due to the uncertain course of the war. Laid in following script are four blue revision pages. Housed in a black spring binder with two "Property of Paramount Pictures Inc." stamps on labels on verso of front board. Second page of script is a "Note" asserting the "extremely confidential information supplied by the US Marine Corps" in the script, emphasizing that it is not to be taken out of the studio unless absolutely necessary, nor is it to be read by or discussed with any unauthorized persons. The script, written just a few months after the fall of Wake Island to Japanese forces, was based on official Marine records, then confidential, and was sent to the Marines for approval prior to filming. Based on the World War II Battle of Wake Island, which began hours after the attack on Pearl Harbor, and ended on December 23, 1941. The first major Hollywood film on the US entry into WWII. US Marines, stationed on Wake Island, are suddenly attacked by overwhelming Japanese troops, and courageously stave off the enemy for as long as they can. Nominated for four Academy Awards, Best Picture, Best Director, Best Screenplay, and Best Supporting Actor for William Bendix. Shot on location in Salt Lake City, Utah and Coachella Valley, San Diego, and Salton Sea, California. Untitled black wrappers. Title page present, dated March 24, 1942, with credits for screenwriter Frank Butler. 124 leaves, with last page of text numbered D-45. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 4-9-42, and laid in blue revision pages dated 4-25-42. Pages Near Fine, (unattached) wrapper Near Fine, bound with two gold brads, except final 25 pages, bound with staple to upper left. Spring binder, Very Good plus.