Published by Ottawa Art Gallery, 2005
ISBN 10: 1894906160 ISBN 13: 9781894906166
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
Hardcover. Condition: Very Good. Very Good Condition- May show some limited signs of wear and may have a black line or red dot on edge of pages. Pages and dust cover are intact and not marred by notes or highlighting.
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Published by Ottawa Art Gallery, Ottawa, 2005
Seller: Montreal Books, Westmount, QC, Canada
Hardcover. Condition: Fine (Book Condition). [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.
Published by Toronto: The Power Plant, 1988
Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
48 S., broschiert. Condition: Wie neu. When Renee Baert approached us with her initial proposal for an exhibition at The Power Plant, we were intrigued by her curatorial approach and thesis. We felt that she had carved out an interesting area for exploration which held the potential for a thought-provoking exhibition. Over the past many months, she has pursued her research and investigations and has honed a tight and coherent selection of artworks which give rise to a thoughtful analysis. Baert posits the resurgence of the enchanting, pleasurable qualities of art, inextricably linked to the realm of disturbance as the commonality underlying the selection of works in the exhibition. She argues convincingly about the compelling presence of these artworks because of the inherent duality contained within them: simultaneous enchanting and disturbing qualities.Umschlag leicht berieben, sonst aber ein gutes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 550.
Published by Mendel Art Gallery, 2011
ISBN 10: 1896359760 ISBN 13: 9781896359762
Seller: Riverby Books, Fredericksburg, VA, U.S.A.
First Edition
Hardcover. Condition: Very Good. 1st Edition. Hardcover. Illustrated paper over boards with white lettering. Title page not dated. Copyright page dated 2011. 55 pages. In very good condition. Covers are clean and unmarked. A bit of gentle bumping at head of spine. Pages free of marks or tears. Color photographs throughout. Binding is strong. A very good, clean copy overall.
Published by Walter Phillips Gallery, 1993
ISBN 10: 0920159486 ISBN 13: 9780920159484
Seller: Frabjous Books, Calgary, AB, Canada
Soft cover. Condition: Very Good. 189 pp. "These essays propose challenging ideas about how the meaning of difference is made.and unmade." Illustrated. Covers rubbed along spine and edges. Otherwise a bright clean copy.
Published by Southern Alberta Art Gallery, Lethbridge, Alberta, 1990
ISBN 10: 0921613245 ISBN 13: 9780921613244
Seller: W. Lamm, Los Angeles, CA, U.S.A.
First Edition
Soft Cover. Condition: Near Fine. First Edition; First Printing. Numerous illustrations. With essays by Renee Baert and Don Goodes. Published on the occasion of the exhibition at the Southern Alberta Art Gallery, December 8, 1990 to January 20, 1991. ; As New. Tight, clean and crisp. A gently browsed book in excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; Square 12mo ; 79 pages.
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Published by Newzones Gallery of Contemporary Art Calgary, 1987
ISBN 10: 096888721X ISBN 13: 9780968887219
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 16 pages; very good condition, light rubbing to covers; no internal marks.
Published by Galerie Powerhouse, Montreal, 1989
Seller: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Soft cover. Condition: Very Good. Softcover. Some light corner wear. Otherwise clean, tight and unmarked. Very neat. Illustrated art exhibition catalogue. 32pp. Size: 4to - over 9¾ - 12" tall. Book.
Published by The Edmonton Gallery, 1998
ISBN 10: 0889501173 ISBN 13: 9780889501171
Seller: Ethan Daniel Books, Toronto, ON, Canada
Soft cover. Condition: Fine. Exhibition catalogue. Numerous colour reproductions. Essay by curator Baert. A fine copy with no marks to covers or inside pages. Appears unread. 36 pages. s69.
Published by Artculture Resource Centre, Toronto, 1986
Seller: Handbook, Toronto, ON, Canada
First Edition
Oblong 8vo, folded and stapled, illustrated card wrapper. Catalog of works illustrated with b/w video-stills throughout. Fair condition, has been folded, resulting in heavy crease to rear panel. Rare.
Published by Power Plant, Toronto, 1988
ISBN 10: 0921047444 ISBN 13: 9780921047445
Soft cover. Condition: Near Fine. No Jacket.
Published by Mendel Art Gallery, Saskatoon, 2011
ISBN 10: 1896359760 ISBN 13: 9781896359762
Hardcover. Condition: Near Fine. No Jacket. Text in French and English.
Published by Maclean-Hunter, Ltd. / Key Publishers, Toronto, 1991
First Edition
Single Issue Magazine. Condition: Good. First Edition. 80 pages. Features: Genevieve Cadieux's installations; Vancouver design collective Proto/zoan; Julie Voyce prints her heart out; The architectural interventions of Martha Fleming and Lyne Lapointe; Le Jardin Imaginaire; Kim Adams' vision of society; and more. Unmarked with average wear. A sound copy.
Published by Maclean Hunter / Key Publishers, Canada, 1990
First Edition
Paperback. Condition: Good. First Edition. 96 pages. Features: Men and guns and the Montreal Massacre; More space doesn't mean better museums; Genevieve Cadieux's installations; Vancouver design collective Proto/zoan; Julie Voyce; The architectural interventions of Martha Fleming and Lyne Lapointe; An exploration of gardens as living metaphors; Kim Adams' vision of society; and more. Moderate wear. Unmarked. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art Magazine, Spring 1990, Volume 7, Number 1 guns and the Montreal Massacre; More space doesn't mean better museums; Genevieve Cadieux's installations; Vancouver design collective Proto/zoan; Julie Voyce; The architectural interventions of Marth.