Art Language Michael Baldwin Terry (13 results)

Softcover staple-bound art journal, 34 pages; very good condition; except light wear to covers; and tiny rust stains to pages at gutter staples; no internal marks.

Softcover staple-bound art journal, 88 pages; very good condition: light toning to covers; no internal marks.

34 pp.; 21 x 15 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1972 issue of Art-Language. Contents include: "Some Questions on the Characterization of Questions," by Ian Burn and Mel Ramsden; "Information," by Terry Atkinson and Michael Baldwin; "Art Language and Art-Language," by Ian Burn and Mel Ramsden; "Interim Remarks," by Harold Hurrell; "Lupus in Fabula," by David Bainbridge and "In Reply," by Victor Burgin. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 75. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Very Good. Pale yellowing and dusting of covers with light edge wear. Fingerprint marking on verso. Contents clean and unmarked.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

57 pp.; 21.1 x 14.7 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February 1972 issue of Art-Language. Contents include: "Unnatural Rules and Excuses," by Terry Atkinson and Michael Baldwin; "Four Wages of Sense," by Ian Burn and Mel Ramsden; "Aspect of Authorities," by Philip Pilkington, David Rushton, and Kevin Lole; "On Material-Character / Physical-Object Paradigm of Art," by Terry Atkinson and Michael Baldwin and "Ontological Relativity: A Note," by Graham Howard. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 75. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Very Good. Yellowing and rubbing of covers with light edge wear. Contents clean and unmarked.

pp. (48). Artist book, signed by both artists on the inside front cover. According to both Germano Celant and Moeglin-Delcroix only 50 copies of this book were published. Atkinson considers various permutations of order on the meaning and logic of three concepts - the French army, the collection of men and machines and group of regiments. [Ref. Germano Celant - Book as artwork 1960/1972. p.67; Moeglin-Delcroix - Esthetique du livre d'artiste, p. 158. Printed Matter; Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek. Staatliche Museen zu Berlin, p. 90; Lippard - 6 Years: the dematerialization of the art object, p. 35]. Publisher's glossy white wrappers, stapled and with white sliding plastic spine. Small stain to front cover, otherwise a good copy.

pp. 99. Edition of 200 numbered copies, signed by both artists on the inside front cover. ÒÉ Atkinson and Baldwin produced the book Hot-Warm-Cool-Cold, in which semantic assumptions, classes of reverential categories, syntactical signs, terms, definitions of vocabulary, logic and the refusal of the object are brought together with the art object and the analysis of artÓ. (Germano Celant). [Ref. Germano Celant - Book as artwork 1960/1972. p.32; Moeglin-Delcroix - Esthetique du livre d'artiste, p. 37. Printed Matter; Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek. Staatliche Museen zu Berlin, p. 90]. Publisher's glossy white wrappers, stapled.

4to. (28 x 22 cm). Title page. half-title and 71 numbered sheets, printed on rectos only. Publisher's printed white wrappers, stapled. Slight staining to covers, and with discreet ex-library stamp to inner front cover. Artist book, published in an edition of 200 numbered copies, signed by both artists on verso of title page. Ten ethical propositions made by Baldwin and Atkinson are considered in depth. [Germano Celant - Book as artwork 1960/1972. p.84].

4to. (280 x 223 mm). pp. (44). Loose sheets as issued, bound in plain card wrappers with a sliding plastic spine. 'Olivet Discourse' from Art & Language. From the edition limited to 40 numbered copies, initialled by each of the artists on the title. [Germano Celant - Book as artwork 1960/1972. p.84; Printed Matter; Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek. Staatliche Museen zu Berlin, p. 90].

2 vol. : [1] pp. card ; envelope; 2 vol. : 13 x 19.4 cm. (card) ; 13.5 x 20 cm. (envelope); printed envelope; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Single sided card / announcement in a printed envelope published in conjunction with opening held June 22, 1971. Good / Very Good. Mailed copy with mailing marks and mailing wear on envelope and light bumping of corners of card. Moderate yellowing / discoloration of verso of envelope.

Softcover staple-bound art journal, 36 pages; very good condition: except 3-inch stain to bottom of cover; no internal marks.

Softcover staple-bound art journal, 70 pages; very good condition; light wear to covers; 3-inch stain to bottom of first and last couple pages; no internal marks.

Softcover staple-bound art journal, 52 pages; very good condition; light wear to covers; no internal marks.