Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Norway 1955, 1955
Seller: ART CONSULTING:SCANDINAVIA, Books on Art, Calabasas, CA, U.S.A.
English furniture, silver, glass and ceramics have been preserved in Norwegian homes and museums in considerable quantities. Most of these objects reflect the flourishing trade between the two countries, resting on the export of Norwegian timber to Britain. English mahogany chairs, lacquered cabinets, musical grandfather clocks, Wedgwood services and Sheffield plate kettles, adorned the homes of wealthy Norwegian merchants. This book presents numerous illustrations of many of such fine objects., Norwegian/ English , Year1955, Illust. B/W94, Illust. Color, ISBN , Code 2612. Softbound, Not in perfect condition, Index. Pages 143, Size 9 3/4öx7 1/2ö.
Published by Oslo, 1953., 1953
Seller: H.L. Mendelsohn, Fine European Books, Cambridge, MA, U.S.A.
Association Member: SNEAB
Book First Edition
Soft cover. Condition: Good. No Jacket. 1st Edition. 8vo, decorative wraps. 177 pp. Published on the occasion of the seventy-fifth anniversary of the opening of Oslo's decorative arts museum. With plans of the building and many photos of the exhibits. Covers lightly soiled, with small spot on front cover; spine torn at top; cover split about 2" at joint with front cover, and repaired with archival tape; contents near fine; binding tight; overall about good.
Published by Nordiska Museet, Stockholm, 1917
Condition: Very Good. illustrations (black & white), (4), 75p. Softcover in original wrapper. 25cm. Modest chipping and edge-wear on lower right corner of front cover. Swedish text. Exhibition of Non-Swedish glazed ceramic ware.
Published by Oslo, 1931
Seller: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germany
Association Member: GIAQ
Book
Paperbackausgabe in norwegischer Sprache, 98 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. Selten. B8-jpw40797.
Published by Det Mallingske Bogtrykkeri, 1930
Seller: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germany
Association Member: GIAQ
Book
Paperbackausgabe in norwegischer Sprache, 107 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. Selten. B8-jpw40796.
Published by Norway
Seller: Dublin Bookbrowsers, Dublin, NONE, Ireland
Book
Soft Covers. Condition: Good. 37 pp. Covers stained. Occasional wear on pages where pages got stuck together. Illustrated. Scarce.
Published by H. ASCHEHOUG
Seller: Book Cupboard, PLYMOUTH, DEVON, United Kingdom
1931 1ST A4 PB COVER WEAR / LOSS SPINE INTERNALLY SOUND.
Published by Gyldendal Norsk Forlag, 1953
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Good.
Published by Oslo: Cappelens, 1932
Seller: ANTIQUARIAT Franke BRUDDENBOOKS, Lübeck, Germany
Book
8°, OHalblederband. Condition: Gut. 255 Seiten, Über die Geschichte der Möbel mit Schwerpunkt Europa und Norwegen. - Mit 207 Abbildungen. - Einband berieben, Besitzvermerk auf dem Vortitel. Sonst sauberes und wohlerhaltenes Exemplar. Wir senden umgehend mit beiliegender MwSt.Rechnung. no Gewicht in Gramm: 400.
Published by Oslo. H. Aschehoug, ., 1925
Seller: Der ANTIQUAR in LAHR, Werner Engelmann, Lahr, BW, Germany
150 Tafeln, 22, XI S. roter, illustr. Orig. Karton, 25 x 20 cm ---etwas bestossen, kl. Schaden am Rücken.
Published by Forlagt Av H. Aschehoug & Co., 1925
Seller: GH Mott, Bookseller, Ridgefield, CT, U.S.A.
Softbound. Condition: Good. Covers worn, chipped. Interior tight and clean. 22 pp. Norwegian text. 150 b/w ill.
Seller: Antiquaria Bok & Bildantikvariat AB, Göteborg, Sweden
Redaktør: Olaf Lorentzen og Thor B. Kielland. Utgitt av Egersunds Fayencefabriks direksjon. Trykt i Dreyers Grafiske Anstalt, Stavanger 1947. 4:o. Illustrerad. 149,(1) s. + färgplansch. Trådhäftad. Tryckt omslag över styv papp. Lagad reva 25 mm samt ett par korta revor. Tillskrift på främre omslagets insida. 27 x 21 cm.[#\122340].
Soft cover. Condition: Very Good. 1st Edition. With 217 artworks by 90 artists, this exhibition was the first retrospective of Norwegian modern art in Riga, introducing the period from the 1880s until 1930s. The aim of the exhibition was to showcase the most important aspects of Norwegian art over a half-century. The exhibition displayed mostly paintings, but also some graphics, and was accompanied by a catalogue including introduction by Norwegian art historian Henrik Grevenor, list of artworks identifying year of creation, used technique and dimensions, artworks followed by 16 full-page artworks reproductions. The introduction article gives an overview of Norwegian art development since the Viking era until the 1930s. More detailed considered Modern Norwegian art. Mentioned all the main art tendencies and their distinguished representatives. The "golden age" of Norwegian painting began with Romanticism. Naturalism appeared around 1880s and was displayed at the exhibition by Erik Werenskiold and Halfdan Ström. Artists of the 1890s reacted forcefully against realism of the previous years and made an emphasis on color and shape. This style was introduced at the exhibition by Post-Impressionist Thorvald Erichsen, Neo-Impressionist Henrik Lund, and world-famous Expressionist Edvard Munch (3 works). Abound 1910s was born the new generation of Norwegian painters, who got acquainted with latest Paris trends during their studies there, and used them in own works. Parisian experiences are represented on the exhibition in the works of first Norwegian cubist painter Ragnhild Keyser, also in the works of Georg Backer Berg, Hallvard Blekastab, Eriksen Bjarne, Aasmund Esval, Hans Finne-Grönn, Jean Heinterg and others Scarce.
Softcover. Cream paper wraps with red cover illustration and navy blue lettering. 80 pp. followed by 91 bw plates on glossy paper. Dual text, Norwegian and English. Catalogue from the exhibition of British decorative arts hand work shown in Oslo, Trondheim and Bergen. With an introductory essay, Great Britain and Norway, by Ada Buch Polak. The catalogue is divided into sections, some with sub-sections, with extensive text by various authors: Furnituer (Ada Polak); Textiles (4 sections - Kielland); Ceramics (3 sections - Kielland and Thorvald Krohn-Hansen); Glass (Polak); Metal (5 sections - Guthorm Kavli, Alf Boe, Tora Bohn); Bookbinding (Inger-Marie Kvaal), all followed by the plates. A scarce and excellent resource. VG+, clean and tight but with sunning to cover edges.