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Published by The Guilford Press, 2007
ISBN 10: 1593855710ISBN 13: 9781593855710
Seller: Your Online Bookstore, Houston, TX, U.S.A.
Book
Hardcover. Condition: Good.
Published by END OF LINE CLEARANCE BOOK, 1900
ISBN 10: 116163276XISBN 13: 9781161632767
Seller: Monster Bookshop, Fleckney, United Kingdom
Book
Hardcover. Condition: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
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New offers from £ 7.05
Hardcover. Condition: Good. No Jacket. The distinguishing details of old time whale ships with a complete description of a typical whaler and working plans of the famous "Alice Mandell" for modelers. Profusely illustrated with drawings and photographs with two full-fold out plans. Front and back covers weak but intact.
Published by Literary Licensing, LLC, 2013
ISBN 10: 1258988704ISBN 13: 9781258988708
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
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New offers from £ 23.75
Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1927 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 50 Language: English Pages: 50.
Published by University Alabama Press, 2002
ISBN 10: 0817311378ISBN 13: 9780817311377
Seller: Birkitt's Books, SARASOTA, FL, U.S.A.
Book
Paperback. Condition: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.
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Used offers from £ 25.91
Published by New York (Rudder), 1927., 1927
Seller: Antiquariat Bebuquin (Alexander Zimmeck), Pegau OT Werben, Germany
Gr. 4°. 36 S. mit zahlr. Abb. und zwei Falttafeln im Anhang. OLn. vereinzelt stockfleckig, insgesamt gutes Ex. EA. Sprache: englisch.
Published by Rudder Publishing Company, New York, 1927
Seller: Bookshelf of Maine, Franklin, ME, U.S.A.
Hardcover. Condition: Near Fine. Rear pocket has a closed tear and a few chips. ; Book is in excellent condition. Plans in the rear pocket are in pristine condition - possible never opened up, we haven't. This scarce copy is a comprehensive guide to the history, design, and operation of 19th-century whaling ships. The book covers the various types of vessels used in the whaling industry, including schooners, brigs, and ships, and provides detailed information on their construction, rigging, and equipment. ; 4to 11" - 13" tall; 36 pages.
Published by The Rudder Publishing Company
Seller: Koster's Collectible Books, Farmingville, NY, U.S.A.
Condition: Very Good-, Good++. 1927 edition. 4TO, 24 pgs., B/W Illus, Hardcover Hardcover: Plans of the Famous whaler Alice Mandell in rear pocket. Blue cloth binding with title on frontboard. Endpapers are foxed. Two inch closed tear to margin of frontispiece description page. Photos of ' models'are printed on coated stock. Distinguishing details and b/w sketches, will help the model builder. Nice tight binding. Jacket: Heavy brown paper covers are oxidized. Edgewear and chipping along entire top edge. Chipped corners and spine ends. Closed tears. Desirable copy in protective mylar.
New York 1927, 36 pp., nice ill. and 2 schedules (code A-56).
Published by Dover Publications, 1998
ISBN 10: 0486402150ISBN 13: 9780486402154
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Book
Paperback. Condition: new. New. Fast Shipping and good customer service.
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New offers from £ 83.87
Published by The Orwell Press, Dublin, 1944
Seller: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, United Kingdom
First Edition Signed
Qtr Cloth & Paper Covered Bds. Condition: Very Good. First Edition. 39pp. + colophon (printed at Dublin University Press). Inscribed in the year of publication by Seamus O'Sullivan for James Guthrie, the artist-printer & friend of Edward Thomas who ran the Pear Tree Press which published Thomas' first poems. Erratum slip tipped in. Edges untrimmed. Pale green printed boards darkened at edges. Signed by Editor. Book.
Seller: Fenrick Books, Queens, NY, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. Chicago: Museum of Contemporary Art, 1969. Vinyl LP in gatefold jacket. LP: VG+. Jacket: VG. Gatefold jacket has wear, mostly to edges. Back cover has stain to bottom left and writing in black marker. Inside gatefold has toning at edges. Vinyl record has a couple light surface marks that do not affect play. Overall, a handsome copy of this scarce record with its scarce gatefold jacket. Vinyl LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. Artist notes and texts on gatefold interior. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley.
Published by Museum of Contemporary Art / Specific Object Chicago / New York, IL / NY 1969 / 2008, 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolįs Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.
Published by Dwan Gallery New York, NY 1967, 1968, 1969, 1970, 1967
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
4 vol. : [1] pp. ; [2] pp. ; [1] pp. ; [1] pp.; 4 vol. : 12.5 x 17.5 cm. ; 14.5 x 14.5 cm. ; 16 x 21.3 cm. ; 16 x 21 cm.; loose card[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Complete set of four announcement cards published in conjunction with the "Language" exhibitions at Dwan Gallery: "Language to be looked at and / or things to be read [aka : Language I]," opening June 3, 1967, including artists Carl Andre, Arakawa, Walter De Maria, Marcel Duchamp, Dan Flavin, Dan Graham, Robert Indiana, Jasper Johns, On Kawara, Edward Kienholz, Sol LeWitt, Roy Lichtenstein, Rene Magritte, Filippo Marinetti, Robert Morris, Claes Oldenburg, Francis Picabia, Ad Reinhardt, Robert Smithson, Kenneth Snelson. "Language II," held May 25 - June 22, 1968, including Bill Copley, Hanne Darboven, Robert Indiana, Arakawa, Robert Morris, Dan Graham, Dan Flavin, Dennis Oppenheim, On Kawara, Lawrence Weiner, Carl Andre, Joseph Kosuth, Robert Rauschenberg, Michael Heizer, Robert Smithson, Ray Johnson, Sol LeWitt, Marcel Duchamp, Edward Kienholz, Walter De Maria, Allan Kaprow, William Anastasi, Bernar Venet, James Lee Byars, Jackson MacLow, William T. Wiley, Nikolai Kozlov, Elaine Sturtevant, Rosemarie Castoro, Dick Higgins, H.C. Westermann, Lila Katzen, Mel Bochner, Peter Hutchinson, Geoff Hendricks, Rentersward, Dunn, Freifeld, Meeneley, Katz. "Language III," May 24 - June 18, 1969, including Jim Richmond, Luis Camnitzer, Roger Cutforth, Ronald Gross, Schuldt, Michael Benedikt, Charles Frazier, Ruth Jacoby, Joseph Kosuth, Fred Sandback, Walter De Maria, Sol LeWitt, Robert Smithson, Robert Rauschenberg, Robert Newman, John Perreault, Vito Acconci, Lawrence Weiner, Robert Barry, Douglas Huebler, John Baldessari, Adrian Piper, Hannah Weiner, John Giorno, Terry Atkinson, Michael Baldwin, Iain Baxter, Hanne Darboven, On Kawara, Christine Kozlov. "Language IV," held June 2 - June 25, 1970, including Arakawa, Joseph Kosuth, Kenneth Snelson, Robert Morris, William Anastasi, Mel Bochner, Bernar Venet, Francis Picabia, Fillipo T. Marinetti, Johnson, Jasper Johns, Marcel Duchamp, Walter De Maria, Robert Smithson, Ross, Claes Oldenburg, Michael Heizer, Terry Fugate-Wilcox, Wilson, Reinhardt Bryant, Denes, Gins, Edward Kienholz, Carl Andre, Novak, Adrian Piper, Lawrence Weiner, HoJo, Dorothea Rockburne, Jonathan Borofsky. Fine. All four cards clean and unmarked as issued.
Published by Museum of Contemporary Art Chicago, IL, 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolįs Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.