Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Condition: Très bon état. Format in-12 broché.
Published by Editions J. Oliven, 1953
Seller: Librairie du Bassin, Bordeaux, France
Broché. Coll. "Sauvez". Médecine. Préface de M. le Prof. Lian. 11x18 cm. 205 p. in-12° Bon état. Couverture légèrement défraîchie insolée. Papier légèrement bruni.
Published by Editions J. Oliven, Paris, 1953
Seller: LibrairieLaLettre2, Villefranche de Lauragais, France
Broché. Condition: Etat satisfaisant. in-12 Collection Sauvez 205 pages Langue : français.
Published by Editions J. Oliven, 1945
Seller: Librairie du Bassin, Bordeaux, France
Signed
Broché. Philosophie. 11,5x18 cm. 157 p. in-12° Etat correct. Papier bruni. Couverture légèrement défraîchie. Infime manque en tête du dos. Dos recollé au mieux ! Envoi de l'auteur ou Dédicace de l'auteur ou Signé par l'auteur. Envoi autographe. A mon vieil ami Georges Mongrédien souvenir de ma vieille et fidèle amitié. -- Georges Mongrédien était Historien, spécialiste de la littérature et de la société française du XVIIe siècle (BNF).
Published by Paris : Jouve & Cie, 1949
Seller: PRISCA, Paris, France
First Edition
Couverture souple. Condition: Bon. Edition originale. In-8° broché, 239 pages.
Published by OLIVEN, 1957
Seller: LiLi - La Liberté des Livres, CANEJAN, France
Condition: Assez bon. OLIVEN (illustrator).
Couverture souple. Condition: bon. ROD0031193: 1957. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 205p. Préface de M. le Professeur C. LIAN. . . . Classification Dewey : 616.1-Maladies cardiovasculaires.
Couverture souple. Condition: bon. ROD0044225: 1957. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 205 pages. . . . Classification Dewey : 614-Santé publique, médecine préventive.
Published by JOUVE et Cie, 1949
Couverture souple. Condition: bon. RO80142059: 1949. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages. Quelques planches de photos en noir et blanc. Quelques traits au crayon en marges. . . . Classification Dewey : 920-Biographie générale et généalogie.
Couverture souple. Condition: bon. R200009325: 1964. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 131 pages. . . . Classification Dewey : 150-Psychologie.
Published by Paris: Photo-Club de Paris, 1894
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
First Edition
Condition: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .