Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Publication Date: 1893
Seller: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Hardcover. Condition: Good. No Jacket. the first ten or so pages have fallen off but the book can be glued back together Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Foxing is present on one or more pages. Significant damage due to wetness. This book is severely edgeworn. Binding is so loose that the book will stay open to any given page. The binding is no longer attached to the pages. Heavily shelf worn. Heavily faded due to exposure to sunlight. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.
Published by Remington and Co London, 1883
Seller: Peter M. Huyton, Hereford, United Kingdom
First Edition Signed
1st English edition (translated from the fourth French edition). Cr.8vo, circa 7 x 5 inches, pp. 368, hardback in original cloth. Book - VG., contents clean, no foxing, inscription on 2nd flyleaf - "Mary E. Waller from her sincere friend DMHB" (Mary E Waller possibly being the American novelist of that name 1855 - 1938), binding is sound with back inner hinge intact and front inner hinge split but board is secure ; original grey cloth with gilt title and black floral decoration to spine and geometric border with inner floral decoration in black to front , corners a bit rubbed but not split, back board of clean appearance with just a few minor, faint marks, spine is complete with spine ends creased and sllghtly nicked, spine colour is somewhat faded but the gilt, though a little dulled, and the floral decoration are complete and clear, front board is clean and the decoration bright, there is a small longitudinal section (2 x 0.5 inches) of colour fading near the spine in the lower half of the front. A very good copy of the rare English first edition (Copac shows copies only at British Library, Oxford and Cambridge).
Published by Southern Methodist University, Dallas, Texas, 1946
Seller: Best Books And Antiques, Chandler, TX, U.S.A.
Book First Edition
Hardcover. Condition: Fine. 1st Edition. No. 1-4, Winter to Autumn, 1950. HC, Orig. Red cloth and gilt stamping to spine. B/W photography, ads, illustrations and collected writings from celebrated authors. 4to. 4 page Index to all 4 quarters + 429pp. Fine, Clean, with no markings or writings, never read. Mint Interior with near fine exterior; spine is sunned. Includes stories, poems and other writings by Donald Day, Albert Guerard, Alberta Wilson Constant, John T. Flanagan, Henry Miller, Fannie Cook, John E. Rosserm Arthur Marvin Shaw, Charles Ramsdell, Victor White, George Freedley, Curtis Martin, Geoffrey Johnson, Harry Kidd, Jr., J.S. Moodey, Tristam Coffin, John William Rogers, Roland English Hartley, T.M. Pearce, Erna Ferguson, O'Kane Foster, John L. Sinclair and many more. Hard to find in such nice condition. RARE. Collectible. BR Box 152.
Published by Paris: Photo-Club de Paris, 1894
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
First Edition
Condition: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .