Product Type
Condition
Binding
Collectible Attributes
Free Shipping
Seller Location
Seller Rating
Pas de couverture. Condition: Bon. Gravure en noir,vers 1950,format 24,2 x 31,5 cm avec les marges,bon état.
Published by Forgotten Books, 2018
ISBN 10: 1330592468ISBN 13: 9781330592465
Seller: Forgotten Books, London, United Kingdom
Book Print on Demand
Paperback. Condition: New. Print on Demand. Excerpt from Drawings by Claude Gellee. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
More buying choices from other sellers on AbeBooks
New offers from £ 13.27
Published by Forgotten Books, 2019
ISBN 10: 0267979533ISBN 13: 9780267979530
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
More buying choices from other sellers on AbeBooks
New offers from £ 28.68
Publication Date: 1926
Seller: Librairie Lalibela, Ckelles, PARIS, France
First Edition
Couverture souple. Condition: Comme neuf. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.
Published by ohne Orts- und Jahresangabe (um ), 1850
Seller: historicArt Antiquariat & Kunsthandlung, Wiesbaden-Breckenheim, Germany
Art / Print / Poster Signed
Original-Stahlstich von A.H. Payne (in der Platte signiert) nach einem Gemälde von Claude Lorrain im Königlichen Museum in Berlin, bildliche Darstellung ca. 13 x 16,5 cm, auf rückseitig unbedrucktem Karton ca. 22 x 30 cm, im breiten Rand außerhalb der bildlichen Darstellung einige blasse Stockflecken, ansonsten sauber und sehr gut erhalten 510 gr.
Seller: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Netherlands
Nancy. Musée des Beaux-Arts. 485 ills. B./w. ills. Soft cover.Text in French & in Italian.
Published by Um 1830., 1830
Seller: Antiquariat Braun, Gengenbach, Germany
Art / Print / Poster
Condition: Gut. Format (Bildgröße): 12 x 10 cm. Blattgröße: 32,5 x 23,5 cm. *Claude Lorrain, auch Claude Gellée (1600-1682) war ein französischer Maler des Barock und Kupferstecher, der hauptsächlich in Rom wirkte. Seine idealisierten Landschaftsdarstellungen trugen wesentlich dazu bei, dass sich die Landschaftsmalerei zu einem eigenen genre entwickelte. Sprache: Deutsch Gewicht in Gramm: 500 Am rechten unteren Rand kleiner unterlegter Einriss.
Published by SOMOGY EDITIONS, 2015
ISBN 10: 2757204467ISBN 13: 9782757204467
Seller: Antiquariat Buchhandel Daniel Viertel, Diez, Germany
Book
Condition: Gut. 24 S. in gutem Zustand 26272 ISBN 9782757204467 Sprache: Französisch Gewicht in Gramm: 18 Taschenbuch, Maße: 13.8 cm x 0.3 cm x 21 cm.
Published by National Gallery Publications, London, 1994
ISBN 10: 1857090462ISBN 13: 9781857090468
Seller: David Bunnett Books, London, United Kingdom
Book First Edition
SOFTCOVER. 1st Edition. Extra Large Quarto size (4to). in colour printed stiff glossy card covers, 120pp, colour plates, illustrations in text, etc CONDITION: A well preserved almost AS NEW unmarked copy (hint of tanning to leaves, minute speck of shelf rub to cover corner tips) ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Published by Paris. Éd. de la Réunion des musées nationaux. 1983., 1983
ISBN 10: 2711802264ISBN 13: 9782711802265
Seller: Antiquariat & Verlag Jenior, Kassel, HE, Germany
Book
445 S. Kartoniert. Gr. 8°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Ecken und Kanten leicht berieben und bestoßen. Sonst gut erhalten. Sprache: fra.
Published by No publisher's or printer's name present; under image: C. L. f. [Claude Lorrain?] [title:] S. Ludovici Eques in Gallia. C. W. exc. [engraver] [plate number:] 49. Unadated, 18th century.
Seller: Peter Keisogloff Rare Books, Inc., Brecksville, OH, U.S.A.
Size of (possibly trimmed down) sheet: 8 1/2" x 12 5/8", size of engraved image: 6 7/8" x 9 1/2". Upper edge on reverse shows a strip of gummed paper, used as a mounting tab, small imperfection in paper near figure's left arm & tree, some slight, age-related tanning present. Engraved portrait from a book or larger numbered series, possibly from the Liber Veritatis series of portraits by Claude Lorrain. Scan shows the image. From the personal collection of Pittsburgh fine arts dealer, Charles A. Wunderly. Sold as an example of copperplate engraving.
Seller: Antiquariat Michael Eschmann, Griesheim, Germany
Art / Print / Poster
0. Seitenränder beschnitten, etwas fleckig. - SONDERPREIS! Sprache: Deutschu.
Published by Paris, Ministère de la Culture, 1983., 1983
Seller: Librería Anticuaria - José Manuel Valdés, OVIEDO, AST, Spain
22,5 x 22 cm. 445 pp. 1 h. Muy ilustrado. Magnífico catálogo. Comissaires: H. Diane Russell et Pierre Rosenberg. Bien conservado. ARTE. 1-14.
Published by Paris, Librairie Floury, 1932
Seller: Versand-Antiquariat Konrad von Agris e.K., Aachen, Germany
Book
4°, Broschur. Condition: Sehr gut. 187 Seiten Buch ist in einem sehr guten Zustand, Einband leicht berieben/nachgedunkelt, Schnitt ergraut, Titelprägung in Rot, Ecken minimal berieben, unteres Kapital minimal berieben, Papier in altersgemäßem sehr gutem Zustand, rough cut, . Als Versandart wählen wir immer eine schnelle Option (in Deutschland Brief oder DHL-Paket, ins Ausland Warenpost oder DHL-Paket). Preis inkl. MwSt. Sprache: Französisch Gewicht in Gramm: 1250.
Published by Roma, De Luca Editore., 1982
In-4°. 485 p. Avec de nombreuses illustrations en noir et en couleurs. Broché. Texte en français et italien. - Ci-joint une feuille "Hors catalogue". Sprache: französisch.
Published by Paris Albert Morancé, coll. "Documents d'art" 1923, 1923
Condition: 2. in-8 carré, demi-chagrin brun, dos à faux-nerfs, tête dorée, 32 pp. de texte et 57 reproductions en 56 planches hors-texte. Exemplaire en reliure d'éditeur, avec tous les feuillets et les planches montés sur onglets. Très bon exemplaire.
Published by Galerie Marcel Guiot, 1926
Seller: Black Dog Books, Emerson, NJ, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. A very nice copy of this uncommon exhibition catalog, with text in French and illustrated in black & white. Book.
Published by Armand Durand., Paris., 1859
Seller: Colophon Books (UK), Leek, United Kingdom
Art / Print / Poster First Edition
No Binding. Condition: Very Good. 1st Thus. A re-etched or heliogravure sepia copper plate image of "Le Bouvier" [The Shepherd] 1636 after the original by Claude Lorraine. Possibly a re- engraved example by Armand Durand. The lined paper watermarked "Portfolio" and Van Christian? seen on the two edges in the weave. Some light foxing spots, in the margins and about 3 spots at top edge of the print. Measures; 5.4 x 7.9 inches [13.2 x 19 cm approx] to the plate line or 8.5 x 12. 5 full size. *This size matches the original 1630's originals held in galleries which makes me think it is by Armand Durand as he would have engraved from the original, but it has no red mark on the reverse?.
Published by 1650/1700 (?)., 1650
Seller: Antiquariat am Ungererbad-Wilfrid Robin, München, Germany
Art / Print / Poster
Condition: Gut. * (geb. 1600 in Lothringen, gest. 1682 in Rom), Franz. Maler, Radierer u. Kupferstecher, der glanzende Vertreter der idealen, heroischen Landschaft. Sprache: Französisch Gewicht in Gramm: 70 Graphik/Papier, mit kl. Alters u. Gebrauchsspuren. Gutes Exemplar.
Publication Date: 1641
Seller: Rob Zanger Rare Books LLC, Middletown, NY, U.S.A.
Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgilia Heliodes specimen on the verso; a large, orange wildflower native to the American southwest, similar to a daisy. [Mannocci 240.39 vi/vi]. Ex-collection Ferdinand Roten Gallery, Baltimore, with the label on the mat.
Pas de couverture. Condition: bon. RO20042224: 1922. In-Folio. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 52 planches de reproduction, contre-collées de dessins, monochromes marron sur fond beige. Emboîtage cartonné, relié en toile grise. Quelques notes au stylo sur l'intérieur de l'emboîtage. . Sous Emboitage. . Classification Dewey : 741-Dessin.
Published by London: Boydell & Co, 1777
Art / Print / Poster
No Binding. Condition: Fine. Twelve mezzotint engravings after drawings by Claude Lorraine (1600-1682). Liber Veritatis; or a collection of prints after the original designs.
Publication Date: 1636
Seller: Lirolay, Wilmington, DE, U.S.A.
Art / Print / Poster
Condition: Fine. ~ Etching (Eau-forte), 1636, signed and dated in plate lower right "Claudius in_ et F_ Roma 1636". [Mannocci, The etchings of Claude Lorrain, 1988, pp 139-48.] ~ Size approx. 127 mm x 192 mm. Overall with margins 138 mm x 204 mm. ~ In fine condition // We accept PayPal & EU bank transfer in EUROS //. Fine Art Print.
Published by 1634, 1634
Seller: Galerie Joseph Fach GmbH, Oberursel im Taunus, Germany
Art / Print / Poster
Condition: sehr guter Zustand. Radierung, 1634, auf Bütten. 10,8:17,2 cm. Literatur: Robert-Dumesnil 3, I (von III); Blum 8, I (von III); Russell 1982, Nr. 18, I (von III). Prachtvoller und kräftiger Druck vor der Nummer und der Beschädigung der rechten unteren Plattenecke. Mit feinem Rändchen um die Plattenkante. - Bis auf eine dünne Stelle links oben und Reste alter Hinterklebung verso am Oberrand ausgezeichnet und frisch erhalten. Eines der wenigen Nachtstücke im 43 Blatt umfassenden graphischen Werk des Künstlers, das, wie man weiß, von der Landschaftsmalerei A. Elsheimers (1578-1610) beeinflußt ist. Keine andere Radierung Claudes ist räumlich so eng begrenzt wie diese wie ein Fries angelegte Figurenszene. Der zeichnerische Stil mit eng gekräuselten und schraffierten Strichen erschwert die Lesbarkeit der Darstellung. Die symmetrisch verteilten Figuren und Tiere nehmen einen großen Platz ein. Darüber erscheinen die Landschaftselemente: ein rahmender, verknorpelter Baum im Vordergrund, ein Brückenbogen über der vorne sitzenden Frau, ein krönender Baum in der Mitte über der schreitenden Figur sowie ein beschränkter Ausblick mit einem flachen Hügel über den parallel gerichteten Rücken der Kuh und der Ziegen. Einige Formen spiegeln sich im Wasser. Vergleichbare Hirtenmotive erscheinen in Claudes frühen Hirtenlandschaften und im Album der Tierskizzen [.]" (zitiert aus: Ausst. Katalog: Im Licht von Claude Lorrain. Haus der Kunst, München 1983, S. 147, Nr. 84 mit Abb.).
Published by London. Boydell and Co. Circa 1840, 1840
Seller: Charles Russell, ABA, ILAB, est 1978, Cirencester, United Kingdom
Book
Hardcover. Condition: Good. 3 volumes folio 17x12 inches, leather bound in period half red morocco over marbled boards, with the spines neatly relaid. Period marbled endpapers. Illustrated with 2 mezzotint portraits of Claude Lorrain and Earlom, 1 stipple-engraved portrait of John Boydell, and 300 ETCHINGS WITH MEZZOTINT, all printed in bistre by Earlom after Claude Lorrain. Text and plates complete. UNUSUALLY FINE CLEAN PLATES without any of the usual spotting. Peabody Trust bookplates and some stamps removed from versos. The 300 etchings of drawings by Claude Lorrain are pastoral, mythological, and biblical subjects, and the work was called Liber Veritatis - Book of Truth- for the purpose of identifying Lorrain's genuine works from forgeries, or from drawings wrongly attributed to the master- (Abbey). First published between 1777 and 1819, the present set is a 19th century edition, with the text and plates printed on unwatermarked wove paper. Lovely clean DECORATIVE bucolic plates. Bibliography- Abbey Life 200, Brunet III:1169, Cohen-De Ricci 242.
Published by Published by Messrs. Boydell & Co; Hurst, Robinson & Co [c. 1845], London, 1845
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Hardcover. Second Edition. Small Folios, Three Volumes. In Good plus condition. Bound in half contemporary red morocco with paneled spine, elegant gilt decoration on spine, two dark green labels. Marbled paper boards and endpapers. All edges gilt. With some general shelfwear, including boards with moderate wear to edges and corners, light wear to joints, and light wear overall. Slight bowing to boards. Text blocks have light wear to gilt edges. Light age-toning and foxing throughout. Ex-libris (partially removed or worn) on front pastedown of all three volumes. Complete with all 300 mezzotint plates printed in sepia plus frontispiece portraits of Claude, Earlom, and John Boydell. MU Consignment. Shelved case 8 1/4. A collection of 300 etchings based on works by French artist Claude le Lorrian (Claude Gelee). Widely considered a landmark in the reproduction of master artworks (and a precursor to modern catalogue raisonnés), this is the second edition, a reprint of the first from 1777-1819 with etchings from the original plates. The drawings by Claude Lorrain were done by Richard Earlom, using etching for Claude's pen lines and mezzotint for the ink washes. The table directory lists sales of individual etchings up to 1843, helping to date this edition. 1375376. Shelved Dupont Bookstore.
3 vols. London: Boydell & Co, 1777 (vols 1 & 2) , & Hurst, Robinson & Co, 1819. Folio, matching later half calf gilt, edges uncut; Vol I: mezzotint frontis portrait of Claude, pp. 14 (incl. title), 100 numbered mezzotint plates printed in sepia; Vol II: pp. 5 (incl. title), plates 101-200; Vol III: mezzotint frontis portrait of Earlom, pp. (viii)(incl. title), stipple portrait of Boydell + 100 numbered mezzotints. Complete. Boards worn, some spotting of plates. A fine collection of 300 mezzotints engraved by Earlom after the works of Claude Gellée (c. 1600-82), better known as Claude (of) Lorraine, a painter who helped popularise landscapes. While still in his thirties his client list included Pope Urban VIII. However this fame led to a number of works being mis-attributed to him, often fraudulently, so in 1636 he started cataloguing his works by making tinted outline drawings of each painting he completed, with the name of the purchaser marked. Six sets of this 'Liber Veritatis' or 'Book of Truth' were sent around Europe, allowing the authenticity of Claude's paintings to be checked. One set came into the art collection of the 2nd Duke of Devonshire, and it was this example that was copied and published by John Boydell, with the text listing the titles, original owners and present owners (if known). The publication must have been a success because the third volume of mezzotints was published over 40 years later and 15 years after Boydell's death, this time from drawing in other collections besides the Duke of Devonshire's. By 1819 Earlom, the engraver of all three hundred landscapes, was 76. In order to reproduce the drawings accurately Boydell turned to mezzotint, a method not often used for landscapes but, printed in sepia, mimicked the pen and wash originals effectively. The result was described by Col. Abbey as 'a landmark in the history of reproduction of master drawings'. ABBEY: Scenery 200; the Duke of Devonshire's 'Liber Veritatis' sketchbook is now in the British Museum.
Published by [vols.I-II] published by Messrs. Boydell & Co, printed by W.Bulmer & Co; [vol.III:] published by Hurst, Robinson & Co., printed by Thomas Davison, London, 1819
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
First Edition
3 volumes, small folio. (16 1/4 x 10 3/4 inches). 2 mezzotint portraits (of Claude and Earlom), 1 stipple-engraved portrait of John Boydell. 300 etchings with mezzotint, all printed in bistre, all by Earlom after Claude. Expertly bound to style in half russia over period marbled paper covered boards "The first complete edition, with the engravings [sic.] in the best and final state, embodying the important drawings from the great English collections of the period" (Abbey). "This capital work, a landmark in the history of the reproduction of master drawings, is . an important forerunner of later publications on [Art Collections]. It contains 300 etchings of drawings by Claude Lorrain, pastoral, mythological, and biblical subjects, and was called Liber Veritatis [Book of Truth] for the purpose of identifying Claude's genuine works from forgeries, or from drawings wrongly attributed to the master. They are all printed in a warm bistre colour to aid the resemblance . The catalogues in each volume give a comprehensive description of each drawing, indicating also for whom they were executed, which pictures were painted from them, and the ownership at the date of publication of the book - in short, a real catalogue raisonné" (Abbey). Abbey Life 200; Lowndes II, p.1398.