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Published by Independently published, 2019
ISBN 10: 107265895XISBN 13: 9781072658955
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Book
Condition: VeryGood. Most items will be dispatched the same or the next working day.
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Published by Independently published, 2019
ISBN 10: 1091466793ISBN 13: 9781091466791
Seller: MusicMagpie, Stockport, United Kingdom
Book
Condition: Very Good. 1710277847. 3/12/2024 9:10:47 PM.
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Published by Grimdark Magazine, 2017
ISBN 10: 0648010570ISBN 13: 9780648010579
Seller: PlumCircle, West Mifflin, PA, U.S.A.
Book
paperback. Condition: Good. Somewhat damaged. May have bumped corner, torn dust cover, folded pages, light dust soil, remainder mark, price sticker, other damage, or be bent. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.
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Published by CreateSpace Independent Publishing Platform, 2016
ISBN 10: 1535171014ISBN 13: 9781535171014
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Soft Cover. Condition: new.
ISBN 10: 342324741XISBN 13: 9783423247412
Seller: medimops, Berlin, Germany
Book
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
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Published by Lippincott Williams & Wilkins, 2004
ISBN 10: 0781752027ISBN 13: 9780781752022
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Jordan Publishing Limited, 2015
ISBN 10: 1784731609ISBN 13: 9781784731601
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Book
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Published by Freiburg, Br. : Johannes 2013., 2013
ISBN 10: 3894114177ISBN 13: 9783894114176
Seller: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Germany
Book
engl. Condition: Gut. 138 Seiten. Das gebrauchte Taschenbuch ist sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 170 [Aus dem Franz. und Engl. übertr. von Adrian Walker].
Published by HarperSanFrancisco/ An Imprint of HarperCollins, Publishers, Inc., New York, 1997
ISBN 10: 0060641665ISBN 13: 9780060641665
Seller: gearbooks, The Bronx, NY, U.S.A.
Book
Trade Paperback. Condition: Like New. Adrian Morgan/ Red Letter Design (Cover Design); Marc Tedeschi (Cover Photo) (illustrator). 182 pp. Flawless book except for extensive notes in ink. Synopsis: The title is "The Real Jesus: the Misguided Quest for the Historical Jesus and the Truth of The Traditional Goispels." This book has the four absolute uppermost qualities we seek in books: 1) excellence in content, 2) literary quality, 3) appealing design, and 4) significance of contribution. What happens when you take Jesus out of church? What happens when you examine the gospel stories not merely as spiritual documents but as historical ones? When you see Jesus naturalistically, as a human being living in and interacting with society? If you are a Christian, what does that do to your faith? Thomas Mann once wrote, "To separate Church and religion means to give up separating the religious from madness." Something like this fear seems to motivate Luke Timothy Johnson's The Real Jesus. Besides being a New Testament scholar, Johnson is a laicized Catholic priest and former Benedictine monk, and this perspective colors his withering critique of the field of historical Jesus studies. He doesn't like this broad, unwieldy, interdisciplinary movement, this unorchestrated effort by historians, archaeologists, anthropologists, and others to find scraps of information about a certain human being who lived in Palestine two millennia ago. Professor Johnson's basic complaint is that this work is going on in the hurly-burly of society at large rather than in the sheltered cove of "the church and the academy," where he believes it belongs. This is very much in line with traditional Catholic thinking. Historically, the Church has placed itself and its representatives in an intermediary role, with the task of translating the language of the Divine into a form that ordinary humanity can comprehend - the middleman between God and the people. But this historical-Jesus business hasn't followed those rules. To the bewilderment of biblical scholars, who are used to being ignored by everyone except their colleagues, ordinary people have been buying their books, sifting through their arcane arguments, attending lectures, buttonholing scholars who appear on radio talk shows. People are grappling with the issues on their own. And they are very big issues indeed. For the whole approach of critical scholarship is naturalistic: It presumes that the Jesus of history came into and left this world according to the same natural forces that govern the rest of us. Such theologically charged concepts as the virgin birth and the bodily resurrection are seen by this scholarship as not literally true, and in fact the Bible sleuths think they have an angle on where and when these mythic overlays were added to the Jesus story. This is not to say that historical Jesus scholarship dismisses the truth of Christianity; many of these scholars (including the many who, like Professor Johnson, are or have been Christian clerics) insist that their work does not dispel the gospel portrait but rather shows the limitations of our modern consciousness, which tends to equate "truth" with scientific or literal truth. This is where Professor Johnson's book is helpful. He considers the media attention paid to the historical Jesus, and especially to that media-savvy group, the Jesus Seminar, to be a mirror image of the attention given to so-called Christian fundamentalism in the 1970s and 1980s. In both cases delicate nuances of spirituality and philosophy are reduced to sound bites. Thus anyone with a passing interest is likely to be misled or confused. This is a valuable point. What this field is tinkering with is our culture's definition of truth, and attempting to alter something so fundamental requires a lot of work and careful attention. Professor Johnson himself, for example, whom scholars I have spoken with regard as a theological conservative, has a view of the resurrection that does not seem very conservative to me, and which demands a great deal of attention. If I understand him, he does not believe in a l.
Published by CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1977737684ISBN 13: 9781977737687
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Paperback. Condition: Brand New. 108 pages. 9.00x6.00x0.27 inches. This item is printed on demand.
Published by Wm. B. Eerdmans Publishing Co., 2015
ISBN 10: 0802873340ISBN 13: 9780802873347
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by JOLUA, 2023
ISBN 10: 9730378061ISBN 13: 9789730378061
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: New. Book is in NEW condition.
Published by Zürich, Switzerland : ArtAdventures c 2003., 2003
ISBN 10: 3952272604ISBN 13: 9783952272602
Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
Book
Condition: Wie neu. 1 DVD-Video ; 100 gr. Neu/ Brand new! ISBN 9783952272602 Sprache: Deutsch Gewicht in Gramm: 550.
Published by Mon petit éditeur, 2013
ISBN 10: 2342011792ISBN 13: 9782342011791
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
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Couverture souple. Condition: Très bon. Le cinéma et l'éthique par Jean-Claude Biette - Brèves notes sur le cinéma par Atom Egoyan - Penser le cinéma. Notes par Eugène Green - De l'impureté ontologique des créatures de cinéma par Alain Bergala - Repenser le cinéma par Manoel de Oliveira - Petit abécédaire à l'usage du cinéma (un point de vue portugais) par João Mário Grilo - Marginalia par Pierre Léon - Adieu cinéma, bonjour cinéphilie par Jonathan Rosenbaum - Démonstration par Bill Krohn - Dernières pages par Adrian Martin - Le Mot par Kent Jones - Les sanglots longs des violons de l'automne. par João César Monteiro - Dieu est brésilien. par CarlosDiegues / . heureusement pour moi par Sylvie Pierre - De l'importance d'être haï par Catherine Breillat - Réflexions. Le moi, le monde, les autres, comment cet ensemble se fond dans les films par Stephen Dwoskin - Quelques règles d'or par Jim Jarmusch - Troisième film par Philippe Grandrieux - De l'un à l'autre par Henri-François Imbert - L'enfant par Robert Walser - La jeune fille de Houdon par Anne-Marie Garat - Le cinéma, court-circuit et contre-temps par Alain Fleischer - Le cinéma de l'enfance par Eric de Kuyper - Je ne sais pas bien mais quand même par Jean-Louis Comolli - Les écarts du cinéma par Jacques Rancière - La nuit du carrefour par Marie Anne Guerin - Cinéfile et cinémonde par Jean-Luc Nancy - L'oubli par Jean Hatzfeld - Qu'est-ce que ? Pour moi, aujourd'hui ! (Ce qu'il en est d'un spectateur) par Fabrice Revault d'Allonnes - Quel cinéma ? par Jean Louis Schefer - Le mouvement dessurfaces par Philippe-Alain Michaud - Sténographie par ErikBullot - Le temps du livre, le temps du film, le temps du roman par Hubert Damisch - De théâtre en cinéma: passions chassées-croisées ? par Alain Ménil - Le cinéma est-il mortel ? suivi de Le cinémascope sauvera-t-il le cinéma ? parAndré Bazin (présentation par Emmanuel Burdeau) - L'impossible question par André S. Labarthe - Récit contre monde par Tag Gallagher - «Ça, c'est du cinéma !» par Marc Cerisuelo - T. W. Adorno, le cinéma malgrélui, le cinéma malgré tout par Nicole Brenez - Préface à L'Expérience immédiate par Robert Warshow - Après un demi-siècle par Stanley Cavell - On s'aime, on ne s'aime pas, on s'aime. Stanley Cavell et l'éloge du remariage par Gertrud Koch - Qu'est-ce qu'une invention ? (le cinéma). La technique et ses possibles par Michel Frizot - Le cinéma des premiers temps par Tom Gunning - Cultures de remploi - questions de cinéma par Christa Blümlinger - Film-outil :le cinéma exploité par Michèle Lagny - Il n'est de cinéma que de collectionneur par Marc Vernet - Qu'est-ce que le cinéma français ? par Dominique Païni - «Le paysage est plus vieux que l'être humain. Même si c'est une fleur» par Helmut Färber - Une histoire de temps. Analogique contre numérique, l'éternelle question du changement de technologie et de ses implications sur l'odyssée d'un réalisateur expérimental par Babette Mangolte - La télévision pure par Jean-Paul Fargier - La guerre, le visuel, l'image par Serge Daney - Le point de vue de la guerre par Harun Farocki - Choses trouvées, choses pensées par Yervant Gianikian et Angela Ricci Lucchi - Le secret du cinéma pourrait être dans Paisà par Leslie Kaplan - Voix d'images par Raymond Bellour - Eve ou de l'innocence au cinéma par Jean-Clet Martin - Les quatre premiers plans d'Imitation of Life par Laura Mulvey - Numéro zéro par Jean Durançon - Robert Bresson par Dennis Cooper - Lettre à Martin Scorsese par René Belletto - La caméra est une machine par Gus Van Sant - La réalisation par Emmanuel Siety - «Exercices de pensée artistique, on a dit.» The Old Place, un film-essai d'Anne-Marie Miéville et Jean-Luc Godard par Youssef Ishaghpour - Des films gueules de bois. Notes sur le mutisme dans le cinéma contemporain par Antony Fiant - Trois frontières par Edgardo Cozarinsky - Après la pluie par Abbas Kiarostami - Marc.
Published by (Linz), Edition Neue Texte, 1980., 1980
Seller: Rödner Versandantiquariat, Den Haag, Netherlands
First Edition
Gr.8°, 95 S., OPpbd.m. schwarzgeprägt. TSchrift u. typogr. OUmschl., dieser ger. berieben; schönes Expl. Erste Ausgabe in 800 nummerierten Exemplaren dieser visuellen und avantgardistischen Poesie.
Published by Becker Joest Volk Verlag, 2022
ISBN 10: 3954532816ISBN 13: 9783954532810
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by Mon petit éditeur, 2016
ISBN 10: 234205078XISBN 13: 9782342050783
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 286 pages. French language. 8.27x5.75x0.94 inches. In Stock.
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Published by Hachette Litterature-C.E.P.L., 1971
Seller: Masalai Press, Oakland, CA, U.S.A.
Book
Soft cover. Condition: Good. 255 pp., illustrations, diagrams. In French. cover is scuffed, worn & faded.\ Contents: En lisant Roland Barthes: écriture, lecture, relecture et lisibilité / François Richeaudau; L'ambiguité / Danièle Fleury; Les mots de l'orateur / Richeaudau; Un nouvel instrument de musique: l'ordinateur / William Skyvington; Zipf et la linguistique statistique / Philippe Bully; La presse in 1885. d'après une conférence de Maurice Girod; Apprendre à lire avant l'école / François Gauguelin; Oreille, langue et communication / isi Beller; A propos des enfants sourds: la pensée sans langage / Jacques Mousseau; La forme des caractères à l'âge de la photocomposition / Adrian Frutiger; Qu'est-ce que le "design"? / Marc Held; Mode et style dans le caractère typographique / G. W. Ovink; Le véritable domaine de la bande dessinée / Gérard Blanchard; La communication est-elle une vache sacrée? / Gabriel Verarldi√ANalyse du contenu et rewriting journalistique / Albert Kientz; Un même destin: "Lui" et "Playboy" / Mousseau; Le public s'empare des ondes / Jean Cazeneuve; Du roman-photo au photo-roman Blanchard; Expliquer une science maudite / Pierre Meutey; Psychanalyse de la publicité automobile / Claude Vielfaure; La vente direct: un avenir prometteur / Lester Wunderman; Pour une déontologie de la publicité / Vielfaure.
Published by CRC Press 2022-06-13, Boca Raton, 2022
ISBN 10: 1032338547ISBN 13: 9781032338545
Seller: Blackwell's, London, United Kingdom
Book
paperback. Condition: New. Language: ENG.
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Published by Linz : Edition neue Texte, 1980
ISBN 10: 3900292132ISBN 13: 9783900292133
Seller: Antiquariat UEBUE, Zürich, Switzerland
Book
Softcover. Condition: Gut bis sehr gut. Gr.8°, 95 S., OPpbd.m. schwarzgeprägt. TItelschrift und typogr. OUmschlag. - Erste Ausgabe in 800 nummerierten Exemplaren dieser visuellen und avantgardistischen Poesie.
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Published by Graz : Neue Galerie, 1975
Seller: Antiquariat UEBUE, Zürich, Switzerland
Book
Softcover. Condition: Gut bis sehr gut. [22] pages, [24] leaves of plates : illustrations (some color) ; 24 cm.
Published by Köln, König., 2003
ISBN 10: 3883757586ISBN 13: 9783883757582
Seller: Biblion Antiquariat, Zürich, ZH, Switzerland
Book
4°. 247 S., zahlr. Ill. kart. Schönes Exemplar. Text in Deutsch u. Englisch. Sprache: deutsch.
Published by Chas. Colin Publications
Condition: Good. Good condition. (jazz, studies and exercises, improvisation) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Published by Camden House, 2009
ISBN 10: 1571133674ISBN 13: 9781571133670
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Book
Hardcover. Condition: Very Good+. Text clean and tight; no dust jacket; Studies In German Literature Linguistics And Culture, 44; 8vo 8" - 9" tall; 328 pages.
Published by Numéro spécial de LA TOUR DE FEU, n° 47, Jarnac, automne 1955. In-8 (226 x 143 mm), broché, 176 pages., 1955
Frontispice de Raymond Crémeaux. [6336].
Published by Quorum Editores, 2012
ISBN 10: 849258145XISBN 13: 9788492581450
Seller: RecicLibros, Madrid, MAD, Spain
Book
Condition: Como nuevo. Gracias, su compra ayuda a financiar programas para combatir el analfabetismo.
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Published by Linz, Edition Neue Texte., 1980
ISBN 10: 3900292132ISBN 13: 9783900292133
Book First Edition Signed
Groß-8°. 24 cm. 94 Seiten. Original-Broschur mit Original-Schutzumschlag. Nummer 62 von 800 nummerierten und von Marc Adrian signierten Exemplaren. Schutzumschlag mit hinterlegtem Einriss, berieben, Randläsuren, ansonsten sehr gutes Exemplar. Sprache: deutsch.
Seller: Librairie Victor Sevilla, Paris, France
First Edition
Les Aventuriers de l'Art Perdu / L'Echo du Canon n° 2 de décembre 1999. In-8 agrafé de 56 pages au format 21 x 29,5 cm. Couverture illustrée. Fanzine consacré à l'univers de Sherlock Holmes. Critiques, études, documents. Contient : Editorial - Le Dossier Holmes - Dracula par Fred Saberhagen - Bibliographie des traductions d'Arthur Conan Doyle par Jean-Luc Buard - La Cloche de la veillée de Noël par Anne Perry - La Malédiction de Ravenlock de James Steranko - Le Rival de Sherlock Holmès de Hector Fleischmann - Les Exploits de Sherlock Holmes de Adrian Conan Doyle et John Dickson Carr - Les influences de Doyle et de Holmes dans l'oeuvre de John Dickson Carr - Sherlock Holmes et l'apicultrice et Mrs. Hudson's Case de Laurie R. King - Sherlock Holmes et les fantômes par Yves Varende et François Ducos - La Face claire des ténèbres de Thomas Day - La Cohorte des archers du Sussex d'August Derleth - L'Affaire de la fin de la civilisation de Joe Mc Grath - " Le Registre d'Écrou " n° 1 & 2 ( Les Évadés de Dartmoor ) - Aventures de Sherlock Holmes par Martin Van Maële - La Fin de Sherlock Holmès d'A. Boukhov - Exit Sherlock Holmes de Robert Lee Hall - Rubrique " Les Archives du 221 B " - " La Gazette de Baker Street " - " En anglais dans le texte " - Index. Revue dirigée et conçue par Marc Madouraud et Philippe Gonthier. Edition originale en superbe état. Petit tirage. Rare.
Published by Museum of Modern Art New York, NY, 1965
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
56 pp.; 24.1 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Museum of Modern Art, New York, February 23 - April 25, 1965. Traveled to the City Art Museum of St. Louis, May 20 - June 20, 1965; the Seattle Art Museum, July 15 - August 23, 1965; The Pasadena Art Museum, September 25 - November 7, 1965 and The Baltimore Museum of Art, December 14, 1965 - January 23, 1966. Text by William C. Seitz on optical art, accompanied by numerous reproductions of works by artists, including: Marc Adrian, Agman [Yaacov Gipstein], Josef Albers, Getulio Alviani, Richard Anuszkiewicz, Edward Avedisian, Walter Darby Bannard, Hannes Beckmann, Larry Bell, Karl Stanley Benjamin, Ernst Benkert, Henryk Berlwei, Alberto Biasi, Max Bill, Paul Brach, Enrico Castellani, Francis Celentano, Toni Costa, Carlos Cruz-Diez, Benjamin Frazier Cunningham, Gene Davis, Tony De Lap, Hugo Rudolfo Demarco, Piero Dorazio, Thomas Downing, Equipo 57, Wojciech Fangor, Paul Feeley, Lorser Feitelson, Jerry Foyster, Günter Fruhtrunk, Sue Fuller, Horacio Garcia Rossi, Gego, Karl Gerstner, John Goodyear, Gerhard von Graevenitz, Lily Greenham, Gruppo N, Frederick Hammersley, Francis Ray Hewitt, Robert Irwin, Ellsworth Kelly, Michael James Kidner, William Komodore, Leroy Lamis, Edoardo Landi, Walter Leblanc, Lynn G. Leland, Julio Le Parc, Mon Levinson, Alexander Liberman, Richard Lippold, Morris Lewis, Wolfgang Ludwin, Sheldon Machlin, Heinz Mack, Enzo Mari, Agnes Martin, Almir Mavignier, John McLaughlin, Edwin Mieczkowski, Guido Molinari, Francois Morellet, Reginald Neal, Kenneth Noland, Eric Olson, Gerald Oster, Henry C. Pearson, Ivan Picelj, Uli Pohl, Larry Poons, Ad Reinhardt, Karl Reinhartz, Bridget Riley, Ludwig Sander, Arnold Schmidt, Peter Sedgely, Eusebio Sempere, Oli Sihvonen, Clara Skinner, Leon Polk Smith, Francisco Sobrino, Julian Stanczak, Jefrey Steele, Joël Stein, Frank Stella, Robert Stevenson, Peter Anthony Stroud, Miroslav Sutej, Tadasky, Luis Tomasello, Claude Tousignant, Wen-Ying Tsai, Günther Uecker, Victor de Vasarely, Ludwig Wilding, Yvaral [Jean Pierre Vasarely] and Walter Zehringer. Includes a complete catalogue of the featured works. Catalogue design by Joseph Bourke Del Valle with covers based on painting by Bridget Riley, "Current," 1964. Good / Very Good. Moderate rubbing to top edge of recto cover and light wear along spine edge. Contents clean and unmarked.