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Published by München: edition text + kritik 2016., 2016
Seller: Antiquariat Bergische Bücherstube Mewes, Overath, Germany
517 S., s/w und farb. Abb. 8° Br. *neuwertig*. Dziga Vertov (1896-1954) gilt als einer der bedeutendsten Filmemacher der Sowjetunion. Adelheid Heftbergers Monografie widmet sich ausführlich und detailliert Vertovs Werk und greift dabei aktuelle Entwicklungen in den Digital Humanities auf. Die Filme Dziga Vertovs inspirieren seit ihrem Entstehen Filmemacher, Cinephile und Filmwissenschaftler. Trotz dieser Aufmerksamkeit, die das Werk des russischen Regisseurs erfahren hat, sind viele Fragen u. a. zu den dichten »Montagekonstrukten« und zur Überlieferungslage bis heute nicht beantwortet worden. Mit diesem Buch liegt nun die bisher detaillierteste Untersuchung von Vertovs Schaffen vor. Im Zentrum stehen die acht Langfilme Vertovs, aber auch seine Filmtheorie und die nicht realisierten Projekte werden besprochen. Dabei wird das Studium historischer Quellen mit quantitativer Filmanalyse und der Tradition des russischen Formalismus verbunden, und es werden Wege aufgezeigt, wie die Informatik und die Informationsvisualisierung genutzt werden können, um die Analyse von Vertovs Filmen auf eine neue Grundlage zu stellen. Damit bietet das Buch nicht nur neue Einblicke in das komplexe Schaffen des Regisseurs, sondern greift auch aktuelle Entwicklungen in den Digital Humanities auf.
Published by Springer, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: SpringBooks, Berlin, Germany
Book First Edition
Hardcover. Condition: Very Good. 1. Auflage. unread, with a mimimum of shelfwear.
Published by Springer, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Hardcover. Condition: new.
Published by Springer, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
Published by Springer, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Book Print on Demand
Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Published by Springer International Publishing Jan 2019, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Book Print on Demand
Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the 'formalists,' developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, 'How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools ' The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalist sphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 1920s and 30s. 324 pp. Englisch.
Published by Springer International Publishing, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: moluna, Greven, Germany
Book Print on Demand
Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Adelheid Heftberger is a Slavicist and Film Scholar, and currently holds the position of Head of Access in the Film Department of the German Federal Archive in Berlin. She is the author of the book Kollision der Kader. Dziga Vertovs Filme, die Vis.
Published by Springer International Publishing, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the 'formalists,' developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, 'How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools ' The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalist sphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 1920s and 30s.
Published by Springer, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: dsmbooks, Liverpool, United Kingdom
Book
Hardcover. Condition: New. New. book.
Published by Springer, 2019
ISBN 10: 3030028631ISBN 13: 9783030028633
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Hardcover. Condition: Brand New. 311 pages. 9.25x6.25x0.75 inches. This item is printed on demand.