Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by UNAM, 1984
Seller: Librería Urbe, Ciudad de México, DF, Mexico
Book First Edition
Encuadernación de tapa blanda. Condition: Como Nuevo. 1ª Edición. 17x23cms. 25p. (texto) +13p. (ilustraciones) + 2h.; Cubiertas originales en rústica a dos tintas con ilustración en cubierta delantera. Ilustraciones a color y en blanco y negro del pintor. En un muy buen estado.
Published by D.A.P.P., México, 1939
Seller: MIAC-LOA Library, Santa Fe, NM, U.S.A.
Book First Edition
Printer Wrapper. Condition: Near Fine. Dust Jacket Condition: Very Good -. 1st Edition. NEAR FINE/VG-. Not Ex-Library. Clean throughout with straight tight binding. No marks. Purchase supports the programs, operations and collections and collections preservation of the renowned Museum of Indian Arts & Culture Laboratory of Anthropology Library.
Published by D. A. P. P., Mexico, 1939
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Book First Edition
Soft cover. Condition: Near Fine. Color Plates (illustrator). 1st Edition. 124, [1]. + 52 Color Plates. Card Covers Printed In Red-Brown And Black. Light Wear And Short Tears To Card Covers Where They Overlap The Page Block; Short Clear Tape Reinforcements To Ends Of Spine.
Published by Secretaria De Edicacion Publica, 1949
Seller: Librería Urbe, Ciudad de México, DF, Mexico
Book First Edition
Encuadernación de tapa blanda. Condition: Excelente. Gabriel Fernandez Ledesma (illustrator). 1ª Edición. 237 pgs y 1h, 23cms x 17cms. Cubiertas originales ilustradas con ligeras manchas de humedad en los bordes. Texto ligeramente amarronado. Portada e ilustraciones de Gabriel Fernandez Ledesma.
Published by Editorial Surco, 1959
Seller: Librería Urbe, Ciudad de México, DF, Mexico
Book First Edition
Encuadernación de tapa blanda. Condition: Aceptable. Gabriel Fernandez Ledesma (illustrator). 1ª Edición. 64 pgs y 2hs, 15.5cms x 12cms. Cubiertas originales ilustradas en buen estado. Texto en buen estado, maqueta tipógrafica e ilustraciones de Gabriel fernández Ledesma. Con dedicatoria del autor en la anteportada, la edicion consta de 1000 ejemplares y este es el No 93.
Published by A.C.A.S.I.M, 1962
Seller: Librería Urbe, Ciudad de México, DF, Mexico
Book First Edition
Encuadernación de tapa blanda. Condition: Bien. Fernández Ledesma, Gabriel (illustrator). 1ª Edición. 27p. 23cmx17cm. Cubiertas originales en rústica. Mancha en el margen inferior de las últimas 6 hojas y de la cubierta posterior, sin afectar al texto. Ilustraciones a color por Gabriel Fernández Ledesma.
Published by Secretaria de Educación Publica, México, 1946
Seller: Librería Urbe, Ciudad de México, DF, Mexico
Book
Sin Encuadernar. Condition: Bien. 22cmsx16cms.; 21p. Texto en buen estado con partituras. La portada ilustrada.
Published by Editorial México Nuevo, México, 1939
Seller: Librería Urbe, Ciudad de México, DF, Mexico
Book
Encuadernación de tapa dura. Condition: Muy Bien. 1ª edición. Cubierta en tela. Lomo y puntas en piel. 242p. + 4h.; 23cmsx17cms. Texto limpio en muy buen estado. Litografias de Fernando Leal, Capitales Grabadas en Madera De Gabriel Fernandez Ledesma. Edicion de 3000 ejemplares. Con ilustraciones y capitulares.
Published by Instituto Nacional de Bellas Artes, 1948
Seller: Librería Urbe, Ciudad de México, DF, Mexico
Book First Edition
Encuadernación de tapa blanda. Condition: Bien. Gabriel Fernandez Ledesma (illustrator). 1ª Edición. 21pgs y 19 hojas de reproducciones de grabados, 28cms x 22.5cms. Cubiertas originales en muy buen estado. Texto en muy buen estado. Maqueta diseñada por Gabriel Fernandez Ledesma.
Published by PARANINFO EDITORIAL, 2008
ISBN 10: 8428329427ISBN 13: 9788428329422
Seller: Librerias Prometeo y Proteo, Malaga, Spain
Book
Rústica. Condition: New. Dust Jacket Condition: Nuevo. 13. Este texto se adapta a los programas más recientes establecidos por la Comunidad Europea en las normas JAR-FCL 1 para los títulos de piloto de las diferentes calificaciones, así como a las exigencias de la Academia General del Aire para la formación de pilotos militares, sin olvidar aquellos requeridos en la Escuela Naval para Marinos de Guerra. En la presente edición se han incorporado los últimos conocimientos y avances en Meteorología Aeronáutica. Las diferentes materias se exponen de una forma sencilla, evitando razonamientos matemáticos, lo que hace que su lectura sea amena. LIBRO.
Published by Universidad Nacional Auto?noma de Me?xico, Instituto de Investigaciones Este?ticas, 1984
ISBN 10: 9685806357ISBN 13: 9789685806350
Seller: La Social. Galería y Libros, Barcelona, BCN, Spain
Book First Edition
Encuadernación de tapa blanda. Condition: Excelente. 1ª Edición. PRIMERA EDICIÓN. FIRST EDITION. Colección "Cuadernos de historia del arte, Nº23". EXCELENTE ejemplar. s/n.
Published by DAPP, 1939
Seller: Thomas J. Joyce And Company, Chicago, IL, U.S.A.
First Edition
Paperback. Condition: Fine. Dust Jacket Condition: near fine. First Edition. Quarto, 123 page, French wrappers, lightly nicked contemporary glassine With 52 pochoir plates of enamels and enameling. Text by Prof. Leon; Commentary by Gabriel Ledesma.
Published by Talleres Graficos Del Departmento de Divulgacion de la Secretaria de Educacion Publica, Mexico City, 1951
Seller: Thomas A. Goldwasser Rare Books (ABAA), CHESTER, CT, U.S.A.
First Edition
Ledesma, Gabriel Fernandez; (illustrator). First edition. 333 p., [2] fold. leaves of plates, ill. ; Illustrated with woodcuts by Gabriel Fernández Ledesma and Francisco Moreno Capdevila. 32x 23 cm. Original wrappers, slight edge wear; thin marginal dampstain on a few leaves.
Published by Fondo Editorial de la Plastica Mexicana, Mexico, 1971
Seller: Maya Jones Books, Cerrillos, NM, U.S.A.
Book
Hardcover. Condition: Collectible - Good. No Jacket. GOOD. Spine lightly soiled, bumped at crown, and rubbed at crown and edges; covers shelfworn with corners bumped and split, front cover rubbed at edges, back cover soiled and heavily rubbed with chipping and loss along lower edge, binding pulling loose from backstrip from weight of text block, page edges lightly tanned and foxed, front hinge cracked, short tear at fore-edge of one leaf, rear hinge starting, rippling at outer edge of rear pastedown and fore-edges of free endapper and last few leaves. With printed presentation slip from Mexican President Luis Echeverria paperclipped to upper edge of front free endpaper; paperclip has left rust marks at top of pastdown and halftitle page. No jacket. 356 pp., 308 color plates. Vol. I only. In Spanish. Size: Folio.
Published by SEP-UNAM, México, 1927
Seller: Antique Emporium, Eau Claire, WI, U.S.A.
Magazine / Periodical First Edition
Soft cover. Condition: Good. No Jacket. 1st Edition. Rare folio size magazine published in Mexico. Spine is split and top edge of cover has a folded section with a tear. Covers loose Contents are fine. There is one small museum label inside front cover. 44 pages some in color. Vol. I, No. 3, 1927: Escultura, talla directa/ Diego Rivera - Carlos Orozco como retratista/ Ana Brenner - Ensayo sobre la danza Samuel Ramos - Los animales en los tejidos y bordados indígenas/ Miguel O. de Mendizábal - Fotografías de deportes/ G. Fernández Ledesma - Arte para los obreros/ Renato Molina Enríquez - Los retablos del Señor del Hospital/ Dr. Atl - La pintura mural de Fermín Revueltas/ R.M.E. - Consideraciones sobre arquitectura moderna/ por Carlos Obregón Santacilia.
Published by SEP-UNAM, México, 1926
Seller: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
First Edition
b/w and color plates, b/w illus., facs., plans, advts., wrps. A monthly publication ideated by painter Fernandez Ledesma and dedicated to Mexican plastic arts with participation of noted artists, architects, art critics and intellectuals. Contents include: Vol. I, No. 1. Octubre 1926: Agustin Lazo; Los daguerrotipos/ comentados por Weston -- Las escuelas al aire libre/ por S. (Salvador) Novo -- La Caricatura/ por S. Ramos - Ilustraciones de Covarrubias - Pinturas murales mexicanas/ J.Charlot - Móvil/ G. Fernández Ledesma - El sentimiento estético de los juguetes mexicanos -- Proyecto de Diego Rivera para un teatro en un puerto del Golfo de México/ colaboración técnica de ingeniería de don Benito García Benítez -- Photographs by Agustin Jiménez. In that environment and thanks to the efforts of some of the characters, the magazine form was created - the painter Gabriel Fernández Ledesma served as director and the poet Salvador Novo as literary censor and representative of the artistic criterion - which was constituted as one of the first Mexican publications that Was concerned with studying and disseminating articles on plastic arts (painting, engraving, sculpture and architecture) and popular expressions. According to the literary and popular arts researcher, Porfirio Martínez Peñaloza, its importance is comparable to that of Modern Magazine (1898-1911) or to the so-called El Maestro (1921-1923). In the editorial of the first issue of the magazine Forma, dated October 7, 1926, the Secretary of Education, J. M. Puig Casauranc, wrote in this regard: It is for the Secretariat of my office to pay special attention to the promotion and development of the plastic arts in the country, which constitute not only a strong spiritual bond . but also the clear and clear revelation of the formidable flow Of creative force that encourages our race. This primordial quality of the race, which no one will deny [.] creative force and artistic fantasy, which after three centuries of dark silence continues to strip the pawn and the Indian of their misery and their abjection by the art manifested in the tilma de Mild grace. This is how this pristine ability to produce real beauty has been preserved in our country, from generation to generation, as a sacred fire. [.] It is surely for us to congratulate ourselves on living the solemn historical moment of the awakening of a race. Who knows whether we should not, in essence, congratulate ourselves on the fact that Spanish domination first and Creole and later mestizo pride, Have given up the sublime task of revealing to the world the ignored and naive and genuine treasures of our nationality. General features of the magazine Forma Between 1926 and 1927 seven issues of the magazine Forma were published, although only six were published. It was sponsored by the Secretary of Public Education and the National University, which means that it had official support, not only for publication but also for the propagation of ideas, so that the diffusion of the visual arts and popular expressions were Seconded by the State, until it became part of the Mexican cultural heritage. By that time muralism had developed with ease and exalted the characteristics of Mexican art, calling it "the Mexican Renaissance." Form became an important means of spreading the national culture. In this regard, the editor of the magazine Form expressed in the first issue, in an article entitled "Mobile": In this great moment, we, the artists, are entrusted with the enormous task of solving the problem of our own expression, so that, once defined, we try to relate it to all our common things . We are the product of one The same race and the fruit of the same land . And let us work, of course, to achieve the pure formation of the art of the country, of the art that reflects our particular physiognomy. This elucidation will be our truth . Let us devote ourselves to the task of educating the people in the new racial aesthetic concept (our present race). We, plastic artists, must discover the expressive ideological formula of our country [ .] to understand the enormous value of HAVING AN OUR ART, concretized in thought and ideas, in our concepts, forms and structures. [.] Forma is the new voice of the plastic artists of Mexico. (3) As can be seen, it was intended to show the public everything related to national artistic production; In fact, since the first issue the artists were summoned to collaborate, which shows much of the spirit of this movement. Among them were distinguished artists and intellectuals such as Ignacio Asúnsolo, Emilio Abreu Gómez, Anita Brenner, Miguel Covarrubias, AE Cumming, Jean Charlot, Francisco Díaz de León, Dr. Atl, Fernando Gamboa, Tamili Kitagawa, Agustín Lazo, Fernando Leal, Manuel Manilla , Tina Modotti, Renato Molina Enríquez, Roberto Montenegro, José Clemente Orozco, Máximo Pacheco, Samuel Ramos, Fermín Revueltas, Diego Rivera, Manuel Rodríguez Lozano, Manuel Romero de Terreros, David Alfaro Siquieros, Rufino Tamayo, Manuel Toussaint, Xavier Villaurrutia, Edward Weston and, of course, the previously mentioned Salvador Novo and Gabriel Fernández Ledesma. FORMA was directed by the plastic artist, professor, writer and cultural promoter Gabriel Fernández Ledesma (1900 - 1983). Among his artistic activity was that of being a founding member of the group "30-30", composed of artists who fought against the anquilosados methods of the academy through the promotion of artistic exhibitions with a popular accent. "Among his productions is the book Toys Mexicanos, published in 1930. In number 1 of FORM was published The aesthetic sentiment of the Mexican toys.Entre los colaboradores que contribuyeron en el número 1, edición de 42 páginas, se pueden mencionar a Xavier Villaurrutia, E. Weston, J. Charlot, Salvador Novo, Agustín Lazo, entre otros. En el número 3, edición de 44 páginas, colaboraron Diego Rivera, Ana Brener, Dr. Alt, Gabriel F. Ledesma y otros. FORMA was a magazine tha.
Published by Ferrocarril Mexicano, Mexico City, 1919
Seller: Royoung Bookseller, Inc. ABAA, Ardsley, NY, U.S.A.
First Edition
leather_bound. First edition. Unpaginated, approx. 80 pages. Oblong 8vo, 23.5 x 17 cm. Eleven full page color lithographs by Ledesma. A curious, elegantly printed souvenir of a major railroad company, Ferrocarril Mexicano displaying the works of two major Mexican notables, a poet and artist -- Ledesma the painter, printmaker, sculptor, graphic artist, and Nervo, noted as one of the most important Mexican poets of the 19th century. Ledesma was only nineteen years of age when he produced a host of color lithographs herein, most with tissue guards. Nervo's poetry was known for its use of metaphor and reference to mysticism, presenting both love and religion, as well as Christianity and Hinduism. The poetry is embellished with decorative borders, printed in black, red and sepia on quality stock. Large fold-out map at rear, a map of Mexico with the routes of the railroad plus an itinerary and time table. Orig. full brown calf string ties, front cover pictorial inset image of Nervo and his name in blind with back cover also decorated in blind. fine.
Published by SEP-UNAM, México, 1928
Seller: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
b/w and color plates, b/w illus., facs., plans, advts., wrps., plus 1 flyer inserted in No. 4, loose as issued. Complete set of the monthly publication ideated by painter Fernandez Ledesma and dedicated to Mexican plastic arts with participation of noted artists, architects, art critics and intellectuals. Contents include: Vol. I, No. 1. Octubre 1926: Agustin Lazo; Los daguerrotipos/ comentados por Weston -- Las escuelas al aire libre/ por S. (Salvador) Novo -- La Caricatura/ por S. Ramos - Ilustraciones de Covarrubias - Pinturas murales mexicanas/ J.Charlot - Móvil/ G. Fernández Ledesma - El sentimiento estético de los juguetes mexicanos -- Proyecto de Diego Rivera para un teatro en un puerto del Golfo de México/ colaboración técnica de ingeniería de don Benito García Benítez -- Photographs by Agustin Jiménez; Vol. I, No. 2 Noviembre 1926: Maximo Pacheco, La fotografía de la Villa de Guadalupe - Talla en madera/ Lázaro López - Las capitulares de los libros de coro/ por Valerio Prieto - Manuel Manilla: grabador mexicano - David Alfaro Siqueiros: un verdadero rebelde en arte, por Anita Brenner -Arquitectura: estudio sobre Teposcolula/ por Manuel Toussaint? Vol. I, No. 3, 1927: Escultura, talla directa/ Diego Rivera - Carlos Orozco como retratista/ Ana Brenner - Ensayo sobre la danza Samuel Ramos - Los animales en los tejidos y bordados indígenas/ Miguel O. de Mendizábal - Fotografías de deportes/ G. Fernández Ledesma - Arte para los obreros/ Renato Molina Enríquez - Los retablos del Señor del Hospital/ Dr. Atl - La pintura mural de Fermín Revueltas/ R.M.E. - Consideraciones sobre arquitectura moderna/ por Carlos Obregón Santacilia? Vol. I, No. 4, 1927: El pintor Rodriguez Lozano - La revolución artística mexicana: Una lección/ por Maroto - Mosaicos Mexicanos/ por Ramón Mena - Fotografía: La obra de Tina Modotti/ por R.M.E. (No. 4 includes a protest flyer against the imprisonment of several Cuban intellectuals by the Cuban government)? Vol. I, No. 5, 1927: El pintor Rufino Tamayo/ G. Fernández Ledesma - El Calabazo de Ayacucho/ por Rafael Heliodoro Valle - Azulejos y paneles policromos de la época de la colonia/ por Luis G. Serrano - Hermandad o Cofradía de Loceros; por Enrique A. Cervantes - El jarro maya pintado/ por Dr. Silvanos G. Morley - Historia de Diego Rivera/ por Xavier Villaurrutia? Vol. I, No. 6, 1928: Artistas y artesanos/ por el Dr. Pedro de Alba - La Naturaleza Virgen es el Niño; por Guillermo Castillo - Siluetas Zacatecanas/ G. Fernández Ledesma - Lacas Mexicanas: Los baúles de Olinalá/ por Renato Molina Enríquez - Obras de Hierro/ por M. Romero de Terreros - El renacimiento el fresco en México: José Clemente Orozco: Su obra monumental/ por J. Charlot? Vol. II, No. 7, 1928: un pintor japonés en México/ por F. Diaz de León - El Centro Popular de Pintura de San Pablo / por J. Martin Ramírez - Norah Borges/ por Magda Portul - Fotografías de Weston; por F. Monterde García Icazbalceta - El arte en México; por Walter Pach - El arte mexicano de la colonia; por A. Carrillo Gariel - El pintor Roberto Montenegro/ por F. Abreu Gómez. (volumes 2 and 4 wear to covers and minor chipping to spines; vol. 4 with top corners rubbed with some loss of paper; all other issues almost fine).