The Ravine

David Roberts

Published by London, 1846
Used

From Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A. Seller rating 3 out of 5 stars 3-star rating, Learn more about seller ratings

AbeBooks Seller since 06 March 2017

This specific copy is no longer available. Here are our closest matches for The Ravine by David Roberts.

About this Item

Description:

David Roberts' most famous work, Views in the Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed dutone lithographed plates which depict various scenes of the Holy Land and the Middle East.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.â Robertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . â These prints are of excellence unsurpassed in Europeâ ¦ The firm of Day and Haghe raised lithography to perhaps the highest point it ever attainedâ ¦ [In Robertsâ own words,] â Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in very good to excellent condition overall. There may be a couple faint, lighter spots in the sky. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 23 1/4" by 17". Seller Inventory # roberts008

Report this item

Bibliographic Details

Title: The Ravine
Publisher: London
Publication Date: 1846
Condition: Fine

Top Search Results from the AbeBooks Marketplace

Seller Image

David Roberts
Published by London, 1842
Used Softcover

Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.

Seller rating 3 out of 5 stars 3-star rating, Learn more about seller ratings

Condition: Fine. David Roberts' most famous work, "Views in the Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia", was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed, folio lithographs which depict various scenes of the Holy Land and the Middle East. The work was issued in three states: tinted, tinted proof, andâ"the grandest and most expensive format, as hereâ"hand-colored and mounted on card. --- Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, "Views in the Holy Land.", is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. --- David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. --- âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 24 1/4" by 17 1/2". Seller Inventory # roberts-sub-holyland033

Contact seller

Buy Used

£ 406.26
Convert currency
Shipping: £ 7.89
Within U.S.A.
Destination, rates & speeds

Quantity: 1 available

Add to basket

Seller Image

Roberts, David
Published by Moon, F.G., London, 1842
Used

Seller: Alexandre Antique Prints, Maps & Books, Toronto, ON, Canada

Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

Condition: Excellent Condition. The Prints of David Roberts:Part 1 - The PrinterLouis Haghe (1806-1885) was one of the msot skillful exponents of the tinted lithograph who became a leading reproductive lithographer in England and on the Continent. Haghe's reputation as a lithographer was primarily based upon topographical views, of which Twyman notes "his most important work of this kind, the translation of Roberts' sketches of the Holy Land, represents the culmination of his art".Part 2 - The Publication of Roberts' Holy Land and EgyptRoberts first sketched in his journals "on the spot" the vaious subjects which, on returning to London, he transcribed into finished paintings and watercolors. These then formed the basis of the lithographs drawn and printed by Louis Haghe. It is interesting to note that in some instances Roberts' original drawings were twice or three times the size of the published print, which indicated the skill of Haghe and his assistants in transferring Roberts' designs onto lithographic stones.Part 3 - A Genesis of Roberts' PrintsDavid Roberts fulfilled a boyhood dream by visiting the East and recording what he saw there; by August 1838 he had resolved to "visit the Holy Land, and make drawings of the scenes of sacred history and the antiquities of Egypt". By this time Roberts had already established himself as a successful topographical artist and published his set of Spanish scenery as tinted lithographs, Picturesque Sketches in Spain, 1837. Eventually he would be elected to the prestigious Royal Academy on the strength of his topographical paintings.Part 4 - The PlatesRoberts' Holy Land and Egypt project has been called "the most ambitious work ever published in England with lithographic plates" (according to Micheal Twyman). Its production involved over 600 lithographic stones used over an eight to nine year period. It is generally agreed the lithographers Day & Haghe were the most efficient for such large scale work, while Louis Haghe himself was a master lithographer.The plate formats strongly influenced their presentation as prints: large full-page and small half-page vignettes representing what Roberts intended to be the difference between finished drawings and sketches. roberts was a good judge of accurate transposition of his watercolors and sketches into lithography.Today historians regard Roberts' Holy Land and Egypt as the last link between the established artist and topographical lithography. Since Roberts' prints were the most costly publishing venture in Britain at the time, undertaken by a publisher "on his own responsibility", Roberts sighed on its completion: " . thank God . that with being blessed with health and backed by my ever esteemed friend Louis Haghe I may also say the most satisfactory."References:Micheal Twyman, Lithography, 1800-1850, London, 1970Katherine Sim, David Roberts, London 1984J.R. Abbey, Travel in aquatint and lithograph 1770-1860, Nos. 272, 385James Ballantine, The Life of David Roberts, Edinburgh, 1866Helen Guiterman, David Roberts, London 1978Barbican Art Gallery (catalogue), David Roberts, London, 1986British Library (BS), Image Size : 501x333 (mm), 19.75x13.125 (Inches), Platemark Size : , Paper Size : 608x403 (mm), 23.875x15.875 (Inches), Hand Colored, Lithograph. Seller Inventory # P499

Contact seller

Buy Used

£ 609.39
Convert currency
Shipping: £ 4.73
From Canada to U.S.A.
Destination, rates & speeds

Quantity: 1 available

Add to basket