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The Work of Art: Plein Air Painting and Artistic Identity in Nineteenth-Century France

Callen, Anthea

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ISBN 10: 1780233558 / ISBN 13: 9781780233550
Published by Reaktion Books
New Condition: New Hardcover
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In this beautifully illustrated, highly readable volume, Callen offers fresh insights into the development of avant-garde French painting and the concept of the modern artist, delving deeper into the topic than any before. Num Pages: 256 pages, 120 colour, 60 black & white. BIC Classification: 1DDF; ACVT; AFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 201 x 260 x 30. Weight in Grams: 1264. . 2015. Hardcover. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9781780233550

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Bibliographic Details

Title: The Work of Art: Plein Air Painting and ...

Publisher: Reaktion Books

Binding: Hardcover

Book Condition:New

About this title

Synopsis:

In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century leading to the Impressionist revolution.
           
Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.

About the Author:

Anthea Callen is professor of art in the School of Art at the Australian National University, Canberra, and professor emerita of visual studies at the University of Nottingham, UK. Her many books include Art, Sex and Eugenics: Corpus Delecti and The Art of Impressionism: Painting Technique and the Making of Modernity.

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