Usages de l'image au XIXe siècle.
MICHAUD (Stéphane), MOLLIER (Jean-Yves), SAVY (Nicole), sous la direction de.
Sold by PAROLES, Avignon, PACA, France
AbeBooks Seller since 11 July 2002
Used - Soft cover
Quantity: 1 available
Add to basketSold by PAROLES, Avignon, PACA, France
AbeBooks Seller since 11 July 2002
Quantity: 1 available
Add to basket255p., 2 feuillets; nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Recueil des communications présentées au colloque interdisciplinaire "Usages de l'image au XIXe siècle (1848-1914)" organisé en 1990 au Musée d'Orsay (Paris) par la Société des Etudes romantiques et dixneuviémistes, la Société d'Histoire de la Révolution de 1848 et des Révolutions du XIXe siècle et le Musée d'Orsay: études d'historiens, historiens de l'art et historiens de la littérature, autour de 5 grands thèmes: "Image et idéologie" (textes de Madeleine REBERIOUX, Michel VOVELLE, Dominique LERCH, Jacqueline LALOUETTE, Christian AMALVI), "L'image et l'artiste", "De l'instruction à la connaissance", "Le moi et l'image", "Explorations", sous la direction de Stéphane MICHAUD, Jean-Yves MOLLIER et Nicole SAVY; préface de Maurice AGULHON; introduction de Stéphane MICHAUD; notes et références; bibliographie; nombreuses illustrations. "Des faits de société (progrès de l'instruction, développement de la presse et de l'imprimerie) se rencontrent [.] avec des innovations techniques (photographie) pour donner à l'image une importance inconnue": débordant ses cadres traditionnels, elle "règne [.] dans l'espace public du journal par la caricature, envahit la ville par l'affiche et la sculpture. Instrument de propagande, elle oppose sa résistance à l'évolution des moeurs [.]" et "l'Église catholique compte sur [sa] force émotionnelle et symbolique [.] pour retrouver le public qu'elle a perdu. Le conflit entre république et monarchie, laïcité et religion s'inscrit exemplairement dans le conflit qui oppose la républicaine Marianne à Marie [.]. L'image manifeste ainsi sur le vif l'esprit d'un temps. [.] Baudelaire ne craint pas de la placer au principe de la littérature et des arts. L'image, c'est la part de soi liée au rêve, à l'imaginaire, à l'enfance. [.] Plus que de traquer des significations, il s'agit ici d'observer des usages, de se laisser surprendre par des rencontres. Défiant les barrières tendues entre les sciences et les arts, le publie et le privé, l'image remplit une fonction médiatrice." (4è de couverture). Très bon état. Editions Créaphis, 21 x 23,5cm Broché sous couverture au 1er plat orné de 6 vignettes couleurs, sous jaquette à l'identique, à larges rabats.
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