Unmasking the State: Making Guinea Modern

McGovern, Mike

Published by University Of Chicago Press
ISBN 10: 0226925102 / ISBN 13: 9780226925103
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When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed 'fetishes'. This book intends to understand why this program was so important to the state and examines the complex role it had in creating a unified national identity. Num Pages: 320 pages, 12 halftones, 6 maps, 8 tables. BIC Classification: 1HFD; 3JJ; HBJH; JHMC. Category: (G) General (US: Trade). Dimension: 229 x 153 x 17. Weight in Grams: 488. Making Guinea Modern. 320 pages, 12 halftones, 6 maps, 8 tables. When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed 'fetishes'. This book intends to understand why this program was so important to the state and examines the complex role it had in creating a unified national identity. Cateogry: (G) General (US: Trade). BIC Classification: 1HFD; 3JJ; HBJH; JHMC. Dimension: 229 x 153 x 17. Weight: 424. . 2012. Paperback. . . . . Bookseller Inventory #

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Synopsis: Book by McGovern Mike

Críticas: "Unmasking the State is an engaging and insightful work that constitutes an important contribution to African studies, political and religious anthropology, and the study of iconoclasm. Mike McGovern artfully weaves an edifying tapestry of the demystification programs launched by Sekou Toure in the 1960s among Loma-speaking people of Guinea, West Africa. This is a well-argued and timely book." (David Berliner, University of Brussels)"

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Title: Unmasking the State: Making Guinea Modern
Publisher: University Of Chicago Press
Book Condition: New

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Book Description The University of Chicago Press, United States, 2013. Paperback. Book Condition: New. 226 x 150 mm. Language: English . Brand New Book. When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed fetishes. The Demystification Program, as it was called, was so urgent it even preceded the building of a national road system. In Unmasking the State, Mike McGovern attempts to understand why this program was so important to the emerging state and examines the complex role it had in creating a unified national identity. In doing so, he tells a dramatic story of cat and mouse where minority groups cling desperately to their important - and outlawed - customs. Primarily focused on the communities in the country s south-eastern rainforest region - people known as Forestiers - the Demystification Program operated via a paradox. At the same time it banned rituals from Forestiers day-to-day lives, it appropriated them into a state-sponsored program of folklorization. McGovern points to an important purpose for this: by objectifying this polytheistic group s rituals, the state created a viable counter example against which the Muslim majority could define proper modernity.Describing the intertwined relationship between national and local identity making, McGovern showcases the coercive power and the unintended consequences involved when states attempt to engineer culture. Bookseller Inventory # AAH9780226925103

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Book Description University of Chicago Press, Chicago and London, 2012. Softcover. Book Condition: New. 312 pages. Softcover. New book. AFRICA. When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed "fetishes." The Demystification Program, as it was called, was so urgent it even preceded the building of a national road system. In Unmasking the State, Mike McGovern attempts to understand why this program was so important to the emerging state and examines the complex role it had in creating a unified national identity. In doing so, he tells a dramatic story of cat and mouse where minority groups cling desperately to their importantÑ and outlawedÑcustoms. Primarily focused on the communities in the country's southeastern rainforest regionÑpeople known as ForestiersÑthe Demystification Program operated via a paradox. At the same time it banned rituals from Forestiers' day-to-day lives, it appropriated them into a state-sponsored program of folklorization. McGovern points to an important purpose for this: by objectifying this polytheistic group's rituals, the state created a viable counterexample against which the Muslim majority could define proper modernity. Describing the intertwined relationship between national and local identity making, McGovern showcases the coercive power and the unintended consequences involved when states attempt to engineer culture. (Key Words: Africa, Guinea, Islam, Masks). book. Bookseller Inventory # 77289X1

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Book Description The University of Chicago Press, United States, 2013. Paperback. Book Condition: New. 226 x 150 mm. Language: English . Brand New Book. When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed fetishes. The Demystification Program, as it was called, was so urgent it even preceded the building of a national road system. In Unmasking the State, Mike McGovern attempts to understand why this program was so important to the emerging state and examines the complex role it had in creating a unified national identity. In doing so, he tells a dramatic story of cat and mouse where minority groups cling desperately to their important - and outlawed - customs. Primarily focused on the communities in the country s south-eastern rainforest region - people known as Forestiers - the Demystification Program operated via a paradox. At the same time it banned rituals from Forestiers day-to-day lives, it appropriated them into a state-sponsored program of folklorization. McGovern points to an important purpose for this: by objectifying this polytheistic group s rituals, the state created a viable counter example against which the Muslim majority could define proper modernity.Describing the intertwined relationship between national and local identity making, McGovern showcases the coercive power and the unintended consequences involved when states attempt to engineer culture. Bookseller Inventory # AAH9780226925103

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