Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900-1930.
A Fine tight copy in a Very Good plus dust hacket that has sunning to the spine and front panel that is common wtih this title. In Le Tumulte noir, Jody Blake focuses on the impacts of African sculpture and African-American music and dance on Parisian popular entertainment and modernist art, literature, and performance. Blake discusses the reception of ragtime-era and jazz-age entertainment, as well as other African visual and performing art forms, to provide new ways of understanding the development of modernist primitivism, from Matisse and Picasso to Futurism, Dada, Surrealism, and Purism. But the influence of art nÈgre went well beyond the avant-garde art world. Starting with the cakewalk of the 1900s and culminating with the Charleston of the 1920s, the book studies the African-American idioms that were involved in larger cultural, social, and political developments. As an illustration, Blake argues that performers such as Josephine Baker and Sidney Bechet of Revue nÈgre fame were thought to affect the political balance between Africa and Europe during the colonial period. Le Tumulte noir is divided into six chronological chapters, each a well-researched, well-conceived, and well-written synthesis of the histories of art, literature, music, and dance. Catalog Jewel. Bookseller Inventory # 22903
About this title:
In France of the early twentieth-century, the term art nègre was as likely to refer to the black music and dance of America as to the sculpture of Africa. Indeed, music and dance, which both racial theorists and novelists portrayed as the "primitive" arts par excellence, were widely believed to exemplify the "genius" of blacks. In Le Tumulte noir, Jody Blake traces the profound impact African sculpture and African American music and dance had upon Parisian popular entertainment as well as upon avant-garde, modernist art, literature, and theater.
Through her discussion of the reception of ragtime and jazz, as well as other African visual and performing art forms, Blake provides new ways of understanding the development of modernist "primitivism," from Matisse and Picasso to Dada and Surrealism. She also demonstrates that the influence of art nègre went well beyond the art world. From the notorious cakewalk to the Charleston, African American idioms played a key role in shaping modern cultural, social, and political life.
About the Author:
Jody Blake is Curator of the Tobin Collection of Theatre Arts at the McNay Art Museum. She is co-author with Jeannette Lasansky of Rural Delivery: Real Photo Postcards from Central Pennsylvania, 1905?1935 (Penn State, 1996).
Title: Le Tumulte Noir: Modernist Art and Popular ...
Publisher: Penn State Press, University Park
Publication Date: 1999
Edition: First Printing of the First Edition.
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