Temporality and Film Analysis

Mroz, Matilda

Published by Edinburgh University Press, 2013
ISBN 10: 074868591X / ISBN 13: 9780748685912
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2013. Paperback. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. Num Pages: 240 pages. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 233 x 156 x 11. Weight in Grams: 322. . . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780748685912

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Title: Temporality and Film Analysis
Publisher: Edinburgh University Press
Publication Date: 2013
Binding: Soft cover
Book Condition: New

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Matilda Mroz
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Book Description EDINBURGH UNIVERSITY PRESS, United Kingdom, 2013. Paperback. Book Condition: New. 230 x 154 mm. Language: English . Brand New Book. This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. From this vantage point, the book reviews two major strands of film theory: embodied viewing and the senses, and the film-philosophy of Gilles Deleuze. Unlike much contemporary film theory, Mroz s book emphasises the necessity of considering the close relationship between intellectual comprehension and sensual apprehension, as mediated through film aesthetics. In the duration of the film experience, sensual responses to filmed textures and the interpretive contexts that we inevitably bring to bear on films are continually interacting. Exactly how this occurs is demonstrated in detailed case studies of films by Antonioni (L Avventura), Tarkovsky (Mirror) and Kieslowski (The Decalogue). Bookseller Inventory # AAB9780748685912

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Book Description Edinburgh University Press. Paperback. Book Condition: new. BRAND NEW, Temporality and Film Analysis, Matilda Mroz, This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. From this vantage point, the book reviews two major strands of film theory: embodied viewing and the senses, and the film-philosophy of Gilles Deleuze. Unlike much contemporary film theory, Mroz's book emphasises the necessity of considering the close relationship between intellectual comprehension and sensual apprehension, as mediated through film aesthetics. In the duration of the film experience, sensual responses to filmed textures and the interpretive contexts that we inevitably bring to bear on films are continually interacting. Exactly how this occurs is demonstrated in detailed case studies of films by Antonioni (L'Avventura), Tarkovsky (Mirror) and Kieslowski (The Decalogue). Bookseller Inventory # B9780748685912

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Book Description EDINBURGH UNIVERSITY PRESS, United Kingdom, 2013. Paperback. Book Condition: New. 230 x 154 mm. Language: English . Brand New Book. This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. From this vantage point, the book reviews two major strands of film theory: embodied viewing and the senses, and the film-philosophy of Gilles Deleuze. Unlike much contemporary film theory, Mroz s book emphasises the necessity of considering the close relationship between intellectual comprehension and sensual apprehension, as mediated through film aesthetics. In the duration of the film experience, sensual responses to filmed textures and the interpretive contexts that we inevitably bring to bear on films are continually interacting. Exactly how this occurs is demonstrated in detailed case studies of films by Antonioni (L Avventura), Tarkovsky (Mirror) and Kieslowski (The Decalogue). Bookseller Inventory # AAB9780748685912

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Book Description Paperback. Book Condition: New. Not Signed; This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical ac. book. Bookseller Inventory # ria9780748685912_rkm

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