"Simon Dinnerstein's Fulbright Triptych is one of those singular and astonishing works of art which seem to imply a description of the whole world merely by insisting on a scrupulous gaze at one perfect instant. It functions as a time capsule and a mirror for its viewers' souls, and so, despite personal and historical referential elements, has become permanently contemporary and universal. No surprise that it has now served as a point of instigation for a cycle of astonishing written responses; this book is like tuning the painting in like a radio, to a station where these responses were always already playing."
--Jonathan Lethem
"In "The Suspension of Time", Dinnerstein continues the life of "A." Being an artist, yet also recognizing oneself as the protagonist in an artist's project, must evoke curious and complex feelings - not unlike seeing oneself turn or being turned into a character in a novel."
--J.M. Coetzee
"Simon Dinnerstein's Fulbright Triptych is one of those singular and astonishing works of art which seem to imply a description of the whole world merely by insisting on a scrupulous gaze at one perfect instant. It functions as a time capsule and a mirror for its viewers' souls, and so, despite personal and historical referential elements, has become permanently contemporary and universal. No surprise that it has now served as a point of instigation for a cycle of astonishing written responses; this book is like tuning the painting in like a radio, to a station where these responses were always already playing."
--
Jonathan Lethem "In
The Suspension of Time, Dinnerstein continues the life of "A." Being an artist, yet also recognizing oneself as the protagonist in an artist's project, must evoke curious and complex feelings - not unlike seeing oneself turn or being turned into a character in a novel."
--
J.M. Coetzee